Bose 901 Series IV Owner's guide - Page 15

instructions

Page 15 highlights

B. ADJUSTING THE LOW AND HIGH FREQUENCY SOURCE AND ROOM COMPENSATION CONTROLS 1. Select a well-recorded familiar record with a full orchestral passage or a record with a large number of diverse musical instruments that span the entire frequency range. Select a recorded passage that has sustained music over several seconds so you can observe the effects of the controls. 2. Preset the HIGH FREQUENCY Control in the center. 3. Move the LOW FREQUENCY Control back and forth several times over the extremes of the control's range and carefully listen to its effect. You will notice a dramatic change in the basic fullness or body of the sound without changing the deep bass or midrange. Starting with the control at the extreme left, slowly move the knob until the balance of the sound is rich and full, but without excessive heaviness. 4. Next, replay the same passage again and move the HIGH FREQUENCY Control over the extremes of the range several times, listening to its effect. Starting with the control set at the extreme left, slowly move the knob until the sound fills with instrumental detail clarity, and presence. Note that since no room is typical, it will be rare that the center setting of both controls is used. Accordingly, it is important to realize that it is your adjustment of these controls that will result in the speakers optimum performance. LOW FILTER CONTROL The 901 Active Equalizer features a newly-designed LOW FILTER Control. The LOW FILTER Switch can be used to reduce the lowest two octaves of bass energy without affecting the mid-bass response. This control is most useful in removing record or turntable rumble. "Ii :011 ISL0UT 1 OW %ITER 315 1.00O 1001 FREQUENCY IN CYCLES PER SECOND 901 IV EQUALIZER CONTROL RESPONSE 10.000 20110 C. SPEAKER PLACEMENT Several options are possible regarding placement of your 901 in your listening room. Shelving that is deep enough to provid. the necessary distances behind and to the side of the speake system can be used. Make certain the shelving is substantie and not the same shelf used to hold your turntable, as possibl. acoustic feedback can occur. Many people choose the attractive pedestals available wit the 901 Series IV System. If you choose this method of suppor instructions are provided with the pedestals for connectin and mounting the speaker system, using the four predrille holes (A) in the speaker bottom. Another placement idea is to suspend the speaker syster from the ceiling (see Figure 1). This placement method i particularly attractive if wall surfaces are interrupted by wir dows or doorways or if floor placement is difficult due t furniture or the presence of children. 15

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20

B.
ADJUSTING
THE
LOW
AND
HIGH
FREQUENCY
SOURCE
AND
ROOM
COMPENSATION
CONTROLS
1.
Select
a
well
-recorded
familiar
record
with
a
full
orchestral
passage
or
a
record
with
a
large
number
of
diverse
musical
instruments
that
span
the
entire
frequency
range.
Select
a
recorded
passage
that
has
sustained
music
over
several
seconds
so
you
can
observe
the
effects
of
the
controls.
2.
Preset
the
HIGH
FREQUENCY
Control
in
the
center.
3.
Move
the
LOW
FREQUENCY
Control
back
and
forth
several
times
over
the
extremes
of
the
control's
range
and
carefully
listen
to
its
effect.
You
will
notice
a
dramatic
change
in
the
basic
fullness
or
body
of
the
sound
without
changing
the
deep
bass
or
midrange.
Starting
with
the
con-
trol
at
the
extreme
left,
slowly
move
the
knob
until
the
balance
of
the
sound
is
rich
and
full,
but
without
excessive
heaviness.
4.
Next,
replay
the
same
passage
again
and
move
the
HIGH
FREQUENCY
Control
over
the
extremes
of
the
range
several
times,
listening
to
its
effect.
Starting
with
the
con-
trol
set
at
the
extreme
left,
slowly
move
the
knob
until
the
sound
fills
with
instrumental
detail
clarity,
and
presence.
Note
that
since
no
room
is
typical,
it
will
be
rare
that
the
center
setting
of
both
controls
is
used.
Accordingly,
it
is
important
to
realize
that
it
is
your
adjustment
of
these
controls
that
will
result
in
the
speakers
optimum
perfor-
mance.
LOW
FILTER
CONTROL
The
901
Active
Equalizer
features
a
newly
-designed
LOW
FILTER
Control.
The
LOW
FILTER
Switch
can
be
used
to
reduce
the
lowest
two
octaves
of
bass
energy
without
affec-
ting
the
mid
-bass
response.
This
control
is
most
useful
in
removing
record
or
turntable
rumble.
OW
%ITER
"Ii
:011
ISL0UT
1
315
1.00O
1001
FREQUENCY
IN
CYCLES
PER
SECOND
901
IV
EQUALIZER
CONTROL
RESPONSE
10.000
20110
C.
SPEAKER
PLACEMENT
Several
options
are
possible
regarding
placement
of
your
901
in
your
listening
room.
Shelving
that
is
deep
enough
to
provid.
the
necessary
distances
behind
and
to
the
side
of
the
speake
system
can
be
used.
Make
certain
the
shelving
is
substantie
and
not
the
same
shelf
used
to hold
your
turntable,
as
possibl.
acoustic
feedback
can
occur.
Many
people
choose
the
attractive
pedestals
available
wit
the
901
Series
IV
System.
If
you
choose
this
method
of
suppor
instructions
are
provided
with
the
pedestals
for
connectin
and
mounting
the
speaker
system,
using
the
four
predrille
holes
(A)
in
the
speaker
bottom.
Another
placement
idea
is
to
suspend
the
speaker
syster
from
the
ceiling
(see
Figure
1).
This
placement
method
i
particularly
attractive
if
wall
surfaces
are
interrupted
by
wir
dows
or
doorways
or
if
floor
placement
is
difficult
due
t
furniture
or
the
presence
of
children.
15