TEAC HS-2000 TASCAM Pro Audio Brochure 2011 - Page 7

DR-680, HD-P2, DR-100 - accessories

Page 7 highlights

TASCAM's DR-680 brings multi-channel portable recording within reach of any musician for polished live, location and surround effect recordings. Up to eight tracks can be recorded to solid-state SD card media at WAV or BWF format, up to 96kHz/24-bit resolution. Six mic inputs provide phantom power and 60dB of gain for great-sounding recordings with your condenser microphones. Each mic input has a selectable low cut filter and analog limiter for optimal sound. Inputs can be monitored using a built-in mixer with level and pan controls for each input. The stereo mixdown can even be recorded along with the six mics for quick stereo playback of the event. Mid-Side microphone decoding is available for sound effects gathering, either during recording or in monitor/mixdown. In addition to multi-channel recording up to 96kHz, the DR-680 captures stereo audio at 192kHz/24-bit for audiophile-quality masters. The DR-680 records up to four channels of MP3 audio for web-ready recordings. Two of the recorders can be connected with a cascade cable for up to 14-track recording on battery power. Two optional cases are available, one by TASCAM and a second by PortaBrace. • (6) mic pres with 60dB of gain and phantom power • (4) XLR/1/4" (combi) mic/line inputs and (2) TRS 1/4" mic/line inputs • Low cut filter and limiter on each input • (6) RCA unbalanced line outputs • S/PDIF digital in and out • USB 2.0 (mini B) connection for computer • Built-in speaker • 1/4" stereo headphone output • Included accessories: PS-1225L power supply, shoulder strap • 8-track portable recording at up to 96kHz/24-bit Broadcast WAV file resolution • Record eight individual inputs or six inputs plus a stereo mixdown • Stereo 192kHz/24-bit recording mode • 4-channel MP3 recording • Digital monitor mixing (level and pan) with recordable stereo mixdown • Mid-side microphone decoding • Ganged input option for use with stereo microphones • Ideal for surround music and effects recording • Cascade function for running two units together • Pre-recording feature • Auto-recording mode begins recording when the input reaches a certain level • Mark function during recording/playback • Edit functions such as divide and delete • 128x64 backlit LCD display • Powered through (8x) AA batteries or (included) PS-1225L adapter • Records to SD/SDHC card media (not included) • Premium AKM Audio4Pro™ 192kHz A/D converters with over 100dB signal to noise ratio The rugged DR-100 offers high-end recording features to musicians and engineers who demand more from their portable recorder. It features four built-in microphones, two cardioid and two omnidirectional, with analog limiting and filtering for great-sounding recordings. A pair of XLR microphone inputs with phantom power welcomes pro-grade condenser microphones, and line in and out connectors are also provided. The DR-100 includes a rechargeable Lithium-ion battery, but can also be powered by AA batteries or an optional AC adapter. A built-in speaker allows for instant playback, and the metal enclosure includes a tripod mounting hole for recording flexibility. A wired or wireless remote control is also included for remotely starting the recording. • Four microphones - Stereo Cardioid and Omni Condenser Mics • 44.1k to 96k sampling rates for WAV file recording • MP3 and WAV file Recording and Playback • XLR Mic Inputs with Phantom Power, Low Cut Filter and Analog Limiter • High-performance microphone preamp with 60dB of gain • AKM Audio4Pro™ A/D converters with over 100dB signal to noise ratio • 3.5mm Line Inputs and Outputs • Built-in Speaker • Integrated microphone stand mount • Runs on Rechargeable Li-Ion Battery or AA Batteries Designed for stereo remote recording, the TASCAM HD-P2 Portable High-Definition Stereo Audio Recorder is the professional solution for live and on-location applications. Codeveloped with Frontier Design Group, it records at up to 192kHz/24-bit resolution to Compact Flash media, and its audio files are instantly available to DAWs through the built-in high-speed FireWire computer connection. The professional HD-P2 incorporates high-end features like a SMPTE timecode input for synchronization to external devices while in record or playback. The user interface is designed for fast and intuitive use under stressful one-take-only situations, and its large, angled LCD is perfect for any application from over-the-shoulder location recording to concert recording and commercial use. • XLR mic inputs with phantom power and analog limiter • Unbalanced stereo analog I/O, S/PDIF digital I/O • Built-in mono microphone and speaker for desktop inter- view applications • Analog level controls for easy operation without the need to look at the unit • SMPTE/LTC timecode input on locking XLR balanced jack • Timestamp Broadcast WAV recordings with SMPTE input • Chase lock to incoming SMPTE timecode • Video clock input resolves to house clock with tri-level sync support for HDTV applications • Includes Frame Lock, Lock and Release and flexible Free- wheel settings for unpredictable timecode sources • Pull-up and Pull-down sample rates included for video format compatibility • Approximately 5.5 hours of operating time on (8) AA battery power, < 2 lbs with batteries

