Mackie 1202-VLZ Pro Spec Sheet - Page 1

Mackie 1202-VLZ Pro Manual

Page 1 highlights

Introduction The 1202-VLZ PRO is the updated, upgraded version of Mackie's classic 12-channel compact mic/line mixer. The unit incorporates Mackie's new ultra-high quality XDR™ (Extended Dynamic Range) mic preamps with the best RFI rejection of any compact mixer design. Added benefits include maximum freedom from ground loops and impeccable sonic performance that meets or exceeds the specs of esoteric, outboard mic preamplifiers. The XDR design is the only compact mixer mic preamp that is totally impedance independent: frequency response does not change even with extremely long cable runs or exceptionally high-impedance mic inputs. To greatly reduce the effects of wind noise and mic thumps, each of the four mic channels has a sharp, 18dB/octave, 75Hz Low Cut filter. Mute/Alt 3-4 effectively creates a second stereo bus. The Mute button on each channel mutes that channel in the Main Mix, but also acts as a router to the 3-4 stereo bus, greatly increasing signal routing flexibility. The EFX to Monitor feature allows routing of reverb or other effects signals back into a monitor mix via Aux Send 1. Aux 1's Pre/Post switch can be set for pre-fader/post-EQ use, which is beneficial for stage monitor mixes, or postfader/post-EQ for use with external effects. It also has a level control for added flexibility. Control Room/Phones has its own level control, outputs and input matrix for selecting any combination of Main Mix, Tape In and Alt 3-4 to create custom headphone mixes, to monitor tape levels, and more. A separate switch routes this multi-source signal back into the Main Mix. Because of its many features and durability, the 1202-VLZ PRO can be used for extra studio-grade preamps, as aux inputs for a mixing console, or as an impedance- or level-matching audio toolkit. RM1202-VLZ Rack-mount brackets (not included), 1402-VLZ PRO 14-Channel Mic/Line Mixer, 1604-VLZ PRO 16-Channel Mic/Line Mixer, 1642-VLZ PRO 16-Channel Mic/Line Mixer, SRM350/SRM450 Active 2-Way SR Loudspeakers, M•800/M•1400i/M•1400 Power Amplifiers, C200/C300z passive 2-way SR Loudspeakers 12-Channel Mic/Line Mixer Features 4 low noise, high headroom XDR™ (Extended Dynamic Range) XLR mic inputs with the best RF rejection of any compact mixer available and maximum freedom from ground loops 4 balanced/unbalanced mono line inputs 4 pairs of balanced/unbalanced stereo line inputs 48V global phantom power 3-Band EQ (12kHz, 2.5kHz, 80Hz) 75Hz, 18dB/octave Low Cut filters on Channels 1-4 PFL Solo on all channels Very Low Impedance (VLZ) architecture EFX to Monitor switch Alt 3-4 extra stereo bus Balanced inputs and outputs (except RCAs, phones and inserts) Balanced XLR Main L/R outputs with mic/line level switch, plus 1/4" (TRS) Main L/R outputs 60dB Gain on Channels 1-4 Global Aux 1 Pre/Post-Fader switch Level Set LED and marker Applications Live sound mixing: small churches, clubs, school auditoriums, school sports centers, conference centers, boardrooms, trade shows, presentations Studio and field recording Multimedia applications: A/V presentations, video post production, CD authoring Broadcast: live remotes, ENG, ad production

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6

12-Channel Mic/Line Mixer
RM1202-VLZ Rack-mount brackets (not included),
1402-VLZ PRO 14-Channel Mic/Line Mixer, 1604-VLZ
PRO 16-Channel Mic/Line Mixer, 1642-VLZ PRO 16-Chan-
nel Mic/Line Mixer, SRM350/SRM450 Active 2-Way SR
Loudspeakers, M•800/M•1400i/M•1400 Power Ampli-
fiers, C200/C300z passive 2-way SR Loudspeakers
Live sound mixing: small churches, clubs,
school auditoriums, school sports centers,
conference centers, boardrooms, trade
shows, presentations
Studio and field recording
Multimedia applications: A/V presentations,
video post production, CD authoring
Broadcast: live remotes, ENG, ad production
4 low noise, high headroom XDR™ (Extended
Dynamic Range) XLR mic inputs with the best
RF rejection of any compact mixer available and
maximum freedom from ground loops
4 balanced/unbalanced mono line inputs
4 pairs of balanced/unbalanced stereo line inputs
48V global phantom power
3-Band EQ (12kHz, 2.5kHz, 80Hz)
75Hz, 18dB/octave Low Cut fi
lters on Channels 1–4
PFL Solo on all channels
Very Low Impedance (VLZ) architecture
EFX to Monitor switch
Alt 3-4 extra stereo bus
Balanced inputs and outputs (except RCAs,
phones and inserts)
Balanced XLR Main L/R outputs with mic/line
level switch, plus 1/4" (TRS) Main L/R outputs
60dB Gain on Channels 1–4
Global Aux 1 Pre/Post-Fader switch
Level Set LED and marker
Features
Applications
The 1202-VLZ PRO
is the updated, upgraded version
of Mackie’s classic 12-channel compact mic/line
mixer. The unit incorporates Mackie’s new ultra-high
quality XDR
(Extended Dynamic Range) mic preamps
with the best RFI rejection of any compact mixer
design. Added benefits include maximum freedom
from ground loops and impeccable sonic performance
that meets or exceeds the specs of esoteric, outboard
mic preamplifiers. The XDR design is the only compact
mixer mic preamp that is totally impedance indepen-
dent: frequency response does not change even with
extremely long cable runs or exceptionally high-imped-
ance mic inputs.
To greatly reduce the effects of wind noise and mic
thumps, each of the four mic channels has a sharp,
18dB/octave, 75Hz Low Cut fi
lter.
Mute/Alt 3-4 effectively creates a second stereo bus.
The Mute button on each channel mutes that channel in
the Main Mix, but also acts as a router to the 3-4 stereo
bus, greatly increasing signal routing fl
exibility.
The EFX to Monitor feature allows routing of reverb or
other effects signals back into a monitor mix via Aux Send 1.
Aux 1’s Pre/Post switch can be set for pre-fader/post-EQ
use, which is benefi
cial for stage monitor mixes, or post-
fader/post-EQ for use with external effects. It also has a
level control for added fl
exibility.
Control Room/Phones has its own level control,
outputs and input matrix for selecting any combination
of Main Mix, Tape In and Alt 3-4 to create custom
headphone mixes, to monitor tape levels, and more.
A separate switch routes this multi-source signal back
into the Main Mix.
Because of its many features and durability, the
1202-VLZ PRO can be used for extra studio-grade pre-
amps, as aux inputs for a mixing console, or as an
impedance- or level-matching audio toolkit.
Introduction