Mackie 1604-VLZ Pro Owner's Manual

Mackie 1604-VLZ Pro Manual

Get Mackie 1604-VLZ Pro PDF manuals and user guides View all Mackie 1604-VLZ Pro manuals
Add to My Manuals
Save this manual to your list of manuals

Mackie 1604-VLZ Pro manual content summary:

  • Mackie 1604-VLZ Pro | Owner's Manual - Page 1
    1604-VLZ PRO 16-CHANNEL MIC/LINE MIXER OWNER'S MANUAL 120 VAC 50/60 Hz 20W 1A/250V SLO-BLO POWER PHANTOM U 2 +15 PRE U OO OO 1 +10 U 2 +10 AUX SEND OO OO 1 +20 U 2 +20 U OO OO 1 TO AUX SEND 1 +15 EFFECTS TO U MONITORS 2 TO AUX SEND 2 +15 ASSIGN OPTIONS 3 53 53 53 53 53 53 53 53
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 2
    , or its chassis damaged. 13. Servicing - The user should not attempt to service this Mackie product beyond those means described in this operating manual. All other servicing should be referred to the Mackie Service Department. 14. To prevent electric shock, do not use this polarized plug with an
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 3
    , the channel faders and the MAIN MIX fader should be set near the "U" (unity gain) markings. Always turn the MAIN MIX fader and CTL ROOM/PHONES knob down before making connections to and from your 1604-VLZ PRO. If you shut down your equipment, turn off your amplifiers first. When powering up
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 4
    U 1604-VLZ PRO 12V 16-CHANNEL MIC/ LINE MIXER 0.5A WITH PREMIUM XDRTM MIC PREAMPLIFIERS LAMP U U U 1 +15 U 1 +15 U 1 +15 U 1 +15 U 1 +15 U 1 +15 U 1 +15 U 1 +15 U 1 +15 U 1 +15 U 1 +15 U 1 +15 U 1 +15 U 1 +15 U 1 +15 U 1 +15 U 1 +10 U 1 +20 U 1 TO AUX SEND 1 +15 EFFECTS
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 5
    3 INSTANT MIXING 3 HOOKUP DIAGRAMS 6 CONVERTING TO RACKMOUNT MODE 9 PATCHBAY DESCRIPTION 10 E-Z INTERFACE 10 MIC/LINE INPUTS ON EVERY CHANNEL .... 10 MIC INPUTS 10 PHANTOM POWER 10 LINE INPUTS 11 TRIM 11 INSERT 11 DIRECT OUT 11 SPLIT MONITORING 12 AUX SEND OUTPUTS 12 EFFECTS: SERIAL OR
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 6
    Bass Preamp Guitar Effects HOOKUP DIAGRAMS 1 234 RL PHONES OUT 4 RL SUB OUTS BAL/UNBAL C/R OUT BAL/UNBAL AUX RETURNS 3 2 RL RL 1 RL L L R R TAPE TAPE OUT IN RL RL 16 15 14 MAIN INSERT STEREO MONO MAIN OUT BAL/UNBAL AUX SENDS BAL/UNBAL 654321 DIRECT OUT BAL/UNBAL 87654321
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 7
    INPUTS 4 32 1 4 RL AUX RETURNS 3 2 RL RL 1 RL AUX SENDS BAL/UNBAL 654321 DIRECT OUT BAL/UNBAL 87654321 CHANNEL INSERTS 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 ;; ;; Digital Delay Mono in / stereo out Reverb Mono EQ Mono EQ Stage Monitor Stage Monitor Stereo Compressor Stereo
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 8
    ; 1604-VLZ PRO Video Setup 8 out Computer with Audio Card Studio Monitors HIGH RESOLUTION STUDIO MONITOR OL PWR ON OFF HIGH RESOLUTION STUDIO MONITOR OL PWR ON OFF in FULL SYMMETRY DUAL DIFFERENTIAL HIGH CURRENT DESIGN CH CH 1 2 Multi-VCR Video Switcher with Time Code Interface Stereo
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 9
    to constrict or pinch any of the ribbon or power cables. 7. Carefully install the podmounting screws in their new locations . 8. Install the rack ears that came with the mixer. They can be installed in either of two depths: mixer's surface flush with the rack rails, like ordinary rackmount equipment
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 10
    live sound users were forced to go out and buy the XLR-10 mic input add-on module. No more. Each and every channel on the New Improved 1604-VLZ PRO has the legendary Mackie mic/line input circuit. It's like getting a free XLR-10 with your mixer! MIC INPUTS We use phantom-powered, balanced microphone
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 11
