Behringer EUROPOWER PMP2000 Quick Start Guide - Page 8

Controls - manual

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14 EUROPOWER PMP2000 EUROPOWER PMP2000 Controls (EN) Controls (1) The FX control determines the signal level that (15) This is the PMP2000's graphic stereo equalizer, is routed from the respective channel to the which comprises two units and can be used to built-in effects processor. adapt the sound to the room acoustics. (2) The HIGH control in the EQ section governs (16) Use the EQ IN buttons to switch the two the high frequencies of the respective channel. equalizer units on or off. (3) Use the MID control to boost/cut the mid range. (4) The LOW control allows you to raise or lower the bass frequencies. (5) The MON control determines the channel's volume assigned to the monitor mix. (6) Use the LEVEL control to set the volume level of the respective channel. (17) Press the RUMBLE FILTER button to activate the low-cut filter of channels 1 - 6. This filter eliminates unpleasant bass frequencies (e.g. microphone pop noise). (18) The FX TO MON control determines the effects intensity of the multi-effects processor as part of the monitor mix. Turn the control fully counter-clockwise to add no effect to the monitor mix. (7) Use the CLIP LED to ensure that the input gain (19) The MONITOR LEVEL control adjusts the is set properly. The CLIP LED should light up volume of the monitor mix. only with peak signals, but never all the time. (20) Use the MONITOR LEVEL display to control (8) The PAD button reduces the channel the monitor signal level. The upper LED (LIM) input sensitivity by 25 dB. Thus, you can lights up when the built-in limiter is activated, also connect high-level line signals to the thus protecting against overload. respective channel input. (21) With this MODE switch you can determine (9) This HI-Z/LINE input can be used to connect whether the PMP2000 works as a stereo line level signal sources, such as keyboards, amplifier ("LEFT/RIGHT") or as a dual mono electric and bass guitars. amplifier ("MON/MAIN"). Please note that the (10) This is the channel's balanced XLR microphone input. equalizer function also depends on this switch setting (see (15)). (11) The stereo line input of channels 7 - 12 can be used to connect, for example, keyboards with stereo outputs or a stereo drum computer. (22) The FX TO MAIN control functions as FX return for the built-in effects processor. Use this control to add the desired effect signal to the main mix. No effect signal is added when the (12) The CD/TAPE/LINE IN RCA input of channel FX TO MAIN is set fully counter-clockwise. 13/14 allows you to feed in external stereo signals from your CD player or tape deck, for example. (23) The MAIN LEVEL control governs the overall volume of the PMP2000. (13) The CD/TAPE/LINE OUT RCA output provides the stereo main mix signal of your PMP2000 and can be routed to, say, a recording machine. (24) The MAIN LEVEL display reads the output level of the PMP2000. The upper LED (LIM) lights up when the built-in limiter is activated, thus protecting against signal peaks. (14) The phantom power supply provides the voltage necessary for the operation of condenser microphones. Use the PHANTOM (25) Use the FX FOOTSW(itch) jack to connect any commercially available foot controller. It allows you to bypass the effects unit. POWER switch to activate the supply together (26) This is the balanced MONITOR output of your for channels 1 - 12 (XLR connector). The LED PMP2000. Use it to feed an external monitor above the switch is lit when phantom power amp or active wedge. is on. 15 Quick Start Guide (27) These two ¼" TS jacks allow you to route the output signal to an external amplifier. This allows you to, say, use only the mixing and effect section of the PMP2000. The signal is taken pre-power amp. Of course, you can also use only the left jack as a mono output. (37) The BRIDGE loudspeaker output allows you to combine the left and right stereo channel in one mono output, which is useful for applications that require the use of one loudspeaker only. To use the BRIDGE output, switch (21) must be set to "LEFT/RIGHT". (28) These two ¼" TS jacks can be used to connect external signals, such as the main mix signal from an additional mixing console (pre-power amp). (29) Here, you will find a list of all multi-effect presets available. (30) This is the LED level meter of the effects processor. Please make sure that the clip LED lights up with signal peaks only. If it is lit constantly, this indicates that the effects processor is overdriven, which can lead to unpleasant distortion. (38) This is the LEFT/MONITOR loudspeaker output of your PMP2000, to which you can connect the left loudspeaker of a stereo system (switch (21) set to its upper position). If you do a main mix in mono (switch (21) set to its lower position), this loudspeaker output provides the monitor signal in mono. (39) SERIAL NUMBER. Check Out behringer.com for Full Manual. (31) The Effect display reads the currently selected preset. (32) Turn the PROGRAM control to select the effect presets. Press the control briefly to confirm your selection. (33) The mains connection is on a standard IEC receptacle. An appropriate power cord is supplied with the unit. (34) FUSE HOLDER. Before connecting the unit to the mains, ensure that the voltage setting matches your local voltage. Blown fuses should only be replaced by fuses of the same type and rating. (35) Use the POWER switch to put your PMP2000 into operation. The POWER switch should always be in the "Off" position when you are about to connect your unit to the mains. (36) This is the RIGHT/MONO MAIN loudspeaker output of your PMP2000, where you can connect the right loudspeaker of a stereo system. For this purpose, switch (21) must be set to its upper position. If, however, you run a mono main mix (switch (21) set to its lower position), this loudspeaker output provides the main mix signal in mono.

