Mackie S515 Owners Manual - Page 6

Two S512 Loudspeakers Daisy-Chained with Two S518S Subwoofers - 2 way passive loudspeaker

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S500 Series Loudspeakers Two S512 Loudspeakers Daisy-Chained with Two S518S Subwoofers Mackie S512 plays the Mid and High frequencies Mackie S512 plays the Mid and High frequencies S512 2 - WAY PASSIVE LOUDSPEAKER IMPEDANCE 8 OHMS POWER 500 WATTS PROGRAM SERIAL NUMBER / REVISION INPUT PARALLEL THRU S512 2-WAY PASSIVE LOUDSPEAKER IMPEDANCE 8 OHMS POWER 500 WATTS PROGRAM SERIAL NUMBER / REVISION INPUT PARALLEL THRU Pole Mount POWER CONSUMPTION 2000 W THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES. OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS: (1) THIS DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY CAUSE UNDESIRED OPERATION. AVIS: RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL. AVIS: N'OUVREZ PAS LA COUVERTURE. N'EXPOSEZ PAS CET ÉQUIPEMENT À LA PLUIE OU À L'HUMIDITÉ. CHANNEL 2 BRIDGED CHANNEL 1 SPEAKER OUTPUTS Use only class 3 wiring PIN PIN PIN 1+ 1 BRIDGED 1+ 2+ 1+ 1 PIN CH 2 2+ 2 1+ 1 CH 1 Mackie FRS Power Amplifier FILTER SUBSONIC @ 30Hz CLIP LIMIT AMP MODE Pole Mount S518S PASSIVE SUBWOOFER IMPEDANCE 8 OHMS POWER 900 WATTS PROGRAM SERIAL NUMBER / REVISION INPUT PARALLEL THRU Mackie S518S plays the Low frequencies L / R Line Level Outputs BAL /UNBAL 1 BALANCED BALANCED L BAL /UNBAL FOOTSWITCH BAL /UNBAL MIC MIC 1 2 BAL /UNBAL BAL /UNBAL MIC 3 BAL /UNBAL MIC 4 BAL /UNBAL MIC 5 BAL /UNBAL MIC 6 BAL /UNBAL MIC 7 BAL /UNBAL MIC 8 BAL /UNBAL MIC 9 BAL /UNBAL MIC 10 BAL /UNBAL MIC MIC 11 BAL /UNBAL 12 BAL /UNBAL MIC 13 BAL /UNBAL MIC 14 BAL /UNBAL MIC 15/16 BAL /UNBAL MIC 17/18 BAL /UNBAL 2 MON SEND 19/20 BAL /UNBAL FX SEND 21/22 BAL /UNBAL LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN L (MONO) L (MONO) L (MONO) L (MONO) LINE IN 9 LINE IN 11 LINE IN 13 LINE IN 15 INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT OFF MAX COMP OFF MAX COMP OFF MAX COMP OFF MAX COMP R R R R LINE IN 10 LINE IN 12 LINE IN 14 LINE IN 16 BAL /UNBAL BAL /UNBAL L R MAIN OUT BAL /UNBAL BAL /UNBAL L L (MONO) R AUX RETURN R CR OUT IN OUT R TAPE PHONES BAL /UNBAL BAL /UNBAL 1 3 2 4 SUB OUT U U U U U U U U U U U U U U MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN U U PROFESSIONAL MIC/LINE MIXER WITH FX PHANTOM 48V POWER U +50 -20dB +30dB GAIN LOW CUT 100Hz U +50 -20dB +30dB GAIN LOW CUT 100Hz U +50 -20dB +30dB GAIN LOW CUT 100Hz U +50 -20dB +30dB GAIN LOW CUT 100Hz U +50 -20dB +30dB GAIN LOW CUT 100Hz U +50 -20dB +30dB GAIN LOW CUT 100Hz U +50 -20dB +30dB GAIN LOW CUT 100Hz U +50 -20dB +30dB GAIN LOW CUT 100Hz U +50 -20dB +30dB GAIN LOW CUT 100Hz U +50 -20dB +30dB GAIN LOW CUT 100Hz U +50 -20dB +30dB GAIN LOW CUT 100Hz U +50 -20dB +30dB GAIN LOW CUT 100Hz U +50 -20dB +30dB GAIN LOW CUT 100Hz U +50 -20dB +30dB GAIN LOW CUT 100Hz U EQ -15 +15 U HI 12kHz MID U EQ -15 +15 U HI 12kHz MID U EQ -15 +15 U HI 12kHz MID U EQ -15 +15 U HI 12kHz MID U EQ -15 +15 