    = SEND to effect, RING = RETURN from effect.) DIRECT OUT Found only on channels 1-8, these 1/4" jacks deliver the signal from the very end of the channel path; post-TRIM, post-EQ, post-LOW CUT, post-fader and post-MUTE. They are the key player in "split monitoring," making the 1604-VLZ PRO perfect
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 12
    to the next eight LINE inputs on the 1604-VLZ PRO (multitrack out 1 to LINE input 9, 2 to 10, 3 to 11, etc.). Aha! That's why it says "TRACK 1" next to channel 9's fader, "TRACK 2" next to channel 10, and so forth. These channels (9-16) will be assigned to the mixer's output section, delivering the
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 13
    of the signal in the mixer is tapped off to the device (AUX SEND), processed, and returned to the mixer (AUX RETURN) to be mixed with the original "dry" signal. This way, multiple channels can all make use of the same effects device. Examples: reverb, digital delay. AUX RETURN INPUTS This is where
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 14
    ). Do not attempt this with any other outputs on the 1604-VLZ PRO. TAPE INPUT These unbalanced RCA jacks are designed to work with semipro as well as pro recorders. Connect your 2-track tape recorder's outputs here, using standard hi-fi RCA cables. To learn how signals are routed from these inputs
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 15
    unity gain halfway between the one and two o'clock positions. POWER CONNECTION Just in case you lose the cord provided with the 1604-VLZ PRO, its power jack accepts a standard 3-prong IEC cord like those found on most professional recorders, musical instruments, and computers. At the other end of
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 16
    the phantom power circuitry takes a few moments for voltage to ramp up (or down). This is also perfectly normal. For an even closer look, refer to Appendix C. 1604-VLZ PRO 12V 16-CHANNEL MIC/ LINE MIXER 0.5A WITH PREMIUM XDRTM MIC PREAMPLIFIERS LAMP U U U 1 +10 U 1 +20 U 1 TO AUX SEND
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 17
    there, the subgroups can be sent back to the MAIN MIX , allowing you to use the subgroup faders as a master control for those channels. OO OO OO OO OO TRIM 1 U M-1IC0dGBAVIN 0 60 +15dB -45dB AUX U 1 +15 U 2 +15 PRE U 3 5 +15 U 4 6 +15 5/6 SHIFT EQ U HI 12k -15 +15 U MID -15 +15
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 18
    the signal's voltage exceeds the supply voltages that power the circuitry. The 1604-VLZ PRO's OL LED will come on just before clipping, so if you see it, take immediate action: Perform the Level-Setting Procedure . If that doesn't help, check for excessive use of EQ boost or fader gain. Like the -20
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 19
    sound sources to a mixer, always plug the left signal into an "odd" channel (1, 3, 5, etc.) and the right signal into the adjacent "even" channel (2, 4, 6, etc.). Then pan the odd channel hard left and the even channel hard right. CONSTANT LOUDNESS ! ! ! The 1604-VLZ PRO's PAN controls employ
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 20
    do. The AUX SEND output are then patched to parallel effects processor inputs or stage monitor amp inputs. AUX SENDS 1 and 2 levels are controlled not only by the channel's AUX knobs, but also by the AUX SEND master knobs . AUX SENDS can also be used to generate separate mixes for recording or "mix
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 21
    have no effect on the PRE sends. This is the preferred method for setting up stage monitor feeds - they'll be controlled independently of the fader and mute moves. 5/6 SHIFT Don't let the fact that there's only four AUX knobs per channel fool you - the 1604-VLZ PRO has six AUX SENDs. With the
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 22
