Mackie Mix 260FX Owners Manual - Page 6

Introduction - tapco mixer

Page 6 highlights

INTRODUCTION Thank you for choosing a TAPCO MIX FX Series mixer. The TAPCO family of mixers hails back to the days of TAPCO Corporation, Greg Mackie's first company. TAPCO revolutionized the audio industry back in 1969 with the very first 6-channel mixer specifically designed for keyboards and rock 'N' roll PA. The first TAPCO mixer, although primitive by today's standards, was truly innovative for its time. It had the headroom to handle screaming singers, was priced for the pocketbook of starving psychedelic musical neophytes, and durable enough to withstand mammoth levels of wear and tear on the road, and at nowlegendary concerts. In essence, TAPCO re-defined the price/performance ratio and made high-quality professional audio mixers accessible to virtually anyone. Today, TAPCO is reborn with the same ideals and is backed by the world-class engineering and manufacturing horsepower of LOUD Technologies. These compact mixers are perfect for small to medium-sized live sound reinforcement applications, keyboards and synths, video, and small-project studio applications. HERE'S A QUICK GLANCE AT ALL THE FEATURES PACKED INTO THESE MIXERS: Mono mic/line channels: • XLR microphone input jack • 1/4" TRS line-input jack • Phantom power, globally switched • Variable input trim (0 to +50 dB) • Overload (OL) indicator LED • Monitor Aux Send with Pre/Post switch • Post-fader FX Aux Send • 3-band EQ • 75 Hz low-cut filter • Pan control • Mute switch (Mute/Alt 3-4 switch on 220FX) • Solo switch • Sub 1-2 and L-R assign switches (260 FX only) • 60 mm fader Stereo line channels: • Left and right 1/4" TRS line input jacks • +4/-10 input level switch • Monitor Aux Send with Pre/Post switch • Post-fader FX Aux Send • 3-band EQ • Balance control • Mute switch (Mute/Alt 3-4 switch on 220FX) • Solo switch • Sub 1-2 and L-R assign switches (260 FX only) • 60 mm fader Master section: • 60mm fader Main Mix controls • 60mm fader Alt 3-4 controls (220FX only) • 60mm fader Sub 1-2 controls (260FX only) with 6 Assign to Main Mix switches • Balanced 1/4" TRS stereo main outputs • 12-segment stereo LED VU metering • 1/4" TRS Aux Sends with rotary level controls • Stereo RCA tape out and tape in • Stereo 1/4" Phones output • Internal digital effects section with effects select control, variations control, input level control, FX overload LED, and FX bypass switch • 1/4" Footswitch jack to bypass the internal effects, duplicates the FX bypass switch • Source select switches for Control Room/Phones output • Rotary Ctrl Room/Phones level control • Tape to Main switch • Solo mode switch (PFL/AFL) • Aux Return 1 level control with Main/Sub 1-2 assign switch • Aux Return 2 (FX) level control with Return to Aux 1 level control • Inter-Planetary Space Drive control • OK, we made that last one up, but we can pencil it in for next time Rear panel: • Main power switch • Master +48V phantom power switch with LED indicator (except Mix.50) • Left and Right XLR Main Outs • Left and Right 1/4" Alt 3/4 Outs (220FX) or Sub 1-2 Outs (260FX) • Left and Right 1/4" TRS Control Room outputs • 1/4" Insert jacks for channels 1-4 (260FX only)

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6
HERE’S A QUICK GLANCE AT ALL THE FEATURES PACKED INTO THESE MIXERS:
Mono mic/line channels:
XLR microphone input jack
1/4" TRS line-input jack
Phantom power, globally switched
Variable input trim (0 to +50 dB)
Overload (OL) indicator LED
Monitor Aux Send with Pre/Post switch
Post-fader FX Aux Send
3-band EQ
75 Hz low-cut filter
Pan control
Mute switch (Mute/Alt 3-4 switch on 220FX)
Solo switch
Sub 1-2 and L-R assign switches (260 FX only)
60 mm fader
Stereo line channels:
Left and right 1/4" TRS line input jacks
+4/–10 input level switch
Monitor Aux Send with Pre/Post switch
Post-fader FX Aux Send
3-band EQ
Balance control
Mute switch (Mute/Alt 3-4 switch on 220FX)
Solo switch
Sub 1-2 and L-R assign switches (260 FX only)
60 mm fader
Master section:
60mm fader Main Mix controls
60mm fader Alt 3-4 controls (220FX only)
60mm fader Sub 1-2 controls (260FX only) with
Assign to Main Mix switches
Balanced 1/4" TRS stereo main outputs
12-segment stereo LED VU metering
1/4" TRS Aux Sends with rotary level controls
Stereo RCA tape out and tape in
Stereo 1/4" Phones output
Internal digital effects section with effects select
control, variations control, input level control, FX
overload LED, and FX bypass switch
1/4" Footswitch jack to bypass the internal
effects, duplicates the FX bypass switch
Source select switches for Control Room/Phones
output
Rotary Ctrl Room/Phones level control
Tape to Main switch
Solo mode switch (PFL/AFL)
Aux Return 1 level control with Main/Sub 1-2
assign switch
Aux Return 2 (FX) level control with Return to Aux
1 level control
Inter-Planetary Space Drive control
OK, we made that last one up, but we can pencil it
in for next time
Rear panel:
Main power switch
Master +48V phantom power switch with LED
indicator (except Mix.50)
Left and Right XLR Main Outs
Left and Right 1/4" Alt 3/4 Outs (220FX) or
Sub 1-2 Outs (260FX)
Left and Right 1/4" TRS Control Room outputs
1/4" Insert jacks for channels 1-4 (260FX only)
INTRODUCTION
Thank you for choosing a TAPCO MIX FX Series mixer. The TAPCO family of mixers hails back to the days
of TAPCO Corporation, Greg Mackie’s first company. TAPCO revolutionized the audio industry back in 1969
with the very first 6-channel mixer specifically designed for keyboards and rock ‘N’ roll PA.
The first TAPCO mixer, although primitive by today’s standards, was truly innovative for its time. It had
the headroom to handle screaming singers, was priced for the pocketbook of starving psychedelic musical
neophytes, and durable enough to withstand mammoth levels of wear and tear on the road, and at now-
legendary concerts.
In essence, TAPCO re-defined the price/performance ratio and made high-quality professional audio
mixers accessible to virtually anyone. Today, TAPCO is reborn with the same ideals and is backed by the
world-class engineering and manufacturing horsepower of LOUD Technologies.
These compact mixers are perfect for small to medium-sized live sound reinforcement applications,
keyboards and synths, video, and small-project studio applications.