Yamaha EL-900 Owner's Manual - Page 37
Clarinet, Saxophone, Tutti, Chorus, Harmonica, Organ, Organ Bass, Piano
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1BHF4FDUJPO 9. Lead 0#0& 10. Upper/Lower $-"3*/&5 11. Upper/Lower 4"901)0/& 12. Upper/Lower 5655* 13. Upper/Lower $)0364 14. Upper )"3.0/*$" 15. Upper/Lower 03("/ 16. Pedal 03("/ #"44 17. Upper/Lower 1*"/0 7PJDF /BNF Oboe 1 Oboe 2 English Horn Bassoon 1 Bassoon 2 Clarinet 1 Clarinet 2 Bass Cla. Synth. Cla. 1 Synth. Cla. 2 Saxophone 1 Saxophone 2 Sopra. Sax. Sax. Ensem. 1 Sax. Ens. 2 Synth. Sax. Synth. Lead 1 Synth. Lead 2 Synth. Lead 3 Synth. Lead 4 Synth. Lead 5 Tutti 1 Tutti 2 Tutti 3 Tutti 4 Tutti 5 Tutti 6 Tutti 7 Chorus 1 Chorus 2 Chorus 3 Chorus 4 Chorus 5 Vocal Harmonica 1 Harmonica 2 Organ 1 Organ 2 Organ 3 Organ 4 Jazz Organ 1 Jazz Organ 2 Jazz Organ 3 Jazz Organ 4 Pop Organ 1 Pop Organ 2 Theat. Organ 1 Theat. Organ 2 Accordion Bandoneon Organ Bass 1 Organ Bass 2 Organ Bass 3 Organ Bass 4 Piano 1 Piano 2 Honkytonk Elec. Piano 1 Elec. Piano 2 Elec. Piano 3 Harpsichord Clavi. Clavichord 1SFTFU 'FFU &GGFDU 8' - 8' - 8' - U16'/L8' - U16'/L8' - 8' - 8' - 8' - 8' - 8' - U16'/L8' - U16'/L8' - 8' - U16'/L8' - U16'/L8 - 8' - 8' - 8' - 4' - 8' - 8' - 8' - 8' - 8' - 8' - 8' - 8' - 8' - 8' - 8' - 8' - 8' - 8' - 8' - 8' - 8' - 8' - 8' - 8' - 8' - 16' Chor. 16' Trem. 16' Trem. 16' Trem. 8' Chor. 8' Chor. 8' Sym. 8' - 8' - 8' - 8' - 16' - 16' - 16' - 8' - 8' - 8' - 8' Cele. 8' Cele. 8' - 8' - 16' - 8' - $PNNFOUT Softer oboe. Rounder tone with characteristic tonguing. For fast phrases. Cor Anglais. For legato playing. For staccato playing. Standard clarinet. Clarinet solo for jazz and contemporary. Bass clarinet with fat and resonant sounds. Resonant synth. clarinet. Synth. reed with a unique attack sound. Alto sax. Characteristic tenor sax with strong tonguing. Standard soprano sax. Softer sounds for classicals. Saxophone section for bigband. Wind synthesizer with thick sounds in the middle and lower range. Softer analog synth. reed. Clear synth. reed with a sharp attack. Hoarse noise reed. Digital synth. reed. Synth. reed with thick fourth notes. Strings unison and wood winds ensemble. Strings unison and the brasses. The brasses for classicals and bands. Big band. Softer playing = sax only. Harder playing = 1 octave higher brasses added. Wood winds ensemble. Instruments vary depending on the register played. Wood winds quintet. Brass ensemble. Female "Ah". Male "Wh". Mixed chorus. Mixed chorus with beautiful resonance. Wh. Scat type vocal ensemble. Accentuated solo vocal, "Ah". Standard type with pitch modulated vibrato. Solo harmonica with filter and amplitude modulated vibrato. Small pipe organ. 8'. Big pipe organ with full coupler. Nasard stops. 8'+2 2/3'. Harmonium. For solo playing. 16'+8'+5 1/3'. 16'+8'+2'. For cluster playing. 16'+1 3/5'+1 1/3'+1'. Fat and noisy jazz organ. Bright sounds for jazz. 8'+4'+2 2/3'. For multi purposes. 8'+4' with slower attack. 16'+8' with slower attack. Slower attack. Attack can be controlled by initial touch. Combination organ bass. Pipe organ bass 1. Standard type. For jazz. 16'. Pipe organ bass 2. Full coupler. For multi purposes. Brighter sounds. CP80 type. Honky tonk piano. DX7 type. Old fashioned, full bodied electric piano. Electric piano with clearly brilliant but deep sounds. Standard cembalo. Funky clavi. Clavichord with stable and grave sounds. Voice Sections 2 37