Mackie 1642-VLZ Pro Owner's Manual - Page 13

Effects: Serial or Parallel?, Aux Return Inputs, Sub Outs

Page 13 highlights

MAIN OUTS L +4 MIC R MAIN OUTPUT LEVEL AUX SENDS (BAL/UNBAL) DIRECT OUTS (BAL/UNBAL) 1 2 3 4 8 7 6 5 4 3 2 1 MONO (BAL/UNBAL) U MAIN MAIN INSERT C-R OUTS (BAL/UNBAL) (TIP SEND (BAL/UNBAL) RING RETURN) OO +6 LEVEL L L L R R R SUB OUTS (BAL/UNBAL) 1 2 3 5 6 7 AUX RETURN 4 1 2 (BAL/UNBAL) 3 4 L L L L (MONO) (MONO) (MONO) (MONO) 8 R R R R EFFECTS: SERIAL OR PARALLEL? You've heard us carelessly toss around the terms "serial" and "parallel." Here's what we mean by them: "Serial" means that the entire signal leaves the mixer (INSERT send), is routed through the effects device, and returns to the mixer (INSERT return). Examples: compressor, limiter, graphic equalizer. Line-level sources can also be patched through a serial effects device before or after the mixer. "Parallel" means that a portion of the signal in the mixer is tapped off to the device (AUX SEND), processed, and returned to the mixer (AUX RETURN) to be mixed with the original "dry" signal. This way, multiple channels can all make use of the same effects device. Examples: reverb, digital delay. AUX RETURN INPUTS This is where you connect the outputs of your parallel effects devices (or extra audio sources). They'll accept just about any pro or semipro effects device on the market. See page 26 for details of the AUX RETURN level controls. Mono: If you have an effects device with a mono output (one cord), plug that into L input of an AUX RETURN and leave the right input unplugged. That way, the signal will be sent to both sides, magically appearing in the center as a mono signal. SUB OUTS These 1/4" jacks are usually patched to the inputs of a multitrack deck, or to secondary amplifiers in a complex installation. See page 22 for details of the SUBGROUP FADERS . Double Busing How on earth do you get four buses to feed eight tracks? Double busing! • Bus 1 feeds SUB OUT 1 and SUB OUT 5, which in turn feed tracks 1 and 5 • Bus 2 feeds SUB OUT 2 and SUB OUT 6, which in turn feed tracks 2 and 6 • Bus 3 feeds SUB OUT 3 and SUB OUT 7, which in turn feed tracks 3 and 7 • Bus 4 feeds SUB OUT 4 and SUB OUT 8, which in turn feed tracks 4 and 8 Tracks in record mode will accept the signal, and tracks in safe mode will ignore the signal. Serial Device (e.g., Compressor) Parallel Device (e.g., Reverb) 13

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40

13
EFFECTS: SERIAL OR PARALLEL?
You’ve heard us carelessly toss around the
terms “serial” and “parallel.” Here’s what we
mean by them:
“Serial” means that the
entire
signal leaves
the mixer (
INSERT
send), is routed through the
effects device, and returns to the mixer
(
INSERT
return). Examples: compressor, lim-
iter, graphic equalizer. Line-level sources can
also be patched through a serial effects device
before or after the mixer.
“Parallel” means that a
portion
of the signal
in the mixer is tapped off to the device (
AUX
SEND
), processed, and returned to the mixer
(
AUX RETURN
) to be mixed with the original
“dry” signal. This way, multiple channels can
all make use of the same effects device.
Examples: reverb, digital delay.
AUX RETURN INPUTS
This is where you connect the outputs of your
parallel effects devices (or extra audio sources).
They’ll accept just about any pro or semipro
effects device on the market. See page 26 for
details of the
AUX RETURN
level controls.
Mono:
If you have an effects device with a
mono output (one cord), plug that into
L
in-
put of an
AUX RETURN
and leave the right
input unplugged. That way, the signal will be
sent to both sides, magically appearing in the
center as a mono signal.
SUB OUTS
These
1
/
4
" jacks are usually patched to the in-
puts of a multitrack deck, or to secondary
amplifiers in a complex installation. See page
22 for details of the
SUBGROUP FADERS
.
Double Busing
How on earth do you get four buses to
feed eight tracks? Double busing!
Bus 1 feeds
SUB OUT 1
and
SUB OUT 5
,
which in turn feed tracks 1 and 5
Bus 2 feeds
SUB OUT 2
and
SUB OUT 6
,
which in turn feed tracks 2 and 6
Bus 3 feeds
SUB OUT 3
and
SUB OUT 7
,
which in turn feed tracks 3 and 7
Bus 4 feeds
SUB OUT 4
and
SUB OUT 8
,
which in turn feed tracks 4 and 8
Tracks in record mode will accept the signal,
and tracks in safe mode will ignore the signal.
L
R
MONO
(BAL/UNBAL)
AUX RETURN
(BAL/UNBAL)
DIRECT OUTS
(BAL/UNBAL)
SUB OUTS
(BAL/UNBAL)
C
-
R OUTS
(BAL/UNBAL)
MAIN INSERT
(TIP SEND
RING RETURN)
1
1
8
4
3
2
1
7
6
5
4
3
2
1
5
2
6
3
7
4
2
3
4
8
L
(MONO)
(MONO)
(MONO)
(MONO)
R
L
R
L
R
L
R
MAIN
(BAL/UNBAL)
AUX SENDS
(BAL/UNBAL)
MAIN OUTS
L
R
L
R
L
R
U
O
O
+6
LEVEL
MIC
+4
MAIN
OUTPUT
LEVEL
Serial Device (e.g., Compressor)
Parallel Device (e.g., Reverb)