Mackie 1642-VLZ Pro Owner's Manual

Mackie 1642-VLZ Pro Manual

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  • Mackie 1642-VLZ Pro | Owner's Manual - Page 1
    1642-VLZ PRO 16-CHANNEL MIC/LINE MIXER OWNER'S MANUAL 1642-VL Z PRO 16-CHANNEL MIC / LINE MIXER WITH PREMIUM XDRTM MIC PREAMPLIFIERS STEREO PLUG MONO PLUG TIP OUT TO EFFECTS DEVICE RING RETURN FROM EFFECTS FOR USE MACKIE DESIGN INC.: "MACKIE USER SERVICEABLE PARTS INSIDE. REFER SERVICING 8 MIX dB
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 2
    NO USER-SERVICEABLE PARTS INSIDE REFER SERVICING TO Servicing - The user should not attempt to service this Mackie product beyond those means described in this operating manual. All other servicing should be referred to the Mackie Service Department. 14. To prevent electric shock, do not use
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 3
    2. Turn on the 1642-VLZ PRO. 3. Perform the Level-Setting Procedure . 4. Connect cords from the MAIN OUT jacks to your amplifier. 5. Hook up speakers to the amp and turn it on. 6. Set channel 1's fader to the "U" mark. 7. Engage (push in) Channel 1's L/R switch. 8. Set the MAIN MIX fader one-quarter
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 4
    LAMP 12V 0.5A 1642-VLZ PRO 16-CHANNEL MIC/ LINE MIXER WITH PREMIUM XDRTM RACK MOUNTING Optional rack ears are available which allow the 1642-VLZ PRO to be fitted in a standard 19" rack. This will take up a height of 12 rack spaces (including enough room to make the connections). Contact your Mackie
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 5
    MONITORS 26 MAIN MIX TO SUBS (AUX RET 3 26 1-2/3-4 (AUX RET 3 26 C-R/PHNS ONLY (AUX RET 4 27 RETURNS SOLO 27 1642-VLZ PRO BLOCK DIAGRAM 28 GAIN STRUCTURE DIAGRAM 29 SPECIFICATIONS 30 SERVICE INFO 31 APPENDIX A: CONNECTIONS 32 TRACK SHEET 36 COLOPHON 38 1642-VLZ PRO LIMITED WARRANTY 39
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 6
    SUB OUTS BAL/UNBAL PHONES OUT Headphones This is an insert plug, used to send and receive on the same TRS connector ring tip sleeve (TRS plug) SEND to processor "tip" This plug connects to one of the mixer's Channel Insert jacks. 1642-VLZ PRO 8-Track Tracking "ring" RETURN from processor 6
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 7
    1642-VLZ PRO Video setup 7 Computer with Audio Card Headphones in Powered Monitors PHONES OUT SUB OUTS BAL/UNBAL C/R OUT BAL/UNBAL TAPE OUT /UNBAL Keyboard Video Decks CD Player Video Master Multi-VCR Video Switcher DIRECT OUT BAL/UNBAL CHANNEL INPUTS CHANNEL INSERTS Stereo Compressor
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 8
    TAPE TAPE MAIN OUT IN INSERT AUX RETURNS LR L R MAIN OUT BAL/UNBAL AUX SENDS BAL/UNBAL CHANNEL INPUTS CHANNEL INSERTS DIRECT OUT BAL/UNBAL Stereo Compressors Mono EQs, M-1400i Amps, and (C300) Passive Stage Monitors Processor Processor Digital Multitrack Recorder 1642-VLZ PRO Stereo P.A. 8
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 9
