Mackie Onyx 1620 Owner's Manual - Page 12

High Mid Eq, Low Mid Eq, Low Eq, Aux Sends, Mute/alt 3-4

Page 12 highlights

ONYX 1620 10. HIGH MID EQ +15 +10 +5 0 -5 -10 -15 20Hz 100Hz 1kHz High Mid EQ Short for "midrange," this knob provides 15 dB of boost or cut centered at the frequency determined by its FREQ knob (see FREQ next), or at 2.5 kHz for the 10kHz 20kHz stereo channels. Midrange EQ is often thought of as the most dynamic because the frequencies that define any particular sound are almost always found in this range. The HIGH MID EQ range (400 Hz to 8 kHz) includes the female vocal range as well as the funda- mentals and harmonics for many instruments. 11. LOW MID EQ +15 This is a second midrange +10 EQ control that provides 15 +5 dB of boost or cut centered 0 at the frequency deter- -5 mined by its FREQ knob. -10 It extends down to 100 Hz, -15 20Hz 100Hz 1kHz 10kHz 20kHz which includes the male Low Mid EQ vocal range and the funda- mentals of some lower instruments (guitar, lower brass). 14. AUX Sends These tap a portion of each channel's signal out to either an effects processor or for stage monitoring. The AUX Send levels are controlled by the channel's AUX 1-4 knobs, and by the AUX MASTER 1-4 knobs. Since the AUX Sends are mono, the left and right signals in the stereo channels are summed together prior to the channels' AUX 1-4 controls, sending the combined signal to the AUX SEND outputs. These are more than just effects and monitor sends. They can be used to generate separate mixes for recording, for another zone, or "mix-minuses" for broadcast. 15. PAN PAN adjusts the amount of channel signal sent to the left versus the right outputs. On the stereo channels (channels 9-16), the PAN knob works like the balance control on your home stereo (panning left turns down the right channel, and panning right turns down the left channel). With the PAN knob hard left, the signal feeds either the MAIN LEFT (bus 1) or ALT LEFT (bus 3), depending on the setting of the ALT 3/4 switch. With the knob hard right, the signal feeds either the MAIN RIGHT (bus 2) or ALT RIGHT (bus 4). 12. FREQ +15 This knob ranges from +10 100 Hz to 2 kHz for the +5 LOW MID EQ, and 400 Hz 0 to 8 kHz for the HIGH MID -5 EQ. This determines the -10 -15 center frequency for the 20Hz 100Hz 1kHz 10kHz 20kHz EQ filter, and allows you Mid EQ Freq Sweep to zero in on the precise narrow band of frequencies you want to have affected by the LOW MID and HIGH MID EQ. 13. LOW EQ +15 +10 This control gives you up to 15 dB of boost or cut +5 at 80 Hz. The circuit is flat 0 (no boost or cut) at the -5 center detent position. -10 This frequency represents -15 20Hz 100Hz 1kHz 10kHz 20kHz the punch in bass drums, Low EQ bass guitar, fat synth patches, and some really serious male singers. Note: Used in conjunction with the Low Cut switch, you can boost the LOW EQ without injecting tons of infrasonic debris into the mix. 12 ONYX 1620 Constant Loudness: The Onyx 1620's PAN control employs a design called "Constant Loudness." If you have a channel panned hard left (or right) and then pan to the center, the signal is attenuated about 3 dB to maintain the same apparent loudness. Otherwise, it would make the sound appear much louder when panned center. 16. MUTE/ALT 3-4 The dual-purpose MUTE/ALT 3-4 switch is a Mackie signature. When Greg was designing our first product, he had to include a mute switch for each channel. Mute switches do just what they sound like they do. They turn off the signal by "routing" it into oblivion. "Gee, what a waste," Greg reasoned. "Why not have the mute button route the signal somewhere else useful, like a separate stereo bus?" So MUTE/ALT 3-4 really serves two functions-muting (often used during mixdown or live shows), and signal routing (for multitrack and live work) where it acts as an extra stereo bus. To use this as a MUTE switch, all you have to do is not use the ALT 3-4 outputs (41). Then, whenever you assign a channel to these unused outputs, you'll also be disconnecting it from the MAIN MIX, effectively muting the channel. The MUTE switch also disconnects the channel from the POST AUX SEND bus. The channel's signal is still present on the PRE AUX SEND bus.

