Yamaha DGX-200 Owner's Manual - Page 44

Chord Name/[Abbreviation], Normal Voicing, Chord C, Display, m711 chords are not recog

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Selecting and Playing Styles Chord Name/[Abbreviation] Major [M] Add ninth [(9)] Sixth [6] Sixth ninth [6(9)] Major seventh [M7] Major seventh ninth [M7(9)] Major seventh add sharp eleventh [M7(#11)] Flatted fifth [(b5)] Major seventh flatted fifth [M7b5] Suspended fourth [sus4] Augmented [aug] Major seventh augmented [M7aug] Minor [m] Minor add ninth [m(9)] Minor sixth [m6] Minor seventh [m7] Minor seventh ninth [m7(9)] Minor seventh add eleventh [m7(11)] Minor major seventh [mM7] Minor major seventh ninth [mM7(9)] Minor seventh flatted fifth [m7b5] Minor major seventh flatted fifth [mM7b5] Diminished [dim] Diminished seventh [dim7] Seventh [7] Seventh flatted ninth [7(b9)] Seventh add flatted thirteenth [7(b13)] Seventh ninth [7(9)] Seventh add sharp eleventh [7(#11)] Seventh add thirteenth [7(13)] Seventh sharp ninth [7(#9)] Seventh flatted fifth [7b5] Seventh augmented [7aug] Seventh suspended fourth [7sus4] One plus two plus five [1+2+5] Normal Voicing 1 - 3 - 5 1 - 2 - 3 - 5 1 - (3) - 5 - 6 1 - 2 - 3 - (5) - 6 1 - 3 - (5) - 7 or 1 - (3) - 5 - 7 1 - 2 - 3 - (5) - 7 1 - (2) - 3 - #4 - 5 - 7 or 1 - 2 - 3 - #4 - (5) - 7 1 - 3 - b5 1 - 3 - b5 - 7 1 - 4 - 5 1 - 3 - #5 1 - (3) - #5 - 7 1 - b3 - 5 1 - 2 - b3 - 5 1 - b3 - 5 - 6 1 - b3 - (5) - b7 1 - 2 - b3 - (5) - b7 1 - (2) - b3 - 4 - 5 - (b7) 1 - b3 - (5) - 7 1 - 2 - b3 - (5) - 7 1 - b3 - b5 - b7 1 - b3 - b5 - 7 1 - b3 - b5 1 - b3 - b5 - 6 1 - 3 - (5) - b7 or 1 - (3) - 5 - b7 1 - b2 - 3 - (5) - b7 1 - 3 - 5 - b6 - b7 1 - 2 - 3 - (5) - b7 1 - (2) - 3 - #4 - 5 - b7 or 1 - 2 - 3 - #4 - (5) - b7 1 - 3 - (5) - 6 - b7 1 - #2 - 3 - (5) - b7 1 - 3 - b5 - b7 1 - 3 - #5 - b7 1 - 4 - (5) - b7 1 - 2 - 5 Chord (C) Display C C C(9) C(9) C6 C6 C6(9) C6(9) CM7 CM7 CM7(9) CM7(9) CM7(#11) CM7(#11) C(b5) Cb5 CM7b5 CM7b5 Csus4 Csus4 Caug Caug CM7aug CM7aug Cm Cm Cm(9) Cm(9) Cm6 Cm6 Cm7 Cm7 Cm7(9) Cm7(9) Cm7(11) Cm7(11) CmM7 CmM7 CmM7(9) CmM7(9) Cm7b5 Cm7b5 CmM7b5 CmM7b5 Cdim Cdim Cdim7 Cdim7 C7 C7 C7(b9) C7(b13) C7(9) C7(#11) C7(b9) C7(b13) C7(9) C7(#11) C7(13) C7(#9) C7b5 C7aug C7sus4 C1+2+5 C7(13) C7(#9) C7b5 C7aug C7sus4 C • Notes in parentheses can be omitted. • Playingtwosamerootkeysinthe adjacent octaves produces accompaniment based only on the root. • A perfect fifth (1 + 5) produces accompaniment based only on the root and fifth which can be used with both major and minor chords. • Thechordfingeringslistedareall in"root"position,butotherinversions can be used - with the following exceptions: m7, m7 b5, 6, m6, sus4, aug, dim7, 7 b5, 6(9), 1+2+5. • Inversion of the 7sus4 and m7(11) chords are not recognized if the notes shown in parentheses are omitted. • The auto accompaniment will sometimes not change when related chords are played in sequence (e.g. some minor chordsfollowedbytheminorseventh). • Two-notefingeringswillproduce a chord based on the previously played chord. 44