    MAIN OUT BAL/UNBAL AUX SENDS BAL/UNBAL CHANNEL INPUTS CHANNEL INSERTS DIRECT OUT BAL/UNBAL Mono EQs, M-1400i Amps, and (C300) Passive Stage Monitors Processor 70 Volt Line Amp Assistive Listening Transmitter Monitors on distributed system throughout building 1642-VLZ PRO Church Installation 9
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 10
    any output impedance. • The main left and right mix outputs can deliver 28dBu into as low as a 600 Channels 13-14 and 15-16 are stereo pairs with LINE inputs only. MIC INPUTS We use mixer sends low-current DC voltage to the mic's electronics through the same wires that carry audio. The 1642-VLZ PRO
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 11
    channels 9-10 and 1112 are only used to adjust the Mic inputs. The line inputs are set to unity gain. The TRIM controls for channels 13-14 and 15-16 Insert cables must be wired thusly: ring tip sleeve (TRS plug) SEND to processor "tip" This plug connects to one of the mixer's Channel Insert
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 12
    , or your headphones. But let's not forget that the 1642-VLZ PRO is a 4-bus mixer. These buses lead to the SUB OUTS , and are designed to accomplish the task of getting channels to the multitrack without using the direct outputs. For example, a channel is assigned to SUB OUT 1. SUB OUT 1's output is
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 13
    be mixed with the original "dry" signal. This way, multiple channels can all make use of the same effects device. Examples: reverb, digital delay. AUX RETURN INPUTS This is where you connect the outputs of your parallel effects devices (or extra audio sources). They'll accept just about any pro or
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 14
    ). Do not attempt this with any other outputs on the 1642-VLZ PRO. TAPE INPUT These unbalanced RCA jacks are designed to work with semipro as well as pro recorders. Connect your 2-track tape recorder's outputs here, using standard hi-fi RCA cables. To learn how signals are routed from these inputs
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 15
    = ground To use these outputs to drive case you lose the cord provided with the 1642-VLZ PRO (part # 278-1257). Plug the 1642-VLZ PRO into 1642-VLZ PRO is a 220V-240V unit). POWER SWITCH You can leave this switch on all the time; the mixer is conservatively designed, so heat buildup isn't a problem
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 16
    U +15 U 2 TO AUX SEND 2 +20 +15 U ASSIGN OPTIONS +20 U MAIN MIX TO SUBS 1-2 3-4 C-R / PHNS RETURNS +20 ONLY SOLO STEREO AUX RETURN , , 120 TAPE OUT LEFT RIGHT RIGHT LAMP 12V 0.5A 1642-VL Z PRO 16-CHANNEL MIC/ LINE MIXER WITH PREMIUM XDRTM MIC PREAMPLIFIERS LINE IN MONO 13
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 17
