Mackie 1202-VLZ Pro Owner's Manual - Page 15

XLR Main Output Level Switch - 12 channel mic line mixer

Page 15 highlights

XLR MAIN OUTPUT LEVEL SWITCH Engaging the MAIN OUTPUT LEVEL switch pads the balanced XLR main outputs by 30dB, so you can feed the microphone input of, say, another mixer. You can safely connect this output into an input that provides 48V phantom power. 1⁄4" MAIN OUTS These 1⁄4" jacks are balanced outputs capable of delivering 22dBu into a 600 ohm balanced or unbalanced load. (Okay, we admit it, that was a pretty technical sentence. See the Glossary and Connections appendices if you want to decode it.) To learn how signals are routed to these 1⁄4" outputs: . To use these outputs to drive balanced inputs, connect 1⁄4" TRS (Tip-Ring-Sleeve) phone plugs like this: RING SLEEVE SLEEVE RING TIP TIP Tip = + (hot) Ring = - (cold) Sleeve = Ground RING TIP SLEEVE For most music recording and PA applications, unbalanced lines are perfectly acceptable. To use these outputs to drive unbalanced inputs, connect 1⁄4" TS (Tip-Sleeve) phone plugs like this: SLEEVE SLEEVE TIP TIP TIP SLEEVE Tip = + (hot) Sleeve = Ground TAPE OUTPUT These unbalanced RCA connections tap the main output to make simultaneous recording and PA work more convenient. Connect these to your recorder's inputs. To learn how signals are routed to these outputs: . Mono Out: If you want to feed a mono signal to your tape deck or other device, simply use an RCA Y-cord to combine these outputs (Radio Shack® #274-511, for instance). Do not attempt this with any other outputs on the 1202-VLZ PRO. SLEEVE TIP SLEEVE TIP POWER PHANTOM ON ON 1202-VLZPRO 12-CHANNEL MIC/LINE MIXER WITH PREMIUM XDRTM MIC PREAMPLIFIERS 120 VAC 50/60 Hz 25W 500mA/250V SLO-BLO CAUTION: TO REDUCE THE RISK OF FIRE REPLACE WITH SAME TYPE .5A-250V FUSE MAIN RIGHT BALANCED MAIN LEFT BALANCED +4 MIC MAIN OUTPUT LEVEL 15

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15
POWER
ON
PHANTOM
ON
MAIN
LEFT
MAIN
OUTPUT
LEVEL
MAIN
RIGHT
BALANCED
BALANCED
120 VAC 50/60 Hz 25W
500mA/250V SLO-BLO
TO REDUCE THE
RISK OF
FIRE REPLACE WITH SAME
TYPE .5A-250V FUSE
CAUTION:
MIC
+4
1202-VLZ
PRO
12-CHANNEL MIC/LINE MIXER
WITH PREMIUM XDR
TM
MIC PREAMPLIFIERS
XLR MAIN OUTPUT LEVEL SWITCH
Engaging the
MAIN OUTPUT LEVEL
switch
pads the balanced XLR main outputs by 30dB,
so you can feed the microphone input of, say,
another mixer.
You can safely connect this output into an
input that provides 48V phantom power.
1
/
4
" MAIN OUTS
These
1
±
4
" jacks are balanced outputs ca-
pable of delivering 22dBu into a 600 ohm
balanced or unbalanced load. (Okay, we admit
it, that was a pretty technical sentence. See
the
Glossary
and
Connections
appendices if
you want to decode it.)
To learn how signals are routed to these
1
/
4
"
outputs:
.
To use these outputs to drive balanced in-
puts, connect
1
±
4
" TRS (Tip-Ring-Sleeve)
phone plugs like this:
SLEEVE
TIP
SLEEVE
TIP
RING
RING
TIP
SLEEVE
RING
Tip = + (hot)
Ring = – (cold)
Sleeve = Ground
For most music recording and PA applica-
tions, unbalanced lines are perfectly
acceptable. To use these outputs to drive un-
balanced inputs, connect
1
±
4
" TS (Tip-Sleeve)
phone plugs like this:
SLEEVE
TIP
TIP
SLEEVE
TIP
SLEEVE
Tip = + (hot)
Sleeve = Ground
TAPE OUTPUT
These unbalanced RCA connections tap the
main output
to make simultaneous recording
and PA work more convenient. Connect these
to your recorder’s inputs.
To learn how signals
are routed to these outputs:
.
Mono Out:
If you want to feed a mono signal
to your tape deck or other device, simply use
an RCA Y-cord to combine these outputs
(Radio Shack
®
#274-511, for instance).
Do not
attempt this with any other outputs on the
1202-VLZ PRO
.
TIP
SLEEVE
TIP
SLEEVE