    OUTPUT SECTION DESCRIPTION 1604-VLZ PRO 12V 16-CHANNEL MIC/ LINE MIXER 0.5A WITH PREMIUM XDRTM MIC PREAMPLIFIERS LAMP U U U 1 +10 U 1 +20 U 1 TO AUX SEND 1 +15 EFFECTS TO U MONITORS OO OO OO OO OO OO 2 +10 AUX SEND 2 +20 U 2 TO AUX SEND 2 +15 ASSIGN OPTIONS 1 3 OO OO SOLO
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 23
    the engineer sends the main mix to an audience (if live) or to a mixdown deck (if recording). But what if the engineer needs to hear something other than the main mix? With the New Improved 1604-VLZ PRO, the engineer has several choices of what to listen to. This is one of those tricky parts - have
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 24
    (PFL)) You may have already seen this, but in case you missed it: The 1604-VLZ PRO's solo system comes in two flavors: NORMAL (AFL) (sometimes called SIP, or solo-in-place) and LEVEL SET (PFL) (sometimes called PFL, or pre-fader-listen). U LEFT RIGHT 0 dB=0 dBu 28 +20 10 TAPE IN 7 OO
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 25
    the level of stage monitors, since you'll be using AUX 1 and 2 for this, with their PRE switches en- gaged . AUX SENDS 3 through 6 have no such control - they'll just send their mixes directly to their respective AUX SEND out- 1604-VLZ PRO 12V 16-CHANNEL MIC/ LINE MIXER 0.5A WITH PREMIUM
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 26
    low-level effects. Signals passing 1604-VLZ PRO 12V 16-CHANNEL MIC/ LINE MIXER 0.5A WITH PREMIUM XDRTM MIC PREAMPLIFIERS LAMP through the STEREO AUX RETURN level controls will proceed directly to the MAIN MIX U 1 +10 U U 1 +20 U U 1 TO AUX SEND 1 +15 EFFECTS TO U MONITORS fader , with
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 27
    of the STEREO AUX RETURNS you don't want to hear, or MUTE the channels feeding the unwanted signal to the effects device you do want to hear. Congratulations! You've just read about all the features of your 1604-VLZ PRO. You're probably ready for a cold one. Go ahead. The rest of the manual can wait
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 28
    1604-VLZ PRO BLOCK DIAGRAM CR/PHN R CR/PHN L LOGIC PFL SIP R SIP L AUX 6 AUX 5 AUX 4 AUX 3 AUX 2 AUX 1 SUB 4 SUB 3 SUB 2 SUB 1 MAIN R MAIN L 28 PHANTOM POWER (GLOBAL SWITCH TRIM MIC IN LINE IN DIRECT OUT (CH'S 1-8 ONLY) INPUT CHANNEL (1 OF 16) L AUX RETURN 1 R L AUX RETURN 2 R L AUX RETURN 3 R
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 29
    Tape Out EQ FADER PAN MIX FADER OUTPUTS CHANNEL MAIN MIX & SUBMASTERS 0dB to 'A' From 'B' +15dB up +22dBu max out +10dB up 0dB Channel SEND AUX MIX AUX 1 & 2 Master OUTPUT AUX SEND +22dBu max in +20dB up INPUT LEVEL 0dB to 'C' AUX RETURN MACKIE 1604-VLZ PRO LEVEL DIAGRAM +15db
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 30
    1kg) 1604 VLZ-PRO with pod normal 5.0" (127mm) 5.6" (142.2mm) 1604-VLZ PRO WEIGHT 20.0 lbs. (9.1 kg) 17.6" (447.0mm) 10 rack spaces 19.0" (482.6mm) 17.3" (442.0mm) 1604-VLZ PRO with pod to back 8.7" (221.0mm) 9.3" (236.2mm) 13.0" (325.1mm) 8 rack spaces 1604-VLZ PRO with optional rotopod
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 31
    1604-VLZ PRO is only available from Mackie Designs, located in sunny Woodinville, Washington. (Service for mixers living outside the United States can be obtained through local dealers or distributors.) If your mixer needs service, follow these instructions: 1. Review the preceding troubleshooting
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 32
    input routing of the signal or serve other functions. Mackie uses switches in the channel insert and bus insert jacks, input jacks and AUX returns. We also use these switches to ground the line-level inputs when nothing is plugged into them. In most cases, the plug must be inserted fully to activate
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 33
    most cases, the balanced ground (earth) will also be connected to the ground (earth) at the unbalanced input. If there are ground-loop problems, Mackie's single-jack inserts are the threeconductor, TRS-type 1⁄4" phone. They are unbalanced, but have both the mixer output (send) and the mixer input
