Mackie MS1202-VLZ Architect's Specs
Mackie MS1202-VLZ Manual
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- Mackie MS1202-VLZ | Architect's Specs - Page 1
2/10/98 ® 12x2 MICRO SERIES MIC/LINE MIXER 1. GENERAL CONFIGURATION. The mixer shall accommodate 4 line or 4 microphone signals, mono THE U.S., CALL 425/487-4333 FAX 425/485-1152 +22dBu. OTHER OUTPUTS: The mixer shall include 1 stereo pair of Alt 3-4 outputs using bal/unbal 1/4" TRS phone jacks - Mackie MS1202-VLZ | Architect's Specs - Page 2
kilohms; Output impedance: Tape Out, 1.1 kilohms; all other outputs, 120 ohms. The mixer shall be a Mackie Designs MicroSeries 1202-VLZ, and shall alternatively be referred to as an MS1202-VLZ. Because Mackie Designs constantly endeavors to improve its products with new components and manufacturing
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MORE INFORMATION
THESE SPECIFICATIONS
ARE AVAILABLE ON 3.5”
PC & MAC FORMAT DISK
IN POPULAR WORD
PROCESSOR FORMATS
■
CALL 800/258-6883
FAX 425/487-4337
OUTSIDE THE U.S., CALL
425/487-4333
FAX 425/485-1152
®
2/10/98
1. GENERAL CONFIGURA-
TION.
The mixer shall
accommodate 4 line or 4
microphone signals, mono
channels 1–4; 8 line signals,
stereo channels 5–12; 2
stereo pairs of Aux Return
inputs; 4 Send/Return
channel Inserts; 3 stereo pairs
of Main Mix outputs; 1 stereo
pair of Control Room out-
puts; 1 stereo pair of Alt 3–4
outputs; 2 Aux Send outputs;
and 1 stereo headphone
output. The mixer shall be
capable of placement on a
table or installation in a
standard 19-inch rack mount
(via optional rack rail
brackets) and shall be
entirely self-contained.
2. MIXER INPUTS.
MONO
CHANNELS 1–4:
The mixer
shall include 4 electronically
balanced mic inputs, using
XLR-3-F-type connectors,
accepting nominal levels
from –60dBu to +14dBu via
4 rotary Trim controls.
Phantom power shall be
available via a globally-
controlled rocker-type switch.
4 balanced or unbalanced
(bal/unbal) line inputs shall
be wired in parallel, using
1
/
4
" TRS phone jacks,
accepting nominal levels
from –40dBu to +22dBu.
The mixer shall include 4
channel Inserts, using
1
/
4
"
TRS phone jacks (tip=send,
ring=return, sleeve=ground),
delivering and accepting
nominal levels from –10dBV
to +22dBu. STEREO CHAN-
NELS 5/6, 7/8, 9/10 and
11/12:
The mixer shall
include 8 bal/unbal line
inputs, forming 4 stereo
input pairs, using
1
/
4
" TRS
phone jacks, accepting
nominal levels from –10dBV
to +22dBu. OTHER INPUTS:
The mixer shall include 4 bal/
unbal Aux Return inputs,
forming two stereo pairs, using
1
/
4
" TRS phone jacks, accept-
ing nominal levels from
–10dBV to +22dBu. The mixer
shall include 1 stereo pair of
Tape In jacks, using unbal-
anced RCA-type phono jacks,
accepting nominal levels from
–20dBV to +16dBu.
3. MIXER OUTPUTS.
MAIN
OUTPUTS:
The mixer’s Main
Output stereo pairs shall be
fitted in three ways: Using
balanced XLR-3-M-type
connectors, delivering
nominal levels from –6dBV
to +28dBu, including 1 Main
Output Level switch to
provide 30dB attenuation
(XLR outputs only); using
bal/unbal
1
/
4
" TRS phone
jacks, delivering nominal
levels from –10dBV to
+22dBu; and using unbal-
anced RCA-type phono
jacks, delivering nominal
levels from –10dBV to
+22dBu. OTHER OUTPUTS:
The mixer shall include 1
stereo pair of Alt 3–4 outputs
using bal/unbal
1
/
4
" TRS
phone jacks, delivering
nominal levels from –10dBV
to +22dBu; 1 stereo pair of
Control Room outputs using
bal/unbal
1
/
4
" TRS phone
jacks, delivering nominal
levels from –10dBV to
+22dBu; 2 Aux Send outputs
using bal/unbal
1
/
4
" TRS
phone jacks, delivering
nominal levels from –10dBV
to +22dBu; and 1 Head-
phones output using an
unbalanced
1
/
4
" TRS phone
jack (tip=left, ring=right,
sleeve=ground).
12
x
2 MICRO SERIES MIC/LINE MIXER
®