Mackie 24.8Bus Owner's Manual - Page 3

Important Sensitivity, Adjustment Procedure, Please! Save The, Shipping Box - 24 8 8 bus

Page 3 highlights

IMPORTANT SENSITIVITY ADJUSTMENT PROCEDURE! To fully achieve the Mackie 8•Bus console's impressive headroom and specs, you should "tune" channel sensitivity for each channel. FOLLOW THIS PROCEDURE FOR EACH CHANNEL IN USE: 1. Assign signal to channel fader: I If channel will be used with a micro- phone, MIC/LINE switch should be up & FLIP switch should be up. I If channel will be used with line input, MIC/LINE switch should be down & FLIP switch should be up. I If channel will be used with a tape input keep the FLIP switch down. 2. Set channel strip controls as follows: I TRIM pot all the way counterclockwise (+4dB) I AUX SEND controls all the way counterclockwise (off) I EQ switch up I LOW-CUT switch either on or off (on recommended for mic inputs) I Pan hard left or right I Channel fader at UNITY I SOLO switch down 3. I Make appropriate "noise" into the channel input. For example, have a performer play/ sing/strike something or someone, etc., at the level at which they're going to record or perform. Don't just play a single sustained note, but rather, jam away as you would be during recording or performance. If the channel is being used for a tape input during mixdown, roll an already-recorded track from your recorder. 4. The channel's -20dB LED may light. The L/R main meters will show the actual internal operating level of soloed signals. Now you will optimize levels. 5. I For mic or line inputs, adjust the TRIM control clockwise to get peaks that regularly hit 0dB on the L/R meters. For mic inputs this may require full CW rotation depending on the sensitivity of the mic. 6. If desired (optional): I Press the EQ switch in. I Adjust the channel strip's EQ to about what you will be using during the session. I Re-perform Step 5. 7. I Return the channel strip's SOLO button to its up position. 8. I Repeat Steps 1-7 on the next channel that is being used. Please put your serial number here for future reference (i.e., insurance claims, tech support, return authorization, gloating privileges, etc.): Serial # PLEASE! SAVE THE SHIPPING BOX! Yes, we know it's only slightly smaller than a doublewide mobile home, but you will need the entire carton and internal foam if your console ever needs service at some time in the future. If your kids make the box into a fort and cut holes in it - or if you stuff it in the dumpster of the fast-food place next door to your studio, we may have to sell and ship you another packing box later on. Don't end up buying an empty box! 1 24•8 32•8 Owner's Manual Version Rev. A 06/03

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1
IMPORTANT SENSITIVITY
ADJUSTMENT PROCEDURE!
24•8
32•8
Owner’s
Manual
Version
Rev. A
06/03
during mixdown, roll an already-recorded
track from your recorder.
4.
The channel’s –20dB LED may light. The
L/R main meters will show the actual internal
operating level of soloed signals. Now you will
optimize levels.
5.
For mic or line inputs, adjust the TRIM
control clockwise to get peaks that regularly
hit 0dB on the L/R meters. For mic inputs
this may require full CW rotation depending
on the sensitivity of the mic.
6.
If desired (optional):
Press the EQ switch
in
.
Adjust the channel strip’s EQ to about
what you will be using during the session.
Re-perform Step 5.
7.
Return the channel strip’s SOLO button to
its
up
position.
8.
Repeat Steps 1-7 on the next channel that
is
being used.
To fully achieve the Mackie 8•Bus console’s
impressive headroom and specs, you should
“tune” channel sensitivity for each channel.
FOLLOW THIS PROCEDURE FOR
EACH CHANNEL IN USE:
1.
Assign signal to channel fader:
If channel will be used with a micro–
phone, MIC/LINE switch should be
up
&
FLIP switch should be
up
.
If channel will be used with line input,
MIC/LINE switch should be
down
&
FLIP switch should be
up
.
If channel will be used with a tape
input keep the FLIP switch
down
.
2.
Set channel strip controls as follows:
TRIM pot all the way counterclockwise
(
+4dB
)
AUX SEND controls all the way counter-
clockwise (
off
)
EQ switch
up
LOW-CUT switch either
on
or
off
(
on
recommended for mic inputs)
Pan hard left or right
Channel fader at UNITY
SOLO switch
down
3.
Make appropriate “noise” into the channel
input. For example, have a performer play/
sing/strike something or someone, etc., at
the level at which they’re going to record or
perform. Don’t just play a single sustained
note, but rather,
jam away as you would be
during recording or performance. If the
channel is being used for a tape input
Serial #
Please put your serial number
here for future reference (i.e.,
insurance claims, tech support,
return authorization, gloating
privileges, etc.):
Yes, we know it’s only slightly smaller than a
doublewide mobile home, but you will need the
entire carton and internal foam if your console
ever needs service at some time in the future.
If your kids make the box into a fort and cut
holes in it — or if you stuff it in the dumpster of
the fast-food place next door to your studio, we
may have to sell and ship you another packing
box later on. Don’t end up buying an empty box!
PLEASE! SAVE THE
SHIPPING BOX!