    channels. We'll start at the bottom and work our way up, pointing out the differences as we go along. "U" LIKE UNITY GAIN Mackie mixers the subgroups can be sent back to the MAIN MIX , allowing you to use the subgroup faders as a master control for those channels. OO OO OO OO OO 1 U M-1IC0GdBAVIN
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 18
    back into the MAIN MIX, but sent out, via the SUB OUTS jacks, to your multitrack inputs . However, if you're printing tracks via the DIRECT OUT jacks , all the channel assignment switches should be disengaged (up). The 1642-VLZ PRO is what we call a "true 4-bus mixer." Each channel can be assigned
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 19
    at home. Stereo Sources Use channels 9-16 to connect stereo sound sources. If you must use the mono channel strips (1-8) for stereo sources , like those Brand X mixers, would make the sound appear much louder when panned center. 3-BAND MID-SWEEP EQ The 1642-VLZ PRO mono channels have a 3band, mid-
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 20
    subsonic debris into the mix. We recommend using the LOW CUT feature on all channels, except low frequency signals LOW CUT switch (not present on channels 13-16), often referred to as a high times, bass shelving eq can really benefit voices. Trouble is, adding LOW EQ also boosts the subsonic debris
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 21
    used to generate separate mixes for recording or "mix-minuses" for broadcast. By using AUX 1 or 2 in the PRE mode , these mix levels can be obtained independently of a channel they'll be controlled independently of the fader and mute moves. TRIM U 15 16 -20 +20 AUX U 1 +15 U 2 +15 PRE U 3
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 22
    and best crosstalk specs are achieved by using Very Low Impedance (VLZ). To implement VLZ in a mixer, the power supply must be able to deliver plenty of current to the circuitry. That's why those "wall wart" mixers are often noisy - they can't power a VLZ circuit. At Mackie, audio quality is much
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 23
    MIX or the SOURCE matrix . TAPE TO MAIN MIX Engaging this switch is just like engaging the L/R switch on a channel - the signal, stereo in this case, is sent to the MAIN MIX main mix? With the 1642-VLZ PRO, the engineer has several choices of what to listen to. This is one of those tricky parts -
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 24
    OO OO MAX PHONES MAX CONTROL ROOM TAPE SUBS 1-2 SUBS 3- 4 MAIN MIX CR SOURCE MODE (NORMAL (AFL)/LEVEL SET (PFL)) You may have already seen this in the SOLO discussion, but in case you missed it: The 1642-VLZ PRO's solo system comes in two flavors: U NORMAL (AFL) (sometimes LEFT RIGHT +20 0dB=
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 25
    , Mackie's compact mixers address the need of both crowds by calling things as they are: 0dBu (0.775V) at the output shows as 0VU on the meter display. What could be easier? By the way, the most wonderful thing about standards is that there are so many to choose from. Thanks to the 1642-VLZ PRO
