Yamaha S700 Owner's Manual - Page 130
NTT Note Transposition Table, NTT BASS ON/OFF, HIGH KEY, BYPASS, MELODY, CHORD, MELODIC MINOR
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Using, Creating and Editing the Auto Accompaniment Styles Style Creator ■ NTT (Note Transposition Table) This sets the note transposition table for the source pattern. BYPASS When NTR is set to ROOT FIXED, the transposition table used does not do any note conversion. When NTR is set to ROOT TRANS, the table used only converts the root note. MELODY Suitable for melody line transposition. Use this for melody channels such as Phrase 1 and Phrase 2. CHORD Suitable for chord transposition. Use this for the Chord 1 and Chord 2 channels, especially when they contain piano or guitar-like chordal parts. MELODIC MINOR When the played chord changes from a major to a minor chord, this table lowers the third interval in the scale by a semitone. When the chord changes from a minor to a major chord, the minor third interval is raised by a semitone. Other notes are not changed. Use this for melody channels of Sections which respond only to major/minor chords, such as Intros and Endings. MELODIC MINOR In addition to the Melodic Minor transposition above, augmented and 5th diminished chords affect the 5th note of the Source Pattern. HARMONIC MINOR When the played chord changes from a major to a minor chord, this table lowers the third and sixth intervals in the scale by a semitone. When the chord changes from a minor to a major chord, the minor third and flatted sixth intervals are raised by a semitone. Other notes are not changed. Use this for chord channels of Sections which respond only to major/minor chords, such as Intros and Endings. HARMONIC MINOR 5th In addition to the Harmonic Minor transposition above, augmented and diminished chords affect the 5th note of the Source pattern. NATURAL MINOR When the played chord changes from a major to a minor chord, this table lowers the third, sixth and seventh intervals in the scale by a semitone. When the chord changes from a minor to a major chord, the minor third, flatted sixth and flatted seventh intervals are raised by a semitone. Other notes are not changed. Use this for chord channels of Sections which respond only to a Major/minor chord such as Intros and Endings. NATURAL MINOR In addition to the Natural Minor transposition above, augmented and 5th diminished chords affect the 5th note of the Source pattern. DORIAN When the played chord changes from a major to a minor chord, this table lowers the third and seventh intervals in the scale by a semitone. When the chord changes from a minor to a major chord, the minor third and flatted seventh intervals are raised by a semitone. Other notes are not changed. Use this for chord channels of Sections which respond only to a Major/minor chord such as Intros and Endings. DORIAN 5th In addition to the Dorian transposition above, augmented and diminished chords affect the 5th note of the Source pattern. ■ NTT BASS ON/OFF The channels for which this is set to ON will be played back by the bass root note, when the on-bass chord is recognized by the instrument. ■ HIGH KEY This sets the highest key (upper octave limit) of the note transposition for the chord root change. Any notes calculated to be higher than the highest key are transposed down to the next lowest octave. This setting is available only when the NTR parameter (page 129) is set to "Root Trans." Example - When the highest key is F. Root changes CM C#M Notes played C3-E3-G3 C#3-F3-G#3 FM F3-A3-C4 F#M F#2-A#2-C#3 130 PSR-S900/S700 Owner's Manual