Mackie 24.8Bus Owner's Manual - Page 33

Multitrack Mixing Part 1: Input/output

Get Mackie 24.8Bus PDF manuals and user guides View all Mackie 24.8Bus manuals
Add to My Manuals
Save this manual to your list of manuals

Page 33 highlights

Extra input during mixdown Mono Compressor Noise Gate Out Out In In Keyboard, or other line level input Stereo Reverb In Out Digital Delay Reverb Out Digital Delay In Out In In Out CHANNEL 21 CHANNEL 22 CHANNEL 23 Reverb In Out CHANNEL 24 PHANTOM 1 2 3 4 5 6 7 8 MIC LINE LINE IN BAL/UNBAL MIC LINE LINE IN BAL/UNBAL DIRECT OUT DIRECT OUT INSERT TIP = OUT RING = IN INSERT TIP = OUT RING = IN MIC LINE LINE IN BAL/UNBAL DIRECT OUT INSERT TIP = OUT RING = IN MIC LINE LINE IN BAL/UNBAL DIRECT OUT INSERT TIP = OUT RING = IN 1 MONO L 1 R 2 MONO L 2 R 3 MONO L 3 R SUBMASTER INSERT 4 5 6 AUX SEND MONO L MONO L MONO L 4 R 5 R 6 R L R MAIN INSERTS L R CNTRL RM OUTPUT L R MONO L 2-TRACK INPUT MONO RL AUX RETURN EXTERNAL INPUT RL STUDIO OUTPUT MAIN MIX RL R MIX-B OUTPUT 1 2 PHONES Processor In Out Stereo Compressor In Out Power Amplifier Control Rm Monitors k 31 RIGHT LEFT +28dBU MAX OUT MAIN BAL OUTPUTS DAT or 2-track In Deck Out 8 7 6 5 4 IN -10dBV OUT +4dBU 3 2 1 IN -10dBV OUT +4dBU OPERATING OPERATING 16 15 14 13 LEVEL 12 11 10 9 LEVEL 24 23 22 21 20 19 18 17 +4dBU BALANCED / -10dBV UNBALANCED SUBMASTER / TAPE OUTPUTS 3 Multi-Trac Recorder In Out 23 21 19 17 15 OPERATING LEVEL CH. 17-24 IN -10dBV OUT +4dBU 24 22 20 18 16 +4 / -10 BALANCED / UNBALANCED TAPE RETURNS 17-24 2 Multi-Trac Recorder In Or from DIRECT OUTS of individual channels MULTITRACK MIXING PART 1: INPUT/OUTPUT k k 13 11 14 12 +4 / -10 BALANCED / UNBALANCED TAPE RETURNS 9-16 9 OPERATING LEVEL CH. 9-16 IN -10dBV OUT +4dBU 10 Connections same as for Multi-Track Recorders 2 & 3 Out In 1 Multi-Trac Recorder Out

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
31
EXTERNAL
INPUT
MIX-B
OUTPUT
1
AUX SEND
1
R
L
2
2
R
R
3
3
R
L
4
4
R
R
5
5
R
L
6
6
R
R
L
7
L
L
L
R
8
R
R
R
SUBMASTER INSERT
AUX RETURN
CNTRL
RM OUTPUT
STUDIO
OUTPUT
MAIN MIX
MAIN
INSERTS
2-TRACK
INPUT
1
2
3
4
5
6
PHONES
1
2
MONO
L
MONO
L
MONO
L
MONO
L
MONO
L
MONO
L
MONO
MONO
LINE
IN
DIRECT
OUT
INSERT
CHANNEL
23
BAL/UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
PHANTOM
CHANNEL
24
BAL/UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
CHANNEL
21
BAL/UNBAL
TIP = OUT
RING = IN
MIC
LINE
MIC
LINE
MIC
LINE
LINE
IN
DIRECT
OUT
INSERT
CHANNEL
22
BAL/UNBAL
TIP = OUT
RING = IN
MIC
LINE
OPERATING
LEVEL CH. 17-24
15
13
11
9
16
14
12
10
17
18
19
20
21
22
23
24
TAPE RETURNS 9-16
TAPE RETURNS 17-24
OUT +4dBU
IN –10dBV
+4 / –10
BALANCED / UNBALANCED
+4 / –10
BALANCED / UNBALANCED
OPERATING
LEVEL CH. 9-16
OUT +4dBU
IN –10dBV
SUBMASTER / TAPE OUTPUTS
+4dBU BALANCED / –10dBV UNBALANCED
8
7
15
6
14
5
13
4
12
3
11
2
10
1
9
OUT +4dBU
IN –10dBV
16
17
18
20
19
21
22
23
24
OPERATING
LEVEL
OUT +4dBU
IN –10dBV
OPERATING
LEVEL
LEFT
RIGHT
MAIN BAL OUTPUTS
+28dBU MAX OUT
In
Out
In
Out
In
Out
In
Out
In
Out
Mono Compressor
Keyboard, or other line level input
In
Out
Reverb
Out
In
In
Out
Reverb
Digital Delay
In
Out
Digital Delay
Stereo Reverb
In
Out
In
Power Amplifier
Control Rm Monitors
Stereo
Compressor
Out
Processor
In
Out
M
u
l
t
i
-
T
r
a
c
k
R
e
c
o
r
d
e
r
2
Or from DIRECT OUTS
of individual channels
Connections same
as for Multi-Track
Recorders 2 & 3
Extra input during mixdown
M
u
l
t
i
-
T
r
a
c
k
R
e
c
o
r
d
e
r
1
M
u
l
t
i
-
T
r
a
c
k
R
e
c
o
r
d
e
r
3
DAT or
2-track
Deck
Noise Gate
In
Out
MULTITRACK MIXING PART 1: INPUT/OUTPUT