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 26
    green LED that, just like the channel's -20 LED , helps you find we know there's no fader in this case.) During NORMAL (AFL) mode , you' If you ever use AUX 1 and 2 to create a stereo monitor mix, you'll understand the mixer. That way, the OO OO MAX CONTROL ROOM TAPE TO MAIN MIX 10 mixer's
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 27
    the channels feeding the unwanted signal to the effects device you do want to hear. Congratulations! You've just read about all the features of your 1642-VLZ PRO. You're probably ready for a nice cup of tea. Go ahead. The rest of the manual can wait. U ASSIGN OPTIONS 3 +20 U MAIN MIX TO SUBS
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 28
    TO MON LEVEL LEVEL LEVEL MAIN/SUBS MACKIE DESIGNS 1642-VLZ PRO BLOCK DIAGRAM (#70699CJM/DF) L AUX RETURN 4 R LEVEL 1-2/3-4 ASSIGN TO C-R/PHNS ONLY SOLO SIP L SIP R PFL MONO LEVEL MAIN MIX MAIN INSERT MAIN MIX FADER +4/-10dB PAD (XLR only) ASSIGN TO MIX MAIN L R TAPE IN TAPE TAPE
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 29
    & SUBMASTERS 0dB to 'A' From 'B' +15dB up +22dBu max out +10dB up 0dB Channel SEND AUX MIX AUX 1 & 2 Master OUTPUT AUX SEND +22dBu max in +20dB up INPUT LEVEL 0dB to 'C' AUX RETURN MACKIE 1642-VLZ PRO LEVEL DIAGRAM +15db up 0dB to 'D' LEVEL SOLO +20db up 0dB to 'D' LEVEL (from Main
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 30
    Blo, 5 x 20mm 0.5A Slo Blo, 5 x 20mm Weight 18.2 lbs. (8.3kg) Rack mounting Optional rack ears are available which will allow the 1642-VLZ PRO to be mounted in a standard 19" rack. Allow ten rack spaces for the unit, and allow two empty rack spaces on top (for room to plug anything in). 5.45
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 31
    and we'll rush one to you). If you think your 1642-VLZ PRO has a problem, please do everything you can to confirm it before calling for service. Doing so might save you from being deprived of your mixer. Of all Mackie products returned for service (which is hardly any at all), roughly 50% are coded
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 32
    APPENDIX A: CONNECTIONS "XLR" CONNECTORS Mackie mixers use 3-pin female "XLR" connectors on all microphone inputs, with pin 1 wired to the grounded (earthed) shield, pin 2 wired to the "high" ("hot" or positive po- larity) side of the audio signal and pin 3 wired to the "low" ("cold" or
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 33
    in the channel insert and bus insert jacks, input jacks and AUX returns. We also use these switches to ground the line-level inputs when nothing is plugged into them. In most cases, the plug must be inserted fully to activate the switch. Mackie takes advantage of this in some circuits, specifying
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 34
