Sony ILCE-6300M Brochure - Page 7
Unleash the ultimate movie star quality
View all Sony ILCE-6300M manuals
Add to My Manuals
Save this manual to your list of manuals |
Page 7 highlights
Unleash the ultimate movie star quality 3840 x 2160 See the ultimate high resolution in 4K movies NEW The 6300 records high-resolution 4K movies of wide dynamic range in the Super 35mm format favored among cinema camera users. Full pixel readout without pixel binning collects approx. 2.4 times* (6K equivalent) as much information as is required for 4K (QFHD: 3840 x 2160) movie output. This oversampling effect ultimately gives 4K images the realistic depth and dimension that you might experience when witnessing the actual scene. * Approx. 1.6 times at 30p recording. Enhanced Fast Hybrid AF for movies NEW Now, this extra-dense phase-detection AF point coverage makes movie autofocus exceptionally precise and is up to two times faster than its predecessor, so it's especially valuable for 4K movie recording. Moreover, the 6300 features adjustable AF Drive Speed and AF Tracking Sensitivity to help you express more creativity by manipulating focus, as far as conditions and your imagination allow. High-bit-rate XAVC S* format As a more consumer-friendly version of the XAVC 4K/HD format for professional use, the XAVC S* format is great for capturing high-quality images at a maximum 100Mbps bit rate for 4K 30p (25p)/24p. The benefits of finer details and less compression noise are perfectly clear. Recording format Image size Frame rate Wrapper Bit-rate XAVC S 4K 4K 3840 x 2160 30p (25p)/24p MP4 100Mbps/60Mbps XAVC S HD Full HD 1920 x 1080 60p (50p)/30p (25p)/24p 120p (100p) MP4 50Mbps 100Mbps/60Mbps * SDHC/SDXC memory card higher than Class 10 is required for movie recording in XAVC S format. UHS-I (U3) SDHC/SDXC card is required for 100Mbps recording. 12 S-Gamut/S-Log shooting NEW S-Gamut/S-Log shooting give you flexibility to make more expressive movies by performing color grading in post-production. The S-Log3 and S-Log2 gamma curves feature wide dynamic range (up to 1300%) to minimize whiteout and blackout. The 6300 even offers impressive 14-stop latitude in S-Log3 gamma setting. The camera also supports S-Gamut, S-Gamut3, and S-Gamut3. Cine color space from Sony. *S-Log2 and S-Log3 are premised on processing pictures. Full HD 120fps shooting and 4x/5x slow motion recording NEW You can shoot high-quality Full HD* footage, even in Full HD 120fps (100fps) high-speed shooting with a high bit rate up to 100Mbps. Otherwise, the camera can record 4x/5x slow motion movies internally when the frame rate is set at 30p (25p) or 24p. * Pixels to be read are limited to the sensor area that is required for Full HD movies. Record setting and playback speed High Frame Rate Recording setting 30p/16Mbps 24p/12Mbps Image size Full HD 1920 x 1080 Full HD 1920 x 1080 Playback speed 4x slow motion movie 5x slow motion movie S-Gamut3.Cine/S-Log3 Color Grading Picture Profile NEW Pre-assign a certain look to movies before shooting by fine-tuning gradation (Black Level, Gamma, Black Gamma, Knee), color adjustment (Color Mode, Saturation, Color Phase, Color Depth) and Detail. Save and recall up to nine profiles of adjusted parameters with other settings, including S-Gamut3.Cine/S-Log3 and S-Gamut3/S-Log3. Gamma Display Assist NEW This function lets you view images with natural contrast while recording in S-Log gamma setting, converting S-Log2 and S-Log3 into ITU709 (800%) gamma for monitoring* images, or checking focus while enlarging an image on the LCD screen or viewfinder. * Gamma Display Assist is not available for monitoring on external displays and television sets. Enhanced Zebra function NEW Simplify exposure monitoring, especially when shooting in S-Log gamma setting. Target a video signal brightness level from 0-109%, set a range between +10% and -10% of that value, and zebra pattern indicates areas with that level of exposure within that range. New minimum brightness level setting reliably warns you to avoid blown-out highlights. Time code / User bit NEW Time code and User bit can be added to movies as data elements. Time code function records hours/minutes/ seconds/frames on image data for precise advanced video editing. User bit function records information such as date/time/scene number, and is useful for editing movies using two or more cameras. Clean HDMI output Choose 4K (QFHD: 3840 x 2160 pixels) output with 30p and 24p frame rates for recording high-quality 4K movies as uncompressed footage on a compatible external recorder, or for direct viewing on a compatible monitor or TV, while recording in-camera*. * Image will not be displayed on the camera's LCD screen during 4K recording. Microphone terminal for clear sound and more NEW In addition to plug-in microphones, the camera supports line input from professional-standard audio devices with XLR terminal, with use of a separately sold XLR adaptor kit (XLR-K2M/ XLR-K1M) that enables connection with various high-end microphones. That way, you can make fine audio setting adjustments and high-quality/lownoise sound recordings worthy of serious movie shooting. 13