Sony ILCE-7RM3 Brochure and Main Specifications - Page 13

A new dimension of, subjective resolution - sensor size

Page 13 highlights

A new dimension of subjective resolution Still images of art and architecture take on a new dimension of reality with unprecedented subjective resolution. Lifelike detail, texture, color, and atmosphere Pixel Shift Multi Shooting : Superior resolution from 42.4 megapixel RGB information NEW This new feature takes advantage of the advanced in-body image stabilization system control capability available in the 7R III, precisely shifting the sensor in 1-pixel