Mackie 1604-VLZ Pro Owner's Manual - Page 17

Channel Strip Description, \, Fader, Assign (1-2, 3-4, L-R

Page 17 highlights

CHANNEL STRIP DESCRIPTION The sixteen channel strips look alike and function identically. The only difference is that the eight on the left have DIRECT OUT jacks and the eight on the right don't. We'll start at the bottom and work our way up. "U" LIKE UNITY GAIN Mackie mixers have a "U" symbol on almost every level control. This "U" stands for "unity gain," meaning no change in signal level. Once you have performed the Level-Setting Procedure , you can set every control at "U" and your signals will travel through the mixer at optimal levels. What's more, all the labels on our controls are measured in decibels (dB), so you'll know what you're doing level-wise if you choose to change a control's settings. You won't have to check it here and check it there, as you would with some other mixers. In fact, some don't even have any reference to actual dB levels at all! Ever seen those "0-10" fader markings? We call these AUMs (Arbitrary Units of Measurement), and they mean nothing in the real world. You were smart - you bought a Mackie. FADER The fader is almost the last control in a channel's signal path. It's placed after the EQ and MUTE controls (post-EQ /post-MUTE and before the PAN control (pre-PAN). The "U" mark, about three-quarters of the way up, indicates unity gain, meaning no increase or decrease of signal level. All the way up provides an additional 10dB, should you need to boost a section of a song. If you find that the overall level is too quiet or too loud with a fader near unity, you'll want to confirm the TRIM setting by performing the Level-Setting Procedure . A Clean Fade Faders are not rocket science - they operate by dragging a metal pin (the wiper) across a carbon-based strip (the track). It is possible for airborne crud to land on the track. Should that happen, you may hear scratchy noises or signal dropouts as the wiper stumbles over the crud. Do all you can to keep airborne crud out of your profession. Use air conditioned rooms whenever possible, avoid smoking near the mixer, keep food and drink away from the mixer, and for pity's sake, never put the mixer in your kitchen! We also recommend "exercising" the faders - give them a few full-travel excursions once a week or so, and that will help scare the crud away. We do not recommend spray cleaners. ASSIGN (1-2, 3-4, L-R) Alongside each channel fader are four buttons, labeled SOLO, 1-2, 3-4 and L-R. The latter three are collectively referred to as channel assignment switches. 1, 3 and L are the left sides of these stereo pairs, and 2, 4 and R are the right sides. Used in conjunction with the channel's PAN knob , these switches determine the destination of a channel's signal: With the PAN knob set at the center detent, the left and right sides receive equal signal levels. To feed only one side or the other, just turn the PAN knob accordingly. If you're doing a mixdown to a 2-track, simply engage the L-R switch on each channel that you want to hear, and they'll be sent to the MAIN MIX. If you want to create a subgroup of certain channels, engage either the 1-2 or 3-4 switches instead of the L-R, and they'll be sent to the appropriate subgroup faders . From there, the subgroups can be sent back to the MAIN MIX , allowing you to use the subgroup faders as a master control for those channels. OO OO OO OO OO TRIM 1 U M-1IC0dGBAVIN 0 60 +15dB -45dB AUX U 1 +15 U 2 +15 PRE U 3 5 +15 U 4 6 +15 5/6 SHIFT EQ U HI 12k -15 +15 U MID -15 +15 800 200 2k 100 8k U LOW 80Hz -15 +15 LOW CUT 75 Hz 18dB/OCT PAN LR 1 MUTE OL -20 SOLO 1-2 3-4 L - R 17

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17
CHANNEL STRIP DESCRIPTION
A Clean Fade
Faders are not rocket
science — they operate by
dragging a metal pin (the
wiper) across a carbon-based
strip (the track). It is possible for airborne
crud to land on the track. Should that happen,
you may hear scratchy noises or signal drop-
outs as the wiper stumbles over the crud. Do
all you can to keep airborne crud out of your
profession. Use air conditioned rooms when-
ever possible, avoid smoking near the mixer,
keep food and drink away from the mixer, and
for pity’s sake, never put the mixer in your
kitchen! We also recommend “exercising” the
faders — give them a few full-travel excur-
sions once a week or so, and that will help
scare the crud away. We do
not
recommend
spray cleaners.
ASSIGN (1–2, 3–4, L–R)
Alongside each channel fader are four but-
tons, labeled
SOLO
,
1–2
,
3–4
and
L–R
. The
latter three are collectively referred to as chan-
nel assignment switches.
1
,
3
and
L
are the left
sides of these stereo pairs, and
2
,
4
and
R
are
the right sides. Used in conjunction with the
channel’s
PAN
knob
, these switches deter-
mine the destination of a channel’s signal:
With the
PAN
knob set at the center detent,
the left and right sides receive equal signal
levels. To feed only one side or the other, just
turn the
PAN
knob accordingly.
If you’re doing a mixdown to a 2-track, sim-
ply engage the
L–R
switch on each channel
that you want to hear, and they’ll be sent to the
MAIN MIX
. If you want to create a subgroup of
certain channels, engage either the
1–2
or
3–4
switches instead of the
L–R
, and they’ll be sent
to the appropriate subgroup faders
. From
there, the subgroups can be sent back to the
MAIN MIX
, allowing you to use the sub-
group faders as a master control for those
channels.
The sixteen channel strips look alike and
function identically. The only difference is that
the eight on the left have
DIRECT OUT
jacks
and the eight on the right don’t. We’ll start
at the bottom and work our way up.
“U” LIKE UNITY GAIN
Mackie mixers have a “
U
symbol on almost every level
control. This “
U
” stands for
“unity gain,” meaning no
change in signal level. Once you have per-
formed the
Level-Setting Procedure
, you
can set every control at “U” and your signals
will travel through the mixer at optimal lev-
els. What’s more, all the labels on our controls
are measured in decibels (dB), so you’ll know
what you’re doing level-wise if you choose to
change a control’s settings.
You won’t have to check it here and check it
there, as you would with some other mixers. In
fact, some don’t even have any reference to
actual dB levels at all! Ever seen those “0–10”
fader markings? We call these AUMs (Arbitrary
Units of Measurement), and they mean noth-
ing in the real world. You were smart — you
bought a Mackie.
FADER
The fader is almost the last control in a
channel’s signal path. It’s placed after the
EQ
and
MUTE
controls (post-
EQ
/post-
MUTE
and
before the
PAN
control (pre-
PAN
). The “
U
mark, about three-quarters of the way up,
indicates unity gain, meaning no increase or
decrease of signal level. All the way up pro-
vides an additional 10dB, should you need to
boost a section of a song. If you find that the
overall level is too quiet or too loud with a
fader near unity, you’ll want to confirm the
TRIM
setting by performing the
Level-Setting
Procedure
.
PAN
AUX
3
1
2
EQ
5
4
6
5/6
SHIFT
PRE
TRIM
1
SOLO
L - R
3–4
1–2
OL
-20
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
+15
-15
U
+15
-15
800
2k
200
8k
U
+15
-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
100
U
O
O
+15
1
MUTE
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
L
R
O
O
U