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Selecting and Playing Styles
44
Chord Name/[Abbreviation]
Normal Voicing
Chord (C)
Display
Major [M]
1 - 3 - 5
C
C
Add ninth [(9)]
1 - 2 - 3 - 5
C(9)
C(9)
Sixth [6]
1 - (3) - 5 - 6
C6
C6
Sixth ninth [6(9)]
1 - 2 - 3 - (5) - 6
C6(9)
C6(9)
Major seventh [M7]
1 - 3 - (5) - 7 or
1 - (3) - 5 - 7
CM7
CM7
Major seventh ninth [M7(9)]
1 - 2 - 3 - (5) - 7
CM7(9)
CM7(9)
Major seventh add sharp eleventh [M7(
#
11)]
1 - (2) - 3 -
#
4 - 5 - 7 or
1 - 2 - 3 -
#
4 - (5) - 7
CM7(
#
11)
CM7(
#
11)
Flatted fifth [(
b
5)]
1 - 3 -
b
5
C(
b
5)
C
b
5
Major seventh flatted fifth [M7
b
5]
1 - 3 -
b
5 - 7
CM7
b
5
CM7
b
5
Suspended fourth [sus4]
1 - 4 - 5
Csus4
Csus4
Augmented [aug]
1 - 3 -
#
5
Caug
Caug
Major seventh augmented [M7aug]
1 - (3) -
#
5 - 7
CM7aug
CM7aug
Minor [m]
1 -
b
3 - 5
Cm
Cm
Minor add ninth [m(9)]
1 - 2 -
b
3 - 5
Cm(9)
Cm(9)
Minor sixth [m6]
1 -
b
3 - 5 - 6
Cm6
Cm6
Minor seventh [m7]
1 -
b
3 - (5) -
b
7
Cm7
Cm7
Minor seventh ninth [m7(9)]
1 - 2 -
b
3 - (5) -
b
7
Cm7(9)
Cm7(9)
Minor seventh add eleventh [m7(11)]
1 - (2) -
b
3 - 4 - 5 - (
b
7)
Cm7(11)
Cm7(11)
Minor major seventh [mM7]
1 -
b
3 - (5) - 7
CmM7
CmM7
Minor major seventh ninth [mM7(9)]
1 - 2 -
b
3 - (5) - 7
CmM7(9)
CmM7(9)
Minor seventh flatted fifth [m7
b
5]
1 -
b
3 -
b
5 -
b
7
Cm7
b
5
Cm7
b
5
Minor major seventh flatted fifth [mM7
b
5]
1 -
b
3 -
b
5 - 7
CmM7
b
5
CmM7
b
5
Diminished [dim]
1 -
b
3 -
b
5
Cdim
Cdim
Diminished seventh [dim7]
1 -
b
3 -
b
5 - 6
Cdim7
Cdim7
Seventh [7]
1 - 3 - (5) -
b
7 or
1 - (3) - 5 -
b
7
C7
C7
Seventh flatted ninth [7(
b
9)]
1 -
b
2 - 3 - (5) -
b
7
C7(
b
9)
C7(
b
9)
Seventh add flatted thirteenth [7(
b
13)]
1 - 3 - 5 -
b
6 -
b
7
C7(
b
13)
C7(
b
13)
Seventh ninth [7(9)]
1 - 2 - 3 - (5) -
b
7
C7(9)
C7(9)
Seventh add sharp eleventh [7(
#
11)]
1 - (2) - 3 -
#
4 - 5 -
b
7 or
1 - 2 - 3 -
#
4 - (5) -
b
7
C7(
#
11)
C7(
#
11)
Seventh add thirteenth [7(13)]
1 - 3 - (5) - 6 -
b
7
C7(13)
C7(13)
Seventh sharp ninth [7(
#
9)]
1 -
#
2 - 3 - (5) -
b
7
C7(
#
9)
C7(
#
9)
Seventh flatted fifth [7
b
5]
1 - 3 -
b
5 -
b
7
C7
b
5
C7
b
5
Seventh augmented [7aug]
1 - 3 -
#
5 -
b
7
C7aug
C7aug
Seventh suspended fourth [7sus4]
1 - 4 - (5) -
b
7
C7sus4
C7sus4
One plus two plus five [1+2+5]
1 - 2 - 5
C1+2+5
C
• Notes in parentheses can be
omitted.
• Playingtwosamerootkeysinthe
adjacent octaves produces
accompaniment based only on
the root.
• A perfect fifth (1 + 5) produces
accompaniment based only on
the root and fifth which can be
used with both major and minor
chords.
• The
chord
fingerings
listed
are
all
in“root”position,butotherinver-
sions can be used — with the fol-
lowing exceptions:
m7, m7
b
5, 6, m6, sus4, aug,
dim7, 7
b
5, 6(9), 1+2+5.
• Inversion of the 7sus4 and
m7(11) chords are not recog-
nized if the notes shown in
parentheses are omitted.
• The auto accompaniment will
sometimes not change when
related chords are played in
sequence (e.g. some minor
chords
followed
by
the
minor
sev-
enth).
• Two-note
fingerings
will
produce
a chord based on the previously
played chord.