    channel. See Figure F. NOTE: Do not overload or short-circuit the signal you are tapping from the mixer. That will affect the internal signal. MONO PLUG Channel STEREO PLUG Channel Insert jack For use as an effects loop. (TIP = SEND to effect, RING = RETURN from effect.) MACKIE STEREO INPUTS
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 35
    inputs. If you need to combine several outputs into one input, you must use a mixer, not a mult or a "Y." RING (RETURN) TIP (SEND) FROM PROCESSOR OUTPUT TO PROCESSOR INPUT RING (IN) TIP (OUT) RING TIP (RETURN) (SEND) TO MIXER CHANNEL INSERT Y-cord insert cable Y-cord splitter cable 35
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 36
    1642-VLZ PRO Session: Date: NOTES: 1 U M-1IC0dGBAVIN TRIM 2 U M-1IC0dGBAVIN TRIM 3 U M-1IC0dGBAVIN TRIM 4 U M-1IC0dGBAVIN TRIM 5 U M-1IC0dGBAVIN TRIM 6 U M-1IC0dGBAVIN TRIM 7 U M-1IC0dGBAVIN TRIM 8 U M-1IC0dGBAVIN TRIM 0 60 +15dB -45dB LOW CUT 75
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 37
    SEND 2 +15 U ASSIGN OPTIONS +20 U MAIN MIX TO SUBS 31--24 +20 C-R / PHNS RETURNS MIX OO MAX SOLO MODE NORMAL (AFL) LEVEL SET (PFL) LEVEL SET LEFT RIGHT 0 dB=0 dBu 28 10 7 4 2 0 2 4 7 10 20 30 RUDE SOLO LIGHT LEFT LEFT LEFT LEFT LR 9-10 MUTE LR 11-12 MUTE LR 13-14 MUTE LR 15-16
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 38
    , based on a musical by Ron Koliha, with tidbits borrowed from almost everywhere. Manual then defaced with proofreading pens in the hands of Mackie's legendary Tech Support staff. Manual composed on a rinky-dink PC using a low-budget word processor, then converted to this amazing piece of work
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 39
    1642-VLZ PRO LIMITED WARRANTY Please keep your sales receipt in a safe place. A. Mackie warrants all materials, workmanship and proper operation of this product for a period of three years from the original date of purchase. If any defects are
  • Mackie 1642-VLZ Pro | Owner's Manual - Page 40
    Mackie Designs Inc. 16220 Wood-Red Road NE • Woodinville, WA 98071 • USA US and Canada: 800.898.3211 Europe, Asia, Central and South America: 425.487.4333 Middle East and Africa: 31.20.654.4000 Fax: 425.487.4337 • www.mackie.com E-mail: [email protected]
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1642-VLZ PRO
16-CHANNEL
MIC
/
LINE MIXER
OWNER’S MANUAL
1
MUTE
2
3
MUTE
MUTE
4
MUTE
LINE IN
INSERT
X
D
R
M
I
C
P
R
E
MIC
1
BAL
UN-
BAL
LINE IN
INSERT
X
D
R
M
I
C
P
R
E
MIC
2
BAL
UN-
BAL
LINE IN
INSERT
X
D
R
M
I
C
P
R
E
MIC
3
BAL
UN-
BAL
LINE IN
INSERT
X
D
R
M
I
C
P
R
E
MIC
4
BAL
UN-
BAL
LINE IN
INSERT
X
D
R
M
I
C
P
R
E
MIC
5
BAL
UN-
BAL
LINE IN
INSERT
X
D
R
M
I
C
P
R
E
MIC
6
BAL
UN-
BAL
LINE IN
INSERT
X
D
R
M
I
C
P
R
E
MIC
7
BAL
UN-
BAL
LINE IN
INSERT
X
D
R
M
I
C
P
R
E
MIC
8
BAL
UN-
BAL
BAL
UN-
BAL
LINE IN 9
LINE IN 10
X
D
R
M
I
C
P
R
E
MIC
9-10
L
R
13
LEFT
LEFT
RIGHT
LEFT
RIGHT
MONO
MONO
MONO
14
RIGHT
BAL /
UNBAL
BAL /
UNBAL
15
LEFT
