Yamaha DG60-112 Owner's Manual - Page 8

Setting Examples - guitar amp

Page 8 highlights

Setting Examples To help you start enjoying the fantastic sound of the DG60-112, here are some examples of common settings. Use these as a starting point in creating your own original sounds. * Set the Master Volume control to a suitable level. * The setting can be changed to suit the guitar you use. Find your optimum setting by referring to the sample settings. A typical distortion sound often used in British hard rock. All-round crunch sound. LEAD1 10.0 - 10.0 5.8 1.9 10.0 10.0 5.5 Ideally smooth lead sound for solos with sustains using the front pickup. CRUNCH1 9.3 - 9.3 9.0 8.1 3.9 7.4 5.1 The warm and clean sound of a crunch amp. Can be used for all genres from jazz to rock. LEAD1 10.0 - 10.0 6.8 8.7 10.0 10.0 5.1 A brilliant sound suitable for hard rock and heavy metal. CRUNCH1 3.5 - 7.0 4.0 2.0 3.0 4.0 4.0 Crunch sound like a low-power vintage amp with the volume turned up all the way. LEAD2 9.0 - 5.0 6.4 2.0 6.5 5.0 4.0 Optimum distortion for heavy riffs with the gain up, crisp overdrive with the gain down. CRUNCH2 3.0 - 9.3 4.7 1.6 6.5 7.3 3.4 Contemporary jazz sound. Can be used to obtain a clean sound without using the CLEAN channel. LEAD2 3~8 - 7.0 2.0 2.0 5.5 7.0 3.0 Tight overdrive sound. CRUNCH2 2.6 - 2.7 7.5 9.2 7.3 1.7 4.2 Country sound with a punch. DRIVE1 10.0 - 9.7 1.5 8.2 7.5 6.5 4.0 A punchy overdrive sound with rich overtones in the mid range. CLEAN1 5.4 - 10.0 8.2 8.9 8.1 5.8 4.7 A rich and clean bass sound used in hard rock. DRIVE1 8.7 - 7.0 7.5 7.5 7.4 7.1 4.2 A hard overdrive sound emphasizing the low and high ranges. CLEAN1 5.3 - 5.7 0.9 3.0 9.5 9.9 3.1 A bright, clean sound. Can be used widely in a number of scenes. DRIVE2 10.0 - 9.2 8.5 4.0 7.3 5.6 4.4 Texas blues type sound with slight overdrive. CLEAN2 5.4 - 7.2 8.3 10.0 4.9 5.0 3.2 The natural, light crunch sound of a clean amp with the volume up. DRIVE2 4.9 - 7.0 7.0 8.1 7.7 9.0 3.2 8 CLEAN2 10.0 - 4.9 5.3 8.6 3.9 3.6 4.1

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8
Setting Examples
To help you start enjoying the fantastic sound of the DG60-112, here are some examples of common settings.
Use these as a starting point in creating your own original sounds.
*
Set the Master Volume control to a suitable level.
*
The setting can be changed to suit the guitar you use. Find your optimum setting by referring to the sample settings.
LEAD1
10.0
10.0
6.8
8.7
10.0
10.0
5.1
LEAD2
9.0
5.0
6.4
2.0
6.5
5.0
4.0
LEAD2
3~8
7.0
2.0
2.0
5.5
7.0
3.0
DRIVE1
10.0
9.7
1.5
8.2
7.5
6.5
4.0
DRIVE1
8.7
7.0
7.5
7.5
7.4
7.1
4.2
DRIVE2
10.0
9.2
8.5
4.0
7.3
5.6
4.4
DRIVE2
4.9
7.0
7.0
8.1
7.7
9.0
3.2
CRUNCH1
9.3
9.3
9.0
8.1
3.9
7.4
5.1
CLEAN2
10.0
4.9
5.3
8.6
3.9
3.6
4.1
CLEAN2
5.4
7.2
8.3
10.0
4.9
5.0
3.2
CLEAN1
5.3
5.7
0.9
3.0
9.5
9.9
3.1
CRUNCH2
2.6
2.7
7.5
9.2
7.3
1.7
4.2
CRUNCH2
3.0
9.3
4.7
1.6
6.5
7.3
3.4
CRUNCH1
3.5
7.0
4.0
2.0
3.0
4.0
4.0
CLEAN1
5.4
10.0
8.2
8.9
8.1
5.8
4.7
LEAD1
10.0
10.0
5.8
1.9
10.0
10.0
5.5
A typical distortion sound often used in British hard rock.
Ideally smooth lead sound for solos with sustains using
the front pickup.
A brilliant sound suitable for hard rock and heavy metal.
Optimum distortion for heavy riffs with the gain up, crisp
overdrive with the gain down.
Tight overdrive sound.
A punchy overdrive sound with rich overtones in the mid
range.
A hard overdrive sound emphasizing the low and high
ranges.
Texas blues type sound with slight overdrive.
All-round crunch sound.
The warm and clean sound of a crunch amp. Can be used
for all genres from jazz to rock.
Crunch sound like a low-power vintage amp with the vol-
ume turned up all the way.
Contemporary jazz sound. Can be used to obtain a clean
sound without using the CLEAN channel.
Country sound with a punch.
A rich and clean bass sound used in hard rock.
A bright, clean sound. Can be used widely in a number of
scenes.
The natural, light crunch sound of a clean amp with the
volume up.