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12
ONYX 1620
ONYX 1620
10. HIGH MID EQ
Short for
midrange,
this knob provides 15 dB of
boost or cut centered at the
frequency determined by
its FREQ knob (see FREQ
next), or at 2.5 kHz for the
stereo channels. Midrange
EQ is often thought of as
the most dynamic because the frequencies that de
ne
any particular sound are almost always found in this
range. The HIGH MID EQ range (400 Hz to 8 kHz)
includes the female vocal range as well as the funda-
mentals and harmonics for many instruments.
11. LOW MID EQ
This is a second midrange
EQ control that provides 15
dB of boost or cut centered
at the frequency deter-
mined by its FREQ knob.
It extends down to 100 Hz,
which includes the male
vocal range and the funda-
mentals of some lower instruments (guitar, lower brass).
12. FREQ
This knob ranges from
100 Hz to 2 kHz for the
LOW MID EQ, and 400 Hz
to 8 kHz for the HIGH MID
EQ. This determines the
center frequency for the
EQ
lter, and allows you
to zero in on the precise
narrow band of frequencies you want to have affected by
the LOW MID and HIGH MID EQ.
13. LOW EQ
This control gives you
up to 15 dB of boost or cut
at 80 Hz. The circuit is
at
(no boost or cut) at the
center detent position.
This frequency represents
the punch in bass drums,
bass guitar, fat synth
patches, and some really
serious male singers.
Note:
Used in conjunction with the Low Cut switch,
you can boost the LOW EQ without injecting tons of
infrasonic debris into the mix.
14. AUX Sends
These tap a portion of each channel
s signal out to
either an effects processor or for stage monitoring. The
AUX Send levels are controlled by the channel
s AUX 1-4
knobs, and by the AUX MASTER 1-4 knobs.
Since the AUX Sends are mono, the left and right sig-
nals in the stereo channels are summed together prior
to the channels
AUX 1-4 controls, sending the combined
signal to the AUX SEND outputs.
These are more than just effects and monitor sends.
They can be used to generate separate mixes for record-
ing, for another zone, or
mix-minuses
for broadcast.
15. PAN
PAN adjusts the amount of channel signal sent to the left
versus the right outputs. On the stereo channels (channels
9-16), the PAN knob works like the balance control on your
home stereo (panning left turns down the right channel,
and panning right turns down the left channel).
With the PAN knob hard left, the signal feeds either
the MAIN LEFT (bus 1) or ALT LEFT (bus 3), depend-
ing on the setting of the ALT 3/4 switch. With the knob
hard right, the signal feeds either the MAIN RIGHT
(bus 2) or ALT RIGHT (bus 4).
Constant Loudness:
The Onyx 1620
s
PAN control employs a design called
Constant Loudness.
If you have a
channel panned hard left (or right)
and then pan to the center, the signal
is attenuated about 3 dB to maintain
the same apparent loudness. Otherwise, it would make
the sound appear much louder when panned center.
16. MUTE/ALT 3-4
The dual-purpose MUTE/ALT 3-4 switch is a Mackie
signature. When Greg was designing our
rst product,
he had to include a mute switch for each channel. Mute
switches do just what they sound like they do. They turn
off the signal by
routing
it into oblivion.
“Gee, what
a waste,”
Greg reasoned.
“Why not have the mute
button route the signal somewhere else useful, like
a separate stereo bus?”
So MUTE/ALT 3-4 really serves
two functions
muting (often used during mixdown or
live shows), and signal routing (for multitrack and live
work) where it acts as an extra stereo bus.
To use this as a MUTE switch, all you have to do is
not
use the ALT 3-4 outputs (41). Then, whenever you
assign a channel to these unused outputs, you
ll also be
disconnecting it from the MAIN MIX, effectively mut-
ing the channel. The MUTE switch also disconnects the
channel from the POST AUX SEND bus. The channel
s
signal is still present on the PRE AUX SEND bus.
20
Hz
100
Hz
1k
Hz
10k
Hz
20k
Hz
15
10
5
0
+5
+10
+15
High Mid EQ
20
Hz
100
Hz
1k
Hz
10k
Hz
20k
Hz
15
10
5
0
+5
+10
+15
Low EQ
20
Hz
100
Hz
1k
Hz
10k
Hz
20k
Hz
15
10
5
0
+5
+10
+15
Mid EQ Freq Sweep
20
Hz
100
Hz
1k
Hz
10k
Hz
20k
Hz
15
10
5
0
+5
+10
+15
Low Mid EQ