MONO
16
RIGHT
TAPE
IN
TAPE
OUT
BAL
UN-
BAL
LINE IN 11
LINE IN
LINE IN
LINE IN 12
X
D
R
M
I
C
P
R
E
MIC
11-12
L
R
PHONES
A
B
LAMP
12V
0.5A
1642-VLZ
PRO
16-CHANNEL MIC/ LINE MIXER
WITH PREMIUM XDR
TM
MIC PREAMPLIFIERS
U
O
O
+20
O
O
+20
U
O
O
+15
O
O
+15
STEREO AUX RETURN
EFFECTS TO MONITORS
TO AUX
SEND 2
TO AUX
SEND 1
1
2
1
2
3
4
C-R / PHNS
ONLY
RETURNS
SOLO
MAIN MIX
TO SUBS
ASSIGN OPTIONS
1
–
2
3
–
4
U
O
O
+20
U
O
O
+20
U
O
O
+10
U
O
O
+10
AUX SEND
1
2
PWR
PHAN
SOLO
SOLO
1
2
2
3
TRIM
15
16
U
O
O
+15
U
O
U
+15
U
O
O
+15
AUX
PRE
U
+20
-20
1
TRIM
13
14
O
O
U
+15
AUX
U
+20
-20
2
3
4
1
4
U
+15
-15
EQ
U
O
O
+15
U
O
O
+15
U
O
O
+15
PRE
U
+15
-15
EQ
12k
HI
12k
HI
O
O
+15
O
PAN
PAN
HI
MID
3K
LOW
MID
800Hz
80Hz
LOW
LOW
MID
800Hz
80Hz
LOW
L
R
U
+15
-15
L
R
+15
-
15
U
+15
-
15
U
+15
-
15
U
+15
-
15
LOW
MID
800Hz
U
+15
-
15
LOW
MID
800Hz
U
+15
-
15
U
+15
-15
HI
MID
3K
SUBS 1
–
2
SUBS 3
–
4
MAIN MIX
CR SOURCE
TAPE
O
O
MAX
SOLO
RUDE SOLO LIGHT
1
5
2
6
3
7
4
8
RIGHT
LEFT
RIGHT
LEFT
RIGHT
LEFT
LEVEL
SET
MODE
(AFL)
LEVEL SET
NORMAL
(PFL)
RIGHT
dB
30
20
10
O
O
40
50
5
5
U
60
10
dB
30
20
10
O
O
40
50
5
5
U
60
10
TRACK
8
EFX
A
EFX
B
MAIN
MIX
CONTROL ROOM
MAX
O
O
MAX
O
O
PHONES
U
0 dB=0 dBu
LEFT RIGHT
O
O
+20
TAPE IN
TAPE TO
MAIN MIX
28
10
7
4
2
0
2
4
7
10
20
30
U
U
5
MUTE
6
MUTE
7
MUTE
8
MUTE
9-10
MUTE
11-12
MUTE
13-14
MUTE
15-16
MUTE
TRACK
7
TRACK
6
TRACK
5
TRACK
4
TRACK
3
TRACK
2
TRACK
1
REC
1
REC
2
U
TRIM
1
LOW CUT
75 Hz
18dB/OCT
+15dB -45dB
U
U
O
O
+15
O
O
U
+15
U
O
O
+15
AUX
1
PRE
U
+15
-
15
FREQ
800
2k
200
8k
100
MID
PAN
L
R
U
+15
-15
80Hz
LOW
0
60
2
3
U
+15
-15
EQ
U
O
O
+15
4
12k
HI
dB
30
20
10
O
O
40
50
5
5
U
60
10
SOLO
1
-
2
3
-
4
L/R
OL
-
20
M
I
C
G
A
I
N
-
1
0
d
B
V
TRIM
2
LOW CUT
75 Hz
18dB/OCT
+15dB -45dB
U
U
O
O
+15
O
O
U
+15
U
O
O
+15
AUX
1
PRE
U
+15
-
15
FREQ
800
2k
200
8k
100
MID
PAN
L
R
U
+15
-15
80Hz
LOW
0
60
2
3
U
+15
-15
EQ
U
O
O
+15
4
12k
HI
dB
30
20
10
O
O
40
50
5
5
U
60
10
SOLO
1
-
2
3
-
4
L/R
OL
-
20
M
I
C
G
A
I
N
-
1
0
d
B
V
TRIM
3
LOW CUT
75 Hz
18dB/OCT
+15dB -45dB
U
U
O
O
+15
O
O
U
+15
U
O
O
+15
AUX
1
PRE
U
+15
-
15
FREQ
800
2k
200
8k
100
MID
PAN
L
R
U
+15
-15
80Hz
LOW
0
60
2
3
U
+15
-15
EQ
U
O
O
+15
4
12k
HI
dB
30
20
10
O
O
40
50
5
5
U
60
10
SOLO
1
-
2
3
-
4
L/R
OL
-
20
M
I
C
G
A
I
N
-
1
0
d
B
V
TRIM
4
LOW CUT
75 Hz
18dB/OCT
+15dB -45dB
U
U
O
O
+15
O
O
U
+15
U
O
O
+15
AUX
1
PRE
U
+15
-
15
FREQ
800
2k
200
8k
100
MID
PAN
L
R
U
+15
-15
80Hz
LOW
0
60
2
3
U
+15
-15
EQ
U
O
O
+15
4
12k
HI
dB
30
20
10
O
O
40
50
5
5
U
60
10
SOLO
1
-
2
3
-
4
L/R
OL
-
20
M
I
C
G
A
I
N
-
1
0
d
B
V
TRIM
5
LOW CUT
75 Hz
18dB/OCT
+15dB -45dB
U
U
O
O
+15
O
O
U
+15
U
O
O
+15
AUX
1
PRE
U
+15
-
15
FREQ
800
2k
200
8k
100
MID
PAN
L
R
U
+15
-15
80Hz
LOW
0
60
2
3
U
+15
-15
EQ
U
O
O
+15
4
12k
HI
dB
30
20
10
O
O
40
50
5
5
U
60
10
SOLO
1
-
2
3
-
4
L/R
OL
-
20
M
I
C
G
A
I
N
-
1
0
d
B
V
TRIM
6
LOW CUT
75 Hz
18dB/OCT
+15dB -45dB
U
U
O
O
+15
O
O
U
+15
U
O
O
+15
AUX
1
PRE
U
+15
-
15
FREQ
800
2k
200
8k
100
MID
PAN
L
R
U
+15
-15
80Hz
LOW
0
60
2
3
U
+15