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 34
    you are tapping from the mixer. That will affect the internal signal. MONO PLUG Channel Insert jack Direct out with no signal interruption to master. Insert only to first "click." MACKIE STEREO INPUTS AND RETURNS: Mono, Stereo, Whatever Stereo line inputs and stereo AUX returns are a fine example
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 35
    inputs. If you need to combine several outputs into one input, you must use a mixer, not a mult or a "Y." RING (RETURN) TIP (SEND) FROM PROCESSOR OUTPUT TO PROCESSOR INPUT RING (IN) TIP (OUT) RING TIP (RETURN) (SEND) TO MIXER CHANNEL INSERT Y-cord insert cable Y-cord splitter cable 35
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 36
    1604-VLZ PRO 16-CHANNEL MIC/ LINE MIXER WITH PREMIUM XDRTM MIC PREAMPLIFIERS Session: Date: NOTES: TRIM 1 -45dB 0 60 +15dB -45dB 0 60 +15dB -45dB 0 60 +15dB -45dB 0 60 +15dB -45dB AUX AUX AUX AUX AUX AUX AUX AUX A U U U U U U U U 1 1 1 1 1 1 1 1 1 +15 U +15
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 37
    1604-VLZ PRO 12V 16-CHANNEL MIC/ LINE MIXER 0.5A WITH PREMIUM XDRTM MIC PREAMPLIFIERS 0 60 +15dB -45dB 0 60 +15dB -45dB 0 60 +15dB -45dB 0 60 +15dB -45dB 0 60 +15dB -45dB 0 60 +15dB -45dB 0 60 +15dB -45dB 0 60 +15dB -45dB LAMP AUX U AUX U AUX U AUX U AUX U AUX
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 38
    , based on a vignette by Ron Koliha, with tidbits borrowed from almost everywhere. Manual then defaced with proofreading pens in the hands of Mackie's legendary Tech Support staff. Manual composed on a rinky-dink PC using a low-budget word processor, then converted to this amazing piece of work
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 39
    of this manual. Do not use "packing peanuts," shredded newspapers, or other material with small particles, old underwear, or socks. Please seal the Mackie product in a plastic bag. 3. Also include a note explaining exactly how to duplicate the problem, a copy of the sales receipt with price and date
  • Mackie 1604-VLZ Pro | Owner's Manual - Page 40
    Mackie Designs Inc. 16220 Wood-Red Road NE • Woodinville, WA 98071 • USA US and Canada: 800.898.3211 Europe, Asia, Central and South America: 425.487.4333 Middle East and Africa: 31.20.654.4000 Fax: 425.487.4337 • www.mackie.com E-mail: [email protected]
  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
1604-VLZ PRO
16-CHANNEL
MIC
/
LINE MIXER
OWNER’S MANUAL
16
15
14
13
12
11
10
9
8
7
6
5
4
3
2
1
PAN
AUX
3
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
EQ
5
4
6
5/6
SHIFT
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
TRIM
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
SOLO
L -
R
3–4
1–2
SOLO
L - R
3–4
1–2
SOLO
L - R
3–4
1–2
SOLO
L - R
3–4
1–2
SOLO
L - R
3–4
1–2
SOLO
L - R
3–4
1–2
SOLO
L - R
3–4
1–2
SOLO
L - R
3–4
1–2
SOLO
L - R
3–4
1–2
SOLO
L - R
3–4
1–2
SOLO
L - R
3–4
1–2
SOLO
L - R
3–4
1–2
SOLO
L - R
3–4
1–2
SOLO
L - R
3–4
1–2
SOLO
L - R
3–4
1–2
SOLO
L - R
3–4
1–2
OL
-20
OL
-20
OL
-20
OL
-20
OL
-20
OL
-20
OL
-20
OL
-20
OL
-20
OL
-20
OL
-20
OL
-20
OL
-20
OL
-20
OL
-20
OL
-20
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
TRIM
TRIM
TRIM
TRIM
TRIM
TRIM
TRIM
TRIM
TRIM
TRIM
TRIM
TRIM
TRIM
TRIM
TRIM
TRACK
8
TRACK
7
TRACK
6
TRACK
5
TRACK
4
TRACK
3
TRACK
2
TRACK
1
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
+15
-15
U
+15
-15
800
2k
200
8k
U
+15
-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
100
+15
-15
800
2k
200
8k
100
+15
-15
800
2k
200
8k
100
+15
-15
800
2k
200
8k
100
+15
-15
800
2k
200
8k
100
+15
-15
800
2k
200
8k
100
+15
-15
800
2k
200
8k
100
+15
-15
800
2k
200
8k
100
+15
-15
800
2k
200
8k
100
+15
-15
800
2k
200
8k
100
+15
-15
800
2k
200
8k
100
+15
-15
800
2k
200
8k
100
+15
-15
800
2k
