Harman Kardon HK330A Owners Manual - Page 10

Operating, Procedure

Page 10 highlights

OPERATING PROCEDURE Every control on this receiver serves a specific useful function and is important for the proper operation of your stereo system. We recommend that you read the following section carefully so you may take full advantage of the performance capabilities of your receiver. BALANCE CONTROL The balance control is used to adjust the sound level of each channel in relation to the other. The nature of stereophonic reproduction is such that it requires two identical channels to obtain the optimum stereo effect. As there may be slight differences in the location of the two speakers, tape heads, cartridges, etc., the balance control is provided to permit re-balancing of the overall system even in cases where extreme unbalance exists. It should be noted that the Balance control may be set anywhere within its range of adjustment to attain system balance. VOLUME CONTROL The Volume control is used to adjust the volume level of any program material fed into the stereo system. The control varies both channels simultaneously therefore eliminating the necessity of balancing your system each time you change the volume level. BASS AND TREBLE CONTROLS The BASS and TREBLE controls on your receiver provide the full range of tonal adjustment necessary for stereo high fidelity listening. The tone control range is considerable and can adequately adjust the low and high frequencies in accordance with your listening preference, speaker characteristics and room acoustics. FUNCTION SELECTOR SWITCH The Function selector switch selects the desired type of program source to be heard through your system. 1. AM: This position selects the AM section of your receiver for AM reception. 2. FM: Selects the FM section of your receiver. In this position you can listen to stereophonic broadcasts monophonically while monophonic broadcasts will appear unchanged. 3. FM STEREO: This is the normal listening position for all monophonic or stereophonic FM broadcasts. In this position the stereo indicator light and automatic switching circuit built into your receiver are operative. For further details see the paragraph on STEREO INDICATOR LIGHT and SELECTING MONOPHONIC OR STEREO FM BROADCASTS. 4. PHONO: Selects your record player for stereophonic operation. 5. TAPE AMP/AUX: Selects any program source such as tape recorder, the output of your television set, or any other high level equipment connected to the TAPE AMP/AUX receptacles on the rear of your receiver. POWER SWITCH Be sure to turn this switch off when not using the receiver. SPEAKER SYSTEM SELECTOR SWITCHES Your receiver has been provided with two independent speaker selector switches. If your receiver is connected with one set of speakers (1 system) as described in previous paragraph on speaker connections, the SPKR-1 switch must be in the "on" position. If you have 2 sets of speakers (2 systems) the SPKR-1 and SPKR-2 switches must both be in the "on" position for both systems to operate. Should you desire to listen to stereo headphones alone, the speakers (either one or both systems) can be turned off at your discretion. STEREO-MONO SWITCH When the switch is in the STEREO position the receiver is operating stereophonically. When the switch is in the MONO position, the receiver is operating monophonically. This position may be used when listening to monophonic records or any single channel program source through both speakers. SOURCE/MONITOR SWITCH If your tape recorder has a special monitoring feature, throwing the tape monitor switch to the MONITOR position will enable you to listen to your tapes a second after they are recorded. When not in use, this switch must be in the SOURCE position. If your tape recorder does not have any monitoring feature, throwing this switch will result in zero output from your speaker system. CONTOUR SWITCH One of the limitations of human hearing is its tendency to lose sensitivity to the very low pitched sounds as the program sound level is reduced. It is this characteristic (known as the Fletcher-Munson effect) which causes one to play music programs at high listening levels in order to experience the full rich tone available from fine modern recordings. The Harman-Kardon CONTOUR switch compensates for this effect; thereby eliminating high listening levels as a requisite for full enjoyment of reproduced music. For warm, full-bodied reproduction at low listening levels, throw the CONTOUR switch to the CONTOUR position. At high levels, the CONTOUR switch has no effect. 9