U HI 12kHz MID U EQ -15 +15 U HI 12kHz MID U EQ -15 +15 U HI 12kHz MID U EQ -15 +15 U HI 12kHz MID U EQ -15 +15 U HI 12kHz MID U EQ -15 +15 U HI 12kHz MID U EQ -15 +15 U HI 12kHz MID U EQ -15 +15 U HI 12kHz MID U EQ -15 +15 U HI 12kHz MID U EQ -15 +15 U HI 12kHz MID -15 +15 600 -15 +15 600 -15 +15 600 -15 +15 600 -15 +15 600 -15 +15 600 -15 +15 600 -15 +15 600 -15 +15 600 -15 +15 600 -15 +15 600 -15 +15 600 -15 +15 600 -15 +15 600 150 1.5k 150 1.5k 150 1.5k 150 1.5k 150 1.5k 150 1.5k 150 1.5k 150 1.5k 150 1.5k 150 1.5k 150 1.5k 150 1.5k 150 1.5k 150 1.5k FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ 100 8k U 100 8k U 100 8k U 100 8k U 100 8k U 100 8k U 100 8k U 100 8k U 100 8k U 100 8k U 100 8k U 100 8k U 100 8k U 100 8k U LOW 80Hz -15 +15 U AUX LOW 80Hz -15 +15 U AUX LOW 80Hz -15 +15 U AUX LOW 80Hz -15 +15 U AUX LOW 80Hz -15 +15 U AUX LOW 80Hz -15 +15 U AUX LOW 80Hz -15 +15 U AUX LOW 80Hz -15 +15 U AUX LOW 80Hz -15 +15 U AUX LOW 80Hz -15 +15 U AUX LOW 80Hz -15 +15 U AUX LOW 80Hz -15 +15 U AUX LOW 80Hz -15 +15 U AUX LOW 80Hz -15 +15 U AUX U +50 GAIN LOW CUT 100Hz U EQ -15 +15 HI 12kHz U -15 +15 MID 2.5kHz U LOW 80Hz -15 +15 U AUX U +50 GAIN LOW CUT 100Hz U EQ -15 +15 HI 12kHz U -15 +15 MID 2.5kHz U LOW 80Hz -15 +15 U AUX -20 +20 GAIN U EQ -15 +15 HI 12kHz U -15 +15 MID 2.5kHz U LOW 80Hz -15 +15 U AUX -20 +20 GAIN LINE USB SOURCE U EQ -15 +15 HI 12kHz U MID 2.5kHz -15 +15 15 10 5 0 5 10 15 125 STEREO GRAPHIC EQ 250 500 1K MAIN MIX MON 1 2K 4K EQ IN BYPASS 15 10 5 0 5 10 15 8K MAIN METERS 0dB = 0dBu OL 15 10 6 3 0 2 4 7 10 20 30 L R U LOW 80Hz -15 +15 U AUX 01 BRIGHT ROOM 02 WARM LOUNGE 03 SMALL STAGE 04 WARM THEATER 05 WARM HALL 06 CONCERT HALL 07 PLATE REVERB 08 CATHEDRAL 09 CHORUS 10 CHORUS + REV 11 DOUBLER 12 TAPE SLAP 13 DELAY 1 (300ms) 14 DELAY 2 (380ms) 15 DELAY 3 (480ms) 16 REVERB + DLY (250ms) LEVEL SET AUX MASTER U AUX U RETURN INTERNAL FX U RUDE SOLO OO OO OO +15 U MON 1 +15 U MON 2 FX +15 PAN LR OL MUTE 1 OO OO OO +15 U MON 1 +15 U MON 2 FX +15 PAN LR OL MUTE 2 OO OO OO +15 U MON 1 +15 U MON 2 FX +15 PAN LR OL MUTE 3 OO OO OO +15 U MON 1 +15 U MON 2 FX +15 PAN LR OL MUTE 4 OO OO OO +15 U MON 1 +15 U MON 2 FX +15 PAN LR OL MUTE 5 OO OO OO +15 U MON 1 +15 U MON 2 FX +15 PAN LR OL MUTE 6 OO OO OO +15 U MON 1 +15 U MON 2 FX +15 PAN LR OL MUTE 7 OO OO OO +15 U MON 1 +15 U MON 2 FX +15 PAN LR OL MUTE 8 OO OO OO +15 U MON 1 +15 U MON 2 FX +15 PAN LR OL MUTE 9 OO OO OO +15 U MON 1 +15 U MON 2 FX +15 PAN LR OL MUTE 10 OO OO OO +15 U MON 1 +15 U MON 2 FX +15 PAN LR OL MUTE 11 OO OO OO +15 U MON 1 +15 U MON 2 FX +15 PAN LR OL MUTE 12 OO OO OO +15 U MON 1 +15 U MON 2 FX +15 PAN LR OL MUTE 13 OO OO OO +15 U MON 1 +15 U MON 2 FX +15 PAN LR OL MUTE 14 OO OO OO +15 U MON 1 +15 U MON 2 FX +15 PAN LR OL MUTE 15/16 OO OO OO +15 U MON 1 +15 U MON 2 FX +15 PAN LR OL MUTE 17/18 OO OO OO +15 U MON 1 +15 U MON 2 FX +15 PAN LR OL MUTE 19/20 OO OO OO +15 U MON 1 +15 U MON 1 +15 U TO MON 1 OO OO OO OO OO OO +15 U MON 2 FX +15 PAN LR OL MUTE 21/22 +15 U MON 2 FX +15 +15 U +10 USB OUT MAIN SUB 1-2 TAPE USB 2-TRACK RETURN L R SUB 1 L R SUB 2 TO MON 2 TO MAIN L-R U OO +15 LEVEL L R SUB 3 OO OO OO +15 U +15 U +10 TO MON 1 TO MON 2 TO MAIN L-R SIG/OL INT FX MUTE BREAK (MUTES ALL CH) L R SUB 4 OO MAX CR /PHONES MAIN dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 dB dB dB dB dB 10 10 10 10 10 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 U U U U U U U U U U U U U U U U U U U U U U U 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 L-R L-R L-R L-R L-R L-R L-R L-R L-R L-R L-R L-R L-R L-R L-R L-R L-R L-R 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 40 40 40 40 50 50 50 50 50 50 50 50 50 50 50 50 50 50 50 50 50 50 50 50 50 50 50 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO Mackie ProFX22 Mixer S518S PASSIVE SUBWOOFER IMPEDANCE 8 OHMS POWER 900 WATTS PROGRAM SERIAL NUMBER / REVISION INPUT PARALLEL THRU Mackie S518S plays the Low frequencies The S512's may be used with the S518S subwoofers to create an incredibly powerful system. Here, the left and right line-level outputs from a mixer feed the inputs of a power amplifier. The speaker outputs of the power amplifier feed the inputs of two Mackie S512 loudspeakers. Their respective THRU jacks feed the inputs of a pair of Mackie S518S subwoofers, whose internal low-pass filter allows the subwoofers to reproduce only the lowest frequencies. The S512's may be pole-mounted on top of the S518S subwoofers, as displayed. 6 S500 Series Loudspeakers

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S500 Series Loudspeakers
6
S500 Series Loudspeakers
The S512’s may be used with the S518S subwoofers to create an incredibly powerful system. Here, the
left and right line-level outputs from a mixer feed the inputs of a power amplifier. The speaker outputs of
the power amplifier feed the inputs of two Mackie S512 loudspeakers. Their respective THRU jacks feed
the inputs of a pair of Mackie S518S subwoofers, whose internal low-pass filter allows the subwoofers
to reproduce only the lowest frequencies. The S512’s may be pole-mounted on top of the S518S
subwoofers, as displayed.
Two S512 Loudspeakers Daisy-Chained with Two S518S Subwoofers
17/18
15/16
19/20
21/22
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8
9
10
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12
13
14
MAIN
6
5
4
3
2
1
AMP MODE
BRIDGED
CH 1
CH 2
CLIP LIMIT
FILTER
SPEAKER OUTPUTS
IMPEDANCE
8 OHMS
S518S
PASSIVE SUBWOOFER
POWER
900 WATTS
PROGRAM
THRU
PARALLEL
IMPEDANCE
8 OHMS
S518S
PASSIVE SUBWOOFER
POWER
900 WATTS
PROGRAM
THRU
PARALLEL
POWER
500 WATTS
PROGRAM
IMPEDANCE
8 OHMS
S512
2 - WAY PASSIVE LOUDSPEAKER
INPUT
THRU
PARALLEL
POWER
500 WATTS
PROGRAM
IMPEDANCE
8 OHMS
S512
2 - WAY PASSIVE LOUDSPEAKER
INPUT
THRU
PARALLEL
Mackie FRS
Power Amplifier
L / R
Line Level
Outputs
Mackie ProFX22 Mixer
Mackie S512 plays the Mid and High frequencies
Pole
Mount
Pole
Mount
Mackie S512 plays the Mid and High frequencies
Mackie S518S plays the Low frequencies
Mackie S518S plays the Low frequencies