Panasonic P2 Handheld Camcorder Understanding P2 Workflow: Vegas and Raylight - Page 9

There are four NTSC DV

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For 1080i/24PA you can use the existing "HD 1080-24p" preset, or match these settings: Raylight can strip out the 2:3:3:2 pulldown from 1080i/24pA footage (or 480i/24pA footage) either when creating new .AVI files, or on-the-fly from MXF files. Therefore it's appropriate to edit 24pA footage on a pure 24P timeline. For DV or DVCPRO or DVCPRO50, you can choose one of the existing NTSC DV project presets; just specify whether you want 24fps or 29.97 (for either 60i or 30P); also whether you want normal 4:3 or Widescreen. There are four NTSC DV project presets. Note: if you are using 30P in DV, DVCPRO, or DVCPRO50, you'll want to choose the appropriate NTSC DV 29.970 fps project preset (either normal or Widescreen), and then you'll want to change the "Field Order" drop-down box to "None - Progressive Scan." 

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For ±080i/²4PA you can use the existing “HD ±080-²4p” preset, or match these settings:
Raylight can strip out the ²:3:3:² pulldown from ±080i/²4pA footage (or 480i/²4pA footage) either when creating new .AVI
files, or on-the-fly from MXF files.
Therefore it’s appropriate to edit ²4pA footage on a pure ²4P timeline.
For DV or DVCPRO or DVCPRO50, you can choose one of the existing NTSC DV project presets; just specify whether you
want ²4fps or ²9.97 (for either 60i or 30P); also whether you want normal 4:3 or Widescreen.
There are four NTSC DV
project presets.
Note: if you are using 30P in DV, DVCPRO, or DVCPRO50, you’ll want to choose the appropriate NTSC DV ²9.970 fps
project preset (either normal or Widescreen), and then you’ll want to change the “Field Order” drop-down box to “None
– Progressive Scan.”