TASCAM DP-02 Owners Manual - Page 13

AUX

Page 13 highlights

1 - StaIrMtinPOgRoTuAtNwTitShAFyEoTuYr DINPS-0TR2/UDCPT-I0O2NCSF From submixer/MIDI tone generator, etc. Synths, pre-amps etc. fo here To MIDI sequencer, DC input drum machine, etc. From stereo effects unit outputs To digital recorder, etc. To effects unit To analog recorder, monitoring system, etc. Guitars, basses etc. go here Microphones go here Microphones are connected to the rear panel inputs. Set the GUITAR switches to MIC/LINE. Turn the input level controls so that the OL indicators light up only in the loudest part of the recording. NOTE The unit includes phantom-powered XLR microphone input connectors. See "Balanced XLR inputs" on page 14 for details of using these connectors. Synthesizers, etc. including drum machines, guitar amplifier simulators, active basses, etc. as well as CD players, cassette decks, and so on can be connected to the rear panel input jacks using standard 1/4" mono plugs (unbalanced). When you are recording a stereo source, make sure the INPUT MODE key is set to STEREO (see "The INPUT MODE key" below). Set the GUITAR switch to MIC/LINE. Adjust the input level controls and use the instrument's output volume controls to adjust the level so that the OL indicators light up only during the very loudest passages. WARNING NEVER plug the speaker outputs of a guitar amplifier into the unit. Guitars and basses (passive types) are connected to the rear panel INPUT A using a standard 1/4" mono plug (unbalanced). Set the MIC/LINE switch to GUITAR. Turn the input level control until the OL indicators barely light on the loudest passages. TIP Use the built-in tuner (on the DP- 02 only) to tune the guitar or bass (see "Tuning a guitar" on page 58). The INPUT MODE key You will use this key when you are recording from input A and input B at the same time. This top panel key affects the way that you monitor the input signals, both through the headphones and/or through the LINE OUTPUT jacks. There are two positions: NOTE INPUT MODE does not affect the recording at all-just the monitoring process. •MONO x 2-The signals from input A and input B are both sent to the center of the monitoring "stage". NOTE In the MONO X 2 mode, the A and B input signals are added together in the center, and you may hear distortion in the monitoring system This does not affect the recording, though. •STEREO-The signal from input A is sent to the left, and the signal from input B is sent to the right of the monitoring "stage" forming a stereo pair for use when you are recording stereo instruments such as synthesizers, etc. Monitoring and recording Use the rear panel LINE OUTPUT RCA jacks to connect the unit to your monitoring system (that is, an amplifier/ speaker setup). When you're ready to make your final stereo master, you can use these jacks to connect to an analog recorder. A typical setup would connect these jacks to the AUX IN of a stereo system. Use the stereo system's selector switch to listen to the AUX source when tracking, bouncing or mastering on the unit. NOTE "Tracking" means recording tracks on the unit. "Mastering" means taking these recording tracks and mixing them down to stereo. When you have mastered the stereo track and you want to record it, set the stereo monitoring system so that the recorder is set to the AUX source. Now you are monitoring (or listening) through your stereo system. Effect processor When you want to use an external effect processor with the unit, connect the rear panel 13 TASCAM DP-02/DP-02CF

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IMPORTANT SAFETY INSTRUCTIONS
TASCAM
DP-02/DP-02CF
1 – Starting out with your DP-02/DP-02CF
DC input
To MIDI sequencer,
drum machine, etc.
From stereo effects
unit outputs
Synths, pre-amps etc.
fo here
Guitars, basses etc. go here
From submixer/MIDI tone
generator, etc.
To analog recorder,
monitoring system, etc.
To effects unit
To digital
recorder, etc.
Microphones go here
Microphones
are connected to the rear panel inputs.
Set the
GUITAR
switches to
MIC/LINE
. Turn the input
level controls so that the
OL
indicators light up only in the
loudest part of the recording.
NOTE
The unit includes phantom-powered XLR microphone
input connectors. See “Balanced XLR inputs” on page
14 for details of using these connectors.
Synthesizers, etc.
including drum machines, guitar
amplifier simulators, active basses, etc. as well as CD play-
ers, cassette decks, and so on can be connected to the rear
panel input jacks using standard 1/4” mono plugs (unbal-
anced). When you are recording a stereo source, make sure
the
INPUT MODE
key is set to
STEREO
(see “The INPUT
MODE key” below).
Set the
GUITAR
switch to
MIC/LINE
. Adjust the input level
controls and use the instrument’s output volume controls
to adjust the level so that the
OL
indicators light up only
during the very loudest passages.
WARNING
NEVER plug the speaker outputs of a guitar amplifier
into the unit.
Guitars and basses
(passive types) are connected to
the rear panel
INPUT A
using a standard 1/4” mono plug
(unbalanced).
Set the
MIC/LINE
switch to
GUITAR
. Turn the input level
control until the
OL
indicators barely light on the loudest
passages.
TIP
Use the built-in tuner (on the DP- 02 only) to tune the
guitar or bass (see “Tuning a guitar” on page 58).
The INPUT MODE key
You will use this key when you
are recording from input
A
and input
B
at the same time.
This top panel key affects the way that you monitor the
input signals, both through the headphones and/or through
the
LINE OUTPUT
jacks. There are two positions:
NOTE
INPUT MODE does not affect the recording at all—just
the monitoring process.
MONO x 2
—The signals from input
A
and input
B
are
both sent to the center of the monitoring “stage”.
NOTE
In the MONO X 2 mode, the A and B input signals are
added together in the center, and you may hear distor-
tion in the monitoring system This does not affect the
recording, though.
STEREO
—The signal from input
A
is sent to the left,
and the signal from input
B
is sent to the right of the
monitoring “stage” forming a stereo pair for use when
you are recording stereo instruments such as synthesiz-
ers, etc.
Monitoring and recording
Use the rear panel
LINE
OUTPUT
RCA jacks to connect the unit to your monitoring
system (that is, an amplifier/ speaker setup). When you’re
ready to make your final stereo master, you can use these
jacks to connect to an analog recorder.
A typical setup would connect these jacks to the
AUX IN
of a stereo system.
Use the stereo system’s selector switch to listen to the AUX
source when tracking, bouncing or mastering on the unit.
NOTE
“Tracking” means recording tracks on the unit.
“Mastering” means taking these recording tracks and
mixing them down to stereo.
When you have mastered the stereo track and you want
to record it, set the stereo monitoring system so that the
recorder is set to the AUX source. Now you are monitoring
(or listening) through your stereo system.
Effect processor
When you want to use an exter-
nal effect processor with the unit, connect the rear panel