Yamaha CVP-609 Reference Manual - Page 58

NTR/NTT Settings for the Rhythm Channels, Pitch Shift to Root

Page 58 highlights

Creating/Editing Styles (Style Creator) NTR/NTT (Note Transposition Rule/Note Transposition Table) High Key/Note Limit NTT Arpeggio Type Suitable for arpeggio-played sound of the guitar, resulting in beautiful four-note arpeggio sounds. NTT Bass The channel for which this is set to "On" will be played back by the bass root note, when the on-bass chord is recognized by the instrument. When NTR is set to Guitar and this parameter is set to "On," only the note which is assigned to bass will be played back by the bass root note. NTR/NTT Settings for the Rhythm Channels Since the Rhythm channels should not be affected by Chord change, make sure to make the following settings. • NTR = Root Fixed • NTT = Bypass • NTT Bass = Off With the above settings, the "Source Root" and "Source Chord" parameters are changed to "Play Root" and "Play Chord," respectively. Adjusts the Octave of the notes converted via the NTT and NTR. High Key This sets the highest key (upper octave limit) of the note transposition for the chord root change. Any notes calculated to be higher than the highest key are transposed down to the next lowest octave. This setting is available only when the NTR parameter (page 56) is set to "Root Trans." Example - When the highest key is F. Root changes Notes Played CM C3-E3-G3 CᅊM Cᅊ3-F3-Gᅊ3 FM F3-A3-C4 FᅊM Fᅊ2-Aᅊ2-Cᅊ3 RTR (Retrigger Rule) Note Limit Low Note Limit High These set the note range (highest and lowest notes) for Voices recorded to the Style channels. By judicious setting of this range, you can ensure that the Voices sound as realistic as possible - in other words, that no notes outside the natural range are sounded (e.g., high bass sounds or low piccolo sounds). Example - When the lowest note is C3 and the highest is D4. Root changes Notes Played CM E3-G3-C4 CᅊM F3-Gᅊ3-Cᅊ4 FM F3-A3-C4 High Limit Low Limit These settings determine whether notes stop sounding or not and how they change pitch in response to chord changes. Stop The notes stop sounding. Pitch Shift The pitch of the note will bend without a new attack to match the type of the new chord. Pitch Shift to Root The pitch of the note will bend without a new attack to match the root of the new chord. Retrigger The note is retriggered with a new attack at a new pitch corresponding to the next chord. Retrigger to Root The note is retriggered with a new attack at the root note of the next chord. However, the octave of the new note remains the same. CVP-609/605 Reference Manual 58

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Creating/Editing Styles (Style Creator)
CVP-609/605 Reference Manual
58
NTR/NTT
(Note
Transposition
Rule/Note
Transposition
Table)
NTT
Type
Arpeggio
Suitable for arpeggio-played sound of the guitar, resulting in beautiful
four-note arpeggio sounds.
NTT
Bass
The channel for which this is set to “On” will be played back by the bass root note, when
the on-bass chord is recognized by the instrument. When NTR is set to Guitar and this
parameter is set to “On,” only the note which is assigned to bass will be played back by the
bass root note.
NTR/NTT Settings for the Rhythm Channels
Since the Rhythm channels should not be affected by Chord change, make sure to make the
following settings.
NTR = Root Fixed
NTT = Bypass
NTT Bass = Off
With the above settings, the “Source Root” and “Source Chord” parameters are changed to “Play
Root” and “Play Chord,” respectively.
High Key/Note
Limit
Adjusts the Octave of the notes converted via the NTT and NTR.
High Key
This sets the highest key (upper octave limit) of the note transposition
for the chord root change. Any notes calculated to be higher than the
highest key are transposed down to the next lowest octave. This setting is
available only when the NTR parameter (
page 56
) is set to “Root Trans.”
Note Limit Low
These set the note range (highest and lowest notes) for Voices recorded
to the Style channels. By judicious setting of this range, you can ensure
that the Voices sound as realistic as possible — in other words, that no
notes outside the natural range are sounded (e.g., high bass sounds or
low piccolo sounds).
Note Limit High
RTR
(Retrigger
Rule)
These settings determine whether notes stop sounding or not and how they change pitch in
response to chord changes.
Stop
The notes stop sounding.
Pitch Shift
The pitch of the note will bend without a new attack to match the type of
the new chord.
Pitch Shift to Root
The pitch of the note will bend without a new attack to match the root of
the new chord.
Retrigger
The note is retriggered with a new attack at a new pitch corresponding to
the next chord.
Retrigger to Root
The note is retriggered with a new attack at the root note of the next
chord. However, the octave of the new note remains the same.
CM
C3-E3-G3
FM
F3-A3-C4
FM
F 2-A 2-C 3
CM
C 3-F3-G 3
Root changes
Notes Played
Example — When the highest key is F.
CM
E3-G3-C4
FM
F3-A3-C4
CM
F3-G 3-C 4
Root changes
Notes Played
Example — When the lowest note is C3 and the highest is D4.
High Limit
Low Limit