-15
EQ
U
O
O
+15
4
12k
HI
dB
30
20
10
O
O
40
50
5
5
U
60
10
SOLO
1
-
2
3
-
4
L/R
OL
-
20
M
I
C
G
A
I
N
-
1
0
d
B
V
TRIM
7
LOW CUT
75 Hz
18dB/OCT
+15dB -45dB
U
U
O
O
+15
O
O
U
+15
U
O
O
+15
AUX
1
PRE
U
+15
-
15
FREQ
800
2k
200
8k
100
MID
PAN
L
R
U
+15
-15
80Hz
LOW
0
60
2
3
U
+15
-15
EQ
U
O
O
+15
4
12k
HI
dB
30
20
10
O
O
40
50
5
5
U
60
10
SOLO
1
-
2
3
-
4
L/R
OL
-
20
M
I
C
G
A
I
N
-
1
0
d
B
V
TRIM
8
LOW CUT
75 Hz
18dB/OCT
+15dB -45dB
U
U
O
O
+15
O
O
U
+15
U
O
O
+15
AUX
1
PRE
U
+15
-
15
FREQ
800
2k
200
8k
100
MID
PAN
L
R
U
+15
-15
80Hz
LOW
0
60
2
3
U
+15
-15
EQ
U
O
O
+15
4
12k
HI
dB
30
20
10
O
O
40
50
5
5
U
60
10
SOLO
1
-
2
3
-
4
L/R
OL
-
20
M
I
C
G
A
I
N
-
1
0
d
B
V
TRIM
9
10
LOW CUT
75 Hz
18dB/OCT
U
O
O
+15
O
O
U
+15
U
O
O
+15
AUX
1
PRE
U
+15
-
15
HI
MID
3K
PAN
L
R
U
+15
-15
80Hz
LOW
0
60
2
3
U
+15
-15
EQ
U
O
O
+15
4
12k
HI
dB
30
20
10
O
O
40
50
5
5
U
60
10
SOLO
1
-
2
3
-
4
L/R
OL
-
20
M
I
C
G
A
I
N
TRIM
11
12
LOW CUT
75 Hz
18dB/OCT
U
O
O
+15
O
O
U
+15
U
O
O
+15
AUX
1
PRE
U
+15
-
15
HI
MID
3K
PAN
L
R
U
+15
-15
80Hz
LOW
0
60
2
3
U
+15
-15
EQ
U
O
O
+15
4
12k
HI
dB
30
20
10
O
O
40
50
5
5
U
60
10
SOLO
1
-
2
3
-
4
L/R
OL
-
20
M
I
C
G
A
I
N
dB
30
20
10
O
O
40
50
5
5
U
60
10
SOLO
1
-
2
3
-
4
L/R
OL
-
20
dB
30
20
10
O
O
40
50
5
5
U
60
10
SOLO
1
-
2
3
-
4
L/R
OL
-
20
L
R
MONO
(BAL/UNBAL)
120 VAC 50/60 Hz 40W
1A/250V SLO-BLO
TO REDUCE THE
RISK OF
FIRE REPLACE WITH SAME
TYPE FUSE AND RATING
CAUTION:
AUX RETURN
(BAL/UNBAL)
DIRECT OUTS
(BAL/UNBAL)
SUB OUTS
(BAL/UNBAL)
C
-
R OUTS
(BAL/UNBAL)
MAIN INSERT
(TIP SEND
RING RETURN)
DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA
PATENTS PENDING
COPYRIGHT ©1998 • THE FOLLOWING ARE REGISTERED TRADEMARKS OF
MACKIE DESIGN INC.: "MACKIE", "XDR", AND THE "RUNNING MAN" FIGURE
1
1
8
4
3
2
1
7
6
5
4
3
2
1
5
2
6
3
7
4
2
3
4
8
L
(MONO)
(MONO)
(MONO)
(MONO)
R
L
R
L
R
L
R
MAIN
(BAL/UNBAL)
AUX SENDS
(BAL/UNBAL)
MAIN OUTS
L
R
L
R
L
R
U
O
O
+6
LEVEL
1642-VLZ
PRO
16-CHANNEL MIC/LINE MIXER
WITH PREMIUM XDR
TM
MIC PREAMPLIFIERS
MIC
+4
MAIN
OUTPUT
LEVEL
TIP OUT TO EFFECTS DEVICE
RING RETURN FROM EFFECTS
DIRECT OUT WITH SIGNAL
INTERRUPTION TO MASTER
FOR USE AS AN EFFECTS LOOP
(TIP = SEND, RING = RETURN)
INSERT ALL THE WAY IN TO
THE "SECOND CLICK"
MONO PLUG
XDR
TM
EXTENDED DYNAMIC RANGE MIC PREAMPLIFIERS ARE PROPRIETARY TO MACKIE DESIGNS, INC.
RISK OF ELECTRIC SHOCK
DO NOT OPEN
REPLACE WITH THE SAME TYPE FUSE AND RATING.
DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE
UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE.
DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
WARNING:
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT
EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO NOT REMOVE COVER.
NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
CAUTION
AVIS:
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
SERIAL NUMBER
MANUFACTURING DATE
STEREO
PLUG
DIRECT OUT WITH NO SIGNAL
INTERRUPTION TO MASTER
INSERT ONLY INTO THE
"FIRST CLICK"
MONO PLUG
POWER
ON
PHANTOM
ON