Mackie 1402-VLZ Pro Owner's Manual - Page 14

MIC 1 XDR MIC PRE MIC 2 XDR MIC PRE MIC 3 XDR MIC PRE MIC 4 XDR MIC PRE MIC 5 XDR MIC PRE MIC 6 XDR MIC PRE LEFT/MONO RIGHT 1 ALL BAL/UNBAL 1 TAPE TAPE INPUT OUTPUT L 2 2 R BAL/UNBAL L R BAL OR UNBAL LINE IN 1 LOW CUT 75 Hz 18dB/OCT U M-I1C0dGBAVIN BAL OR UNBAL LINE IN 2 LOW CUT 75 Hz 18dB/OCT U M-I1C0dGBAVIN BAL OR UNBAL LINE IN 3 LOW CUT 75 Hz 18dB/OCT U M-I1C0dGBAVIN BAL OR UNBAL LINE IN 4 LOW CUT 75 Hz 18dB/OCT U M-I1C0dGBAVIN BAL OR UNBAL LINE IN 5 LOW CUT 75 Hz 18dB/OCT U M-I1C0dGBAVIN BAL OR UNBAL LINE IN 6 LOW CUT 75 Hz 18dB/OCT U M-I1C0dGBAVIN STEREO AUX RETURN MONO L BAL OR UNBAL R AUX SEND MONO L BAL OR UNBAL R MONO L BAL OR UNBAL R MAIN OUT MONO L BAL OR UNBAL R 0 60 +15dB -45dB TRIM 0 60 +15dB -45dB TRIM 0 60 +15dB -45dB TRIM 0 60 +15dB -45dB TRIM 0 60 +15dB -45dB TRIM 0 60 +15dB -45dB TRIM LEVEL +4 -10 LINE IN 7-8 LEVEL +4 -10 LINE IN 9-10 LEVEL +4 -10 LINE IN 11-12 LEVEL +4 -10 LINE IN 13-14 TAPE IN These RCA jacks are designed to work with semi-pro as well as pro recorders. To compensate for typically low levels, signals coming in here will be automatically boosted by 6dB. Connect your tape recorder's outputs here, using standard hi-fi (RCA) cables. To learn how signals are routed from these inputs, see . SLEEVE TIP SLEEVE TIP Use these jacks for convenient tape playback of your mixes. You'll be able to review a mix, and then rewind and try another pass, without repatching or disturbing the mixer levels. You can also use these jacks with a portable tape or CD player to feed music to a PA system between sets. WARNING: Pushing TAPE in the SOURCE matrix and ASSIGN TO MAIN MIX can create a feedback path between TAPE IN and TAPE OUT. Make sure your tape deck is not in record, record-pause or input monitor mode when you engage these switches, or make sure the CTL ROOM / SUBMIX fader is fully down (off). Outputs? The 1402-VLZ PRO has plenty of 'em: XLR MAIN, 1⁄4" MAIN, TAPE, PHONES, CONTROL ROOM and AUX SENDS. Let's take a peek. XLR MAIN OUTPUTS These low-impedance outputs are fully bal- anced and capable of driving +4dBu lines with up to 28dB of headroom. This output is 6dB hotter than other outputs. To learn how sig- nals are routed to these outputs: . To use these outputs, wire the XLR (bal- anced only) connectors like this: SHIELD 2 HOT COLD 3 1 SHIELD 1 COLD 3 2 HOT 1 SHIELD 3 COLD 2 HOT Pin 1 = Ground Pin 2 = Positive (+ or hot) Pin 3 = Negative (- or cold) 14