Yamaha MX200-24 Owner's Manual - Page 8

s Connectors 45 6 7 1 2 3 1 2 1 2 1 2 OUT IN 3 4 INPUT A 5 6 3 4 5 6 INPUT B 3 4 5 6 INPUT CH INSERT I/O 0dB 7 8 7 8 7 8 OUT IN R R L -10dB TAPE IN L -10dB REC OUT L R STEREO OUT +4dB +4dB MONO OUT 1R 2R 3 4 8 1L/MONO 2L/MONO 1 2 9 AUX RETURN +4dB AUX SEND +4dB MICROPHONE CABLES AND MICROPHONES CONNECTION TO PREVENT HAZARD OR DAMAGE, ENSURE THAT ONLY MICROPHONE CABLES AND MICROPHONES DESIGNED TO THE IEC268-15A STANDARD ARE CONNECTED. 1 INPUT A These are XLR type connectors. (1: sleeve, 2: hot, 3: cold) Microphones of 50-600Ω or 600Ω line level devices can be connected here. When the PHANTOM switch (rear panel 2) is turned on, DC+48V will be supplied to pins 2 and 3 of these connectors. 2 INPUT B These are balanced phone connectors. (T: hot, R: cold, S: sleeve) Microphones of 50-600Ω or 600Ω line level devices can be connected here. Unbalanced phone plugs can also be connected, however, noise may occur with long cables, or cables subjected to strong electromagnetic fields caused by radio and TV broadcasts. 3 INPUT CH INSERT I/O 0dB These are input/output jacks located between the head amp and the equalizer of the input channel section. The nominal input level and impedance is 0dB/600Ω, and the nominal output level and impedance is 0dB/10kΩ. These jacks allow you to insert your own graphic equalizers, compressors, noise filters, or other devices. INSERT OUT INSERT IN 4 TAPE IN Your DAT or cassette deck can be directly connected here for convenient monitoring. Use the TAPE IN control (master control section 0) to adjust the level. 5 REC OUT Your DAT or cassette deck can be connected here to record the audio signal from STEREO OUT. 6 In this case, the final output level is adjusted by the REC OUT control (master control section 9), and the STEREO L,R fader settings will have no affect. 6 STEREO OUT (L, R) This is the stereo output of the combined audio signals. Connect these jacks to the power amp that drives your main speakers. Alternatively, you can record the output from these jacks if you wish to use the STEREO L,R faders to adjust the audio level being recorded. 7 MONO OUT This is the MONO OUT output jack. The MONO OUT can be used for simple recordings of a live performance, for driving a sub power amp, or to check for phase cancellation. An internal jumper can be reconnected to change the location of the MONO OUT to post-ST fader. If this is done, the MONO OUT signal will be affected by the STEREO ON switch. Internal jumper wires can be changed to move the MONO OUT signal so that it is taken after the ST fader. If you would like this change to be made, consult with your dealer. SUM INV SUM INV ON L STEREO OUT R SUM INV ON MONO OUT SUM INV SUM INV ON SUM INV ON L STEREO OUT R MONO OUT