Yamaha HTR 5740 MCXSP10 Manual - Page 59

Additional Information, Editing Sound Field Parameters, What Is A Sound Field

Page 59 highlights

EDITING SOUND FIELD PARAMETERS EDITING SOUND FIELD PARAMETERS What is a sound field What really creates the rich, full tones of a live instrument are the multiple reflections from the walls of the room. In addition to making the sound "live", these reflections enable us to tell where the player is situated, and the size and shape of the room in which we are sitting. ■ Elements of a sound field In any environment, in addition to the direct sound coming straight to our ears from the player's instrument, there are two distinct types of sound reflections that combine to make up the sound field: Early reflections Reflected sounds reach our ears extremely rapidly (50 ms - 100 ms after the direct sound), after reflecting from one surface only - for example, from the ceiling or a wall. Early reflections actually add clarity to the direct sound. Reverberations These are caused by reflections from more than one surface - walls, ceiling, the back of the room - so numerous that they merge together to form a continuous sonic "afterglow". They are non-directional, and lessen the clarity of the direct sound. Direct sound, early reflections and subsequent reverberation taken together help us to determine the subjective size and shape of the room, and it is this information that the digital sound field processor reproduces in order to create sound fields. If you could create the appropriate early reflections and subsequent reverberations in your listening room, you would be able to create your own listening environment. The acoustics in your room could be changed to those of a concert hall, a dance floor, or virtually any size room at all. This ability to create sound fields at will is exactly what YAMAHA has done with the digital sound field processor. Changing parameter settings You can enjoy good quality sound with the factory preset parameters. Although you do not have to change the initial settings, you can change some of the parameters to better suit the input source or your listening room. 1 CODE SET TRANSMIT POWER TV POWER AV STANDBY CD MD/CD-R TUNER SYSTEM POWER SLEEP DVD DTV/CBL V-AUX MULTI CH IN VCR AMP TV VOL TV CH VOLUME TV MUTE TV INPUT MUTE STEREO 1 HALL 2 JAZZ 3 ROCK 4 MUSIC ENTERTAIN TV THTR 5 6 7 MOVIE 8 q/DTS 9 LEVEL TITLE TEST RETURN NIGHT 0 EX/ES 10 PRESET/CH SELECT STRAIGHT ENTER EFFECT SET MENU MENU A/B/C/D/E DISPLAY REC DISC SKIP AUDIO 2 3,4 1 Press AMP. AMP 2 Select the sound field program you want to adjust. STEREO 1 HALL 2 JAZZ 3 ROCK 4 MUSIC ENTERTAIN TV THTR 5 6 7 MOVIE 8 q/DTS 9 NIGHT 0 EX/ES 10 STRAIGHT ENTER EFFECT 3 Press u / d to select the parameters. PRESET/CH SELECT 4 Press j / i to change the parameter value. PRESET/CH SELECT ADDITIONAL INFORMATION English 55

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EDITING SOUND FIELD PARAMETERS
55
English
ADDITIONAL
INFORMATION
What really creates the rich, full tones of a live instrument
are the multiple reflections from the walls of the room. In
addition to making the sound “live”, these reflections
enable us to tell where the player is situated, and the size
and shape of the room in which we are sitting.
Elements of a sound field
In any environment, in addition to the direct sound coming
straight to our ears from the player’s instrument, there are
two distinct types of sound reflections that combine to
make up the sound field:
Early reflections
Reflected sounds reach our ears extremely rapidly (50 ms
– 100 ms after the direct sound), after reflecting from one
surface only — for example, from the ceiling or a wall.
Early reflections actually add clarity to the direct sound.
Reverberations
These are caused by reflections from more than one
surface — walls, ceiling, the back of the room — so
numerous that they merge together to form a continuous
sonic “afterglow”. They are non-directional, and lessen
the clarity of the direct sound.
Direct sound, early reflections and subsequent
reverberation taken together help us to determine the
subjective size and shape of the room, and it is this
information that the digital sound field processor
reproduces in order to create sound fields.
If you could create the appropriate early reflections and
subsequent reverberations in your listening room, you
would be able to create your own listening environment.
The acoustics in your room could be changed to those of a
concert hall, a dance floor, or virtually any size room at
all. This ability to create sound fields at will is exactly
what YAMAHA has done with the digital sound field
processor.
You can enjoy good quality sound with the factory preset
parameters. Although you do not have to change the initial
settings, you can change some of the parameters to better
suit the input source or your listening room.
1
Press AMP.
2
Select the sound field program you want to
adjust.
3
Press
u
/
d
to select
the parameters.
4
Press
j
/
i
to change
the parameter value.
EDITING SOUND FIELD PARAMETERS
What is a sound field
Changing parameter settings
TRANSMIT
CODE SET
STANDBY
SYSTEM
POWER
CD
MD/CD-R
TUNER
V-AUX
DVD
AMP
POWER
POWER
VOLUME
TV MUTE
TV INPUT
TV VOL
TV CH
AV
TV
VCR
DTV/CBL
MULTI CH IN
SLEEP
REC
AUDIO
MUTE
MENU
TITLE
DISC SKIP
SET MENU
LEVEL
A/B/C/D/E
TEST
STRAIGHT
ROCK
JAZZ
HALL
STEREO
4
3
2
1
8
10
7
0
9
6
5
ENTER
MOVIE
TV THTR
MUSIC
ENTERTAIN
EX/ES
NIGHT
q
/DTS
EFFECT
DISPLAY
RETURN
SELECT
PRESET/CH
3,4
1
2
AMP
STRAIGHT
ROCK
JAZZ
HALL
STEREO
4
3
2
1
8
10
7
0
9
6
5
ENTER
MOVIE
TV THTR
MUSIC
ENTERTAIN
EX/ES
NIGHT
q
/DTS
EFFECT
SELECT
PRESET/CH
SELECT
PRESET/CH