Yamaha 4FX Owner's Manual - Page 12

External Effects, Monitor Mixes, and Groups, AUX Buses For Monitor Sends, and Overall Effects - mg12 12 channel mixer

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Making the Most Of Your Mixer 4. External Effects, Monitor Mixes, and Groups 4-1. AUX Buses For Monitor Sends and Overall Effects There are a number of reasons why you might want to "tap" the signal flowing through your mixer at some point before the main outputs: the two most common being 1) to create a monitor mix that is separate from the main mix, and 2) to process the signal via an external effect unit and then bring it back into the mix. Both of these functions, and more, can be handled by the mixer's AUX (Auxiliary) buses and level controls. If the mixer has two AUX buses, then it can handle both functions at the same time. Larger mixing consoles can have 6, 8, or even more auxiliary buses to handle a variety of monitoring and processing needs. Using the AUX buses and level controls is pretty straightforward. The only thing you need to consider is whether you need a "pre-fader" or "post-fader" send. AUX sends often feature a switch that allows you to configure them for pre- or post-fader operation. Pre/Post-What's the difference? pre post A "pre-fader" signal is taken from a point before the channel fader, so the send level is affected only by the AUX send level control and not by the channel fader. Pre-fader sends are most commonly used to provide monitor mixes. A "post-fader" signal is taken from a point after the channel fader, so its level will be affected by both the AUX send level control and the channel fader. Post-fader sends are most commonly used in conjunction with the mixer's AUX or effect returns for external effect processing. Pre-fader send for a monitor mix. The send signal is fed to the monitor power amplifier and speaker system. The channel fader does not affect the send level so the monitor mix remains independent of the main mix. No return signal is used in this case. AUX Send Level Channel Fader Master Fader AUX Send Level AUX Return Level Post-fader send for external effects processing. The send signal is fed to the external effect unit-a reverb unit, for example-and the output from the effect unit is returned to the AUX Return jack and mixed back into the main program. The send level is affected by the channel fader so the effect level always remains in proportion to the channel signal. 12 MG12/4FX

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MG12/4FX
12
Making the Most Of Your Mixer
4-1.
AUX Buses For Monitor Sends
and Overall Effects
There are a number of reasons why you might want to “tap”
the signal flowing through your mixer at some point before
the main outputs: the two most common being 1) to create a
monitor mix that is separate from the main mix, and 2) to
process the signal via an external effect unit and then bring it
back into the mix. Both of these functions, and more, can be
handled by the mixer’s AUX (Auxiliary) buses and level con-
trols. If the mixer has two AUX buses, then it can handle
both functions at the same time. Larger mixing consoles can
have 6, 8, or even more auxiliary buses to handle a variety of
monitoring and processing needs.
Using the AUX buses and level controls is pretty straightfor-
ward. The only thing you need to consider is whether you
need a “pre-fader” or “post-fader” send. AUX sends often
feature a switch that allows you to configure them for pre- or
post-fader operation.
Pre/Post—What’s the difference?
4. External Effects, Monitor Mixes, and Groups
pre
post
A “pre-fader” signal is taken
from a point before the
channel fader, so the send
level is affected only by the
AUX send level control and
not by the channel fader.
Pre-fader sends are most
commonly used to provide
monitor mixes.
A “post-fader” signal is
taken from a point after the
channel fader, so its level
will be affected by both the
AUX send level control and
the channel fader.
Post-fader sends are most
commonly used in conjunc-
tion with the mixer’s AUX or
effect returns for external
effect processing.
Pre-fader send for a monitor mix.
The send signal is fed to the monitor power ampli
fi
er and speaker system.
The channel fader does not affect the send level so the monitor mix remains independent of the main mix. No
return signal is used in this case.
Post-fader send for external effects processing.
The send signal is fed to the external effect unit—a reverb
unit, for example—and the output from the effect unit is returned to the AUX Return jack and mixed back into the
main program. The send level is affected by the channel fader so the effect level always remains in proportion to
the channel signal.
Channel
Fader
Master
Fader
AUX Send
Level
AUX Send Level
AUX Return Level