200
8k
100
+15
-15
800
2k
200
8k
100
+15
-15
800
2k
200
8k
100
+15
-15
800
2k
200
8k
100
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
1
MUTE
U
O
O
+15
U
+15
-15
U
U
+15
-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
O
O
+15
2
MUTE
U
O
O
+15
U
+15
-15
U
U
+15
-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
O
O
+15
3
MUTE
U
O
O
+15
U
+15
-15
U
U
+15
-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
O
O
+15
4
MUTE
U
O
O
+15
U
+15
-15
U
U
+15
-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
O
O
+15
5
MUTE
U
O
O
+15
U
+15
-15
U
U
+15
-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
O
O
+15
6
MUTE
U
O
O
+15
U
+15
-15
U
U
+15
-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
O
O
+15
7
MUTE
U
O
O
+15
U
+15
-15
U
U
+15
-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
O
O
+15
8
MUTE
U
O
O
+15
U
+15
-15
U
U
+15
-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
O
O
+15
9
MUTE
U
O
O
+15
U
+15
-15
U
U
+15
-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
O
O
+15
10
MUTE
U
O
O
+15
U
+15
-15
U
U
+15
-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
O
O
+15
11
MUTE
U
O
O
+15
U
+15
-15
U
U
+15
-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
O
O
+15
12
MUTE
U
O
O
+15
U
+15
-15
U
U
+15
-15
12k
HI
MID
MID
MID
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
O
O
+15
13
MUTE
U
O
O
+15
U
+15
-15
U
U
+15
-15
12k
HI
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
O
O
+15
14
MUTE
U
O
O
+15
U
+15
-15
U
U
+15
-15
12k
HI
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
O
O
+15
15
MUTE
U
O
O
+15
U
+15
-15
U
U
+15
-15
12k
HI
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
O
O
+15
16
MUTE
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
U
U
U
U
U
U
U
U
U
U
U
U
U
U
U
U
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
AUX
SEND
STEREO AUX RETURN
EFFECTS TO
MONITORS
TO AUX
SEND 2
TO AUX
SEND 1
1
2
PWR
PHAN
SOLO
SOLO
1
2
1
2
3
4
1
2
C-R / PHNS
ONLY
RETURNS
SOLO
MAIN MIX
TO SUBS
ASSIGN OPTIONS
1–2
3–4
U
O
O
+20
U
O
O
+20
U
O
O
+15
U
O
O
+15
U
O
O
+20
U
O
O
+20
U
O
O
+10
U
O
O
+10
LEFT RIGHT
PHONES
LAMP
12V
0.5A
TAPE IN
SOLO
RUDE
SOLO
LIGHT
CTL ROOM / PHONES
SUBS 3–4
SUBS 1–2
MAIN MIX
CTL ROOM
SOURCE
TAPE
TAPE TO
MAIN MIX
MAIN
MIX
RIGHT
1
2
3
4
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
LEFT
28
10
7
4
2
2
0
4
7
10
20
30
ASSIGN TO MAIN MIX
LEVEL
SET
MODE
(AFL)
LEVEL SET
NORMAL
(PFL)
U
O
O
+20
O
O
O
O
MAX
0 dB=0 dBu
MAX
dB
30
20
10
O
O
40
50
5
5
U
60
10
dB
30
20
10
O
O
40
50
5
5
U
60
10
1604-VLZ
PRO
16-CHANNEL MIC/ LINE MIXER
WITH PREMIUM XDR
TM
MIC PREAMPLIFIERS
1604-VLZ
PRO
16-CHANNEL MIC/ LINE MIXER
WITH PREMIUM XDR
TM
MIC PREAMPLIFIERS
UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
4
3
2
1
INSERT
INSERT
INSERT
LINE
INSERT
MIC 4
MIC 3
MIC 2
MIC 1
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
LINE
LINE
LINE
O
O
+6
PHANTOM
ON
POWER
ON
120 VAC 50/60 Hz 20W
1A/250V SLO-BLO
16
15
14
13
12
11
10
9
8
7
6
5
MIC 16
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
MIC 15
MIC 14
MIC 13
MIC 12
MIC 11
MIC 10
MIC 9
MIC 8
MIC 7
MIC 6
MIC 5
SUB OUT
C-R OUT
MAIN INSERT
(TIP SEND
RING RETURN)
TAPE
TAPE
MAIN OUT
AUX SEND
DIRECT OUT
AUX RETURN
3
R
L
MONO
R
R
R
R
L
R
L
R
L
R
L
L
L
L
1
4
2
5
1
2
3
4
3
1
6
4
2
7
5
3
8
6
4
1
2
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
INPUT
OUTPUT
R
L
(MONO)
(MONO)
(MONO)
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
LINE
LINE
LINE
LINE
LINE
LINE
LINE
LINE
LINE
LINE
LINE
LINE
TO REDUCE THE
RISK OF
FIRE REPLACE WITH SAME
TYPE FUSE AND RATING
CAUTION:
UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • COPYRIGHT ©1998 • THE FOLLOWING ARE TRADEMARKS OR
REGISTERED TRADEMARKS OF MACKIE DESIGN INC.: "MACKIE", "VLZ", "XDR", AND THE "RUNNING MAN" FIGURE •
US PATENT NUMBER 29/049,129
XDR
TM
EXTENDED DYNAMIC RANGE MIC PREAMPLIFIERS ARE PROPRIETARY TO MACKIE DESIGNS, INC.
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E