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14
EUROPOWER PMP2000
15
Quick Start Guide
EUROPOWER PMP2000 Controls
(EN)
Controls
(1)
The
FX
control determines the signal level that
is routed from the respective channel to the
built-in effects processor.
(2)
The
HIGH
control in the EQ section governs
the high frequencies of the respective channel.
(3)
Use the
MID
control to boost/cut the
mid range.
(4)
The
LOW
control allows you to raise or lower
the bass frequencies.
(5)
The
MON
control determines the channel’s
volume assigned to the monitor mix.
(6)
Use the
LEVEL
control to set the volume level
of the respective channel.
(7)
Use the
CLIP LED
to ensure that the input gain
is set properly. The CLIP LED should light up
only with peak signals, but never all the time.
(8)
The
PAD
button reduces the channel
input sensitivity by 25 dB. Thus, you can
also connect high-level line signals to the
respective channel input.
(9)
This
HI-Z/LINE
input can be used to connect
line level signal sources, such as keyboards,
electric and bass guitars.
(10)
This is the channel’s balanced XLR
microphone input.
(11)
The stereo line input of channels 7 - 12 can be
used to connect, for example, keyboards with
stereo outputs or a stereo drum computer.
(12)
The
CD/TAPE/LINE IN
RCA input of channel
13/14 allows you to feed in external stereo
signals from your CD player or tape deck,
for example.
(13)
The
CD/TAPE/LINE OUT
RCA output
provides the stereo main mix signal of
your PMP2000 and can be routed to, say,
a recording machine.
(14)
The phantom power supply provides the
voltage necessary for the operation of
condenser microphones. Use the
PHANTOM
POWER
switch to activate the supply together
for channels 1 - 12 (XLR connector). The LED
above the switch is lit when phantom power
is on.
(15)
This is the PMP2000’s graphic stereo equalizer,
which comprises two units and can be used to
adapt the sound to the room acoustics.
(16)
Use the
EQ IN
buttons to switch the two
equalizer units on or off.
(17)
Press the
RUMBLE FILTER
button to activate
the low-cut filter of channels 1 - 6. This filter
eliminates unpleasant bass frequencies
(e.g. microphone pop noise).
(18)
The
FX TO MON
control determines the effects
intensity of the multi-effects processor as
part of the monitor mix. Turn the control fully
counter-clockwise to add no effect to the
monitor mix.
(19)
The
MONITOR LEVEL
control adjusts the
volume of the monitor mix.
(20)
Use the
MONITOR LEVEL
display to control
the monitor signal level. The upper LED (LIM)
lights up when the built-in limiter is activated,
thus protecting against overload.
(21)
With this
MODE
switch you can determine
whether the PMP2000 works as a stereo
amplifier (“LEFT/RIGHT”) or as a dual mono
amplifier (“MON/MAIN”). Please note that the
equalizer function also depends on this switch
setting (see
(15)
).
(22)
The
FX TO MAIN
control functions as FX return
for the built-in effects processor. Use this
control to add the desired effect signal to the
main mix. No effect signal is added when the
FX TO MAIN is set fully counter-clockwise.
(23)
The
MAIN LEVEL
control governs the overall
volume of the PMP2000.
(24)
The
MAIN LEVEL
display reads the output
level of the PMP2000. The upper LED (LIM)
lights up when the built-in limiter is activated,
thus protecting against signal peaks.
(25)
Use the
FX FOOTSW
(itch) jack to connect
any commercially available foot controller.
It allows you to bypass the effects unit.
(26)
This is the balanced
MONITOR
output of your
PMP2000. Use it to feed an external monitor
amp or active wedge.
(27)
These two
¼" TS
jacks allow you to route
the output signal to an external amplifier.
This allows you to, say, use only the mixing
and effect section of the PMP2000. The signal
is taken pre-power amp. Of course, you can
also use only the left jack as a mono output.
(28)
These two
¼" TS
jacks can be used to
connect external signals, such as the main
mix signal from an additional mixing console
(pre-power amp).
(29)
Here, you will find a list of all multi-effect
presets available.
(30)
This is the
LED
level meter of the effects
processor. Please make sure that the clip
LED lights up with signal peaks only. If it is
lit constantly, this indicates that the effects
processor is overdriven, which can lead to
unpleasant distortion.
(31)
The Effect display reads the currently
selected preset.
(32)
Turn the
PROGRAM
control to select the
effect presets. Press the control briefly to
confirm your selection.
(33)
The mains connection is on a standard IEC
receptacle. An appropriate power cord is
supplied with the unit.
(34)
FUSE HOLDER
. Before connecting the unit
to the mains, ensure that the voltage setting
matches your local voltage. Blown fuses
should only be replaced by fuses of the same
type and rating.
(35)
Use the
POWER
switch to put your PMP2000
into operation. The POWER switch should
always be in the “Off” position when you are
about to connect your unit to the mains.
(36)
This is the
RIGHT/MONO MAIN
loudspeaker
output of your PMP2000, where you can
connect the right loudspeaker of a stereo
system. For this purpose, switch
(21)
must be
set to its upper position. If, however, you run
a mono main mix (switch
(21)
set to its lower
position), this loudspeaker output provides the
main mix signal in mono.
(37)
The
BRIDGE
loudspeaker output allows
you to combine the left and right stereo
channel in one mono output, which is useful
for applications that require the use of one
loudspeaker only. To use the BRIDGE output,
switch
(21)
must be set to “LEFT/RIGHT”.
(38)
This is the
LEFT/MONITOR
loudspeaker
output of your PMP2000, to which you can
connect the left loudspeaker of a stereo
system (switch
(21)
set to its upper position).
If you do a main mix in mono (switch
(21)
set
to its lower position), this loudspeaker output
provides the monitor signal in mono.
(39)
SERIAL NUMBER
.
Check Out behringer.com for Full Manual.