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XLR mic inputs with phantom power and analog limiter
Unbalanced stereo analog I/O, S/PDIF digital I/O
Built-in mono microphone and speaker for desktop inter-
view applications
Analog level controls for easy operation without the
need to look at the unit
SMPTE/LTC timecode input on locking XLR balanced jack
Timestamp Broadcast WAV recordings with SMPTE input
Chase lock to incoming SMPTE timecode
Video clock input resolves to house clock with tri-level
sync support for HDTV applications
Includes Frame Lock, Lock and Release and flexible Free-
wheel settings for unpredictable timecode sources
Pull-up and Pull-down sample rates included for video
format compatibility
Approximately 5.5 hours of operating time on (8) AA
battery power, < 2 lbs with batteries
Four microphones - Stereo Cardioid and Omni Condenser Mics
44.1k to 96k sampling rates for WAV file recording
MP3 and WAV file Recording and Playback
XLR Mic Inputs with Phantom Power, Low Cut Filter and Analog Limiter
High-performance microphone preamp with 60dB of gain
AKM Audio4Pro™ A/D converters with over 100dB signal to noise ratio
3.5mm Line Inputs and Outputs
Built-in Speaker
Integrated microphone stand mount
Runs on Rechargeable Li-Ion Battery or AA Batteries
(6) mic pres with 60dB of gain and phantom power
(4) XLR/1/4” (combi) mic/line inputs and (2) TRS 1/4”
mic/line inputs
Low cut filter and limiter on each input
(6) RCA unbalanced line outputs
S/PDIF digital in and out
USB 2.0 (mini B) connection for computer
Built-in speaker
1/4” stereo headphone output
Included accessories: PS-1225L power supply, shoulder
strap
8-track portable recording at up to 96kHz/24-bit
Broadcast WAV file resolution
Record eight individual inputs or six inputs plus a stereo
mixdown
Stereo 192kHz/24-bit recording mode
4-channel MP3 recording
Digital monitor mixing (level and pan) with recordable
stereo mixdown
Mid-side microphone decoding
Ganged input option for use with stereo microphones
Ideal for surround music and effects recording
Cascade function for running two units together
Pre-recording feature
Auto-recording mode begins recording when the input
reaches a certain level
Mark function during recording/playback
Edit functions such as divide and delete
128x64 backlit LCD display
Powered through (8x) AA batteries or (included)
PS-1225L adapter
Records to SD/SDHC card media (not included)
Premium AKM Audio4Pro™ 192kHz A/D converters
with over 100dB signal to noise ratio
TASCAM’s
DR-680
brings multi-channel portable
recording within reach of any musician for polished live,
location and surround effect recordings. Up to eight
tracks can be recorded to solid-state SD card media at
WAV or BWF format, up to 96kHz/24-bit resolution.
Six mic inputs provide phantom power and 60dB of
gain for great-sounding recordings with your condenser
microphones. Each mic input has a selectable low cut
filter and analog limiter for optimal sound.
Inputs can be monitored using a built-in mixer with level
and pan controls for each input. The stereo mixdown
can even be recorded along with the six mics for quick
stereo playback of the event. Mid-Side microphone
decoding is available for sound effects gathering, either
during recording or in monitor/mixdown.
In addition to multi-channel recording up to 96kHz, the
DR-680 captures stereo audio at 192kHz/24-bit for
audiophile-quality masters. The DR-680 records up to
four channels of MP3 audio for web-ready recordings.
Two of the recorders can be connected with a cascade
cable for up to 14-track recording on battery power.
Two optional cases are available, one by TASCAM and
a second by PortaBrace.
Designed for stereo remote recording, the TASCAM
HD-P2
Portable High-Definition Stereo Audio Recorder is the profes-
sional solution for live and on-location applications. Co-
developed with Frontier Design Group, it records at up to
192kHz/24-bit resolution to Compact Flash media, and its
audio files are instantly available to DAWs through the built-in
high-speed FireWire computer connection.
The professional HD-P2 incorporates high-end features like a
SMPTE timecode input for synchronization to external devices
while in record or playback. The user interface is designed for
fast and intuitive use under stressful one-take-only situations,
and its large, angled LCD is perfect for any application from
over-the-shoulder location recording to concert recording and
commercial use.
The rugged
DR-100
offers high-end recording features
to musicians and engineers who demand more from their
portable recorder. It features four built-in microphones, two
cardioid and two omnidirectional, with analog limiting and
filtering for great-sounding recordings. A pair of XLR mi-
crophone inputs with phantom power welcomes pro-grade
condenser microphones, and line in and out connectors are
also provided.
The DR-100 includes a rechargeable Lithium-ion battery,
but can also be powered by AA batteries or an optional
AC adapter. A built-in speaker allows for instant playback,
and the metal enclosure includes a tripod mounting hole for
recording flexibility. A wired or wireless remote control is
also included for remotely starting the recording.