Yamaha CP5 Reference Manual - Page 15

Modulation Effect Block Using a Modulation Effect block, an audio effect can be applied to the part's voice in order to modify its spatial characteristics. Selecting Modulation Effect Block Types Edit Sequence Press and hold the [MOD-FX] button (for at least one second)  Navigate to Page 1 using the [- PAGE] button if necessary  Turn Knobs 1 to 3 The following tables identify and describe the different types of effect that can be selected in each Modulation Effect block. If you have selected a voice from the PIANO or E.PIANO category for the current part, this block's selection page will give priority to a group of effects specially designed for piano voices (i.e., the modulation effects). A range of additional general-purpose effects can also be selected from the block's Other group. Meanwhile, if you have selected a non-piano voice, all of these effects - including those primarily for piano voices - will be available for selection by category as insertion effects. For PIANO and E.PIANO voices: Selected modulation effect .PE'Y5ZQF


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On-screen name (and full name) SmallPha (Small Phaser) Max90 Max100 Flanger TouchWah (Touch Wah) PedalWah (Pedal Wah) Chorus D Chorus 816Cho (816Chorus) Sympho (Symphonic) Other Description Small Phaser operates like a vintage phaser, applying a unique sweeping effect. Max90 emulates a vintage phaser, producing a more traditional-sounding effect. Another vintage-type phaser, Max100 can modify the sound in a number of different ways based on its Mode parameter setting. The Flanger effect reproduces the sound of a vintage flanger. Touch Wah produces a classic filter-sweep effect in response to how hard or soft the keyboard is played. Another classic filter-sweep effect, Pedal Wah is operated using a pedal or another controller. In order to use this effect, it is necessary to specify which controller is to be used, and this can be done by selecting the controller on Page 4 of the Common Settings screen (page 34) and setting "MdEffect" as its destination. The Chorus effect applies a standard chorus. D Chorus produces a chorus effect that is more natural sounding, softer, and wider. Famous for combining eight DX7s in a single rack unit, Yamaha's TX816 featured a thick, detuned chorus sound that is reproduced here by the 816Chorus modulation effect. Symphonic uses multi-stage modulation to produce a wider-sounding chorus. The Other group contains general-purpose effects that are suitable for use with voices other than those from the PIANO and E.PIANO categories. Within this group, you can select from a wide range of effects in a number of different categories. See the table on the following page for more details regarding these categories and effects. Internal Design of the CP5 & CP50 Reference Left & Right Parts 3
[VOICE] 3
[PRE-AMP] 3
[MOD-FX] 3
[PWR-AMP] (CP5 only) 3
[LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2] (CP5) [LEFT]/[RIGHT] (CP50) 3
[COMMON] Song Setting Area 3
[SONG SETTING] 3
[RECORD] TRACK Part 3
[TRACK] MIC INPUT Part 3
[MIC INPUT] (CP5 only) Settings for All Parts 3
[REVERB] Settings for All Performances 3
[MASTER COMPRESSOR] 3
[UTILITY] 3
[FILE] Appendix 15 CP5/CP50 Reference Manual