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OPERATING
PROCEDURE
Every
control
on
this
receiver
serves
a
specific
useful
function
and
is
important
for
the
proper
operation
of
your
stereo
system.
We
recommend
that
you
read
the
following
section
carefully
so
you
may
take
full
advantage
of
the
performance
capabilities
of
your
receiver.
BALANCE
CONTROL
The
balance
control
is
used
to
adjust
the
sound
level
of
each
channel
in
relation
to
the
other.
The
nature
of
stereophonic
reproduction
is
such
that
it
requires
two
identical
channels
to
obtain
the
optimum
stereo
effect.
As
there
may
be
slight
differences
in
the
location
of
the
two
speakers,
tape
heads,
cartridges,
etc.,
the
balance
control
is
provided
to
permit
re
-balancing
of
the
overall
system
even
in
cases
where
extreme
unbalance
exists.
It
should
be
noted
that
the
Balance
control
may
be
set
anywhere
within
its
range
of
adjustment
to
attain
system
balance.
VOLUME
CONTROL
The
Volume
control
is
used
to
adjust
the
volume
level
of
any
program
material
fed
into
the
stereo
system.
The
control
varies
both
channels
simultane-
ously
therefore
eliminating
the
necessity
of
balancing
your
system
each
time
you
change
the
volume
level.
BASS
AND
TREBLE
CONTROLS
The
BASS
and
TREBLE
controls
on
your
receiver
provide
the
full
range
of
tonal
adjustment
necessary
for
stereo
high
fidelity
listening.
The
tone
control
range
is
considerable
and
can
adequately
adjust
the
low
and
high
frequencies
in
accordance
with
your
listening
preference,
speaker
characteristics
and
room
acoustics.
FUNCTION
SELECTOR
SWITCH
The
Function
selector
switch
selects
the
desired
type
of
program
source
to
be
heard
through
your
system.
1.
AM:
This
position
selects
the
AM
section
of
your
receiver
for
AM
reception.
2.
FM:
Selects
the
FM
section
of
your
receiver.
In
this
position
you
can
listen
to
stereophonic
broadcasts
monophonically
while
monophonic
broadcasts
will
appear
unchanged.
3.
FM
STEREO:
This
is
the
normal
listening
position
for
all
monophonic
or
stereophonic
FM
broadcasts.
In
this
position
the
stereo
indicator
light
and
automatic
switching
circuit
built
into
your
receiver
are
operative.
For
further
details
see
the
paragraph
on
STEREO
INDICATOR
LIGHT
and
SELECTING
MONO-
PHONIC
OR
STEREO
FM
BROADCASTS.
4.
PHONO:
Selects
your
record
player
for
stereophonic
operation.
5.
TAPE
AMP/AUX:
Selects
any
program
source
such
as
tape
recorder,
the
output
of
your
television
set,
or
any
other
high
level
equipment
connected
to
the
TAPE
AMP/AUX
receptacles
on
the
rear
of
your
receiver.
POWER
SWITCH
Be
sure
to
turn
this
switch
off
when
not
using
the
receiver.
SPEAKER
SYSTEM
SELECTOR
SWITCHES
Your
receiver
has
been
provided
with
two
independent
speaker
selector
switches.
If
your
receiver
is
connected
with
one
set
of
speakers
(1
system)
as
de-
scribed
in
previous
paragraph
on
speaker
connections,
the
SPKR-1
switch
must
be
in
the
"on"
position.
If
you
have
2
sets
of
speakers
(2
systems)
the
SPKR-1
and
SPKR-2
switches
must
both
be
in
the
"on"
position
for
both
systems
to
operate.
Should
you
desire
to
listen
to
stereo
headphones
alone,
the
speakers
(either
one
or
both
systems)
can
be
turned
off
at
your
discretion.
STEREO
-MONO
SWITCH
When
the
switch
is
in
the
STEREO
position
the
receiver
is
operating
stereo-
phonically.
When
the
switch
is
in
the
MONO
position,
the
receiver
is
operating
monophonically.
This
position
may
be
used
when
listening
to
monophonic
records
or
any
single
channel
program
source
through
both
speakers.
SOURCE/MONITOR
SWITCH
If
your
tape
recorder
has
a
special
monitoring
feature,
throwing
the
tape
monitor
switch
to
the
MONITOR
position
will
enable
you
to
listen
to
your
tapes
a
second
after
they
are
recorded.
When
not
in
use,
this
switch
must
be
in
the
SOURCE
position.
If
your
tape
recorder
does
not
have
any
monitoring
feature,
throwing
this
switch
will
result
in
zero
output
from
your
speaker
system.
CONTOUR
SWITCH
One
of
the
limitations
of
human
hearing
is
its
tendency
to
lose
sensitivity
to
the
very
low
pitched
sounds
as
the
program
sound
level
is
reduced.
It
is
this
characteristic
(known
as
the
Fletcher
-Munson
effect)
which
causes
one
to
play
music
programs
at
high
listening
levels
in
order
to
experience
the
full
rich
tone
available
from
fine
modern
recordings.
The
Harman-Kardon
CONTOUR
switch
compensates
for
this
effect;
thereby
eliminating
high
listening
levels
as
a
requisite
for
full
enjoyment
of
reproduced
music.
For
warm,
full-bodied
reproduction
at
low
listening
levels,
throw
the
CONTOUR
switch
to
the
CONTOUR
position.
At
high
levels,
the
CONTOUR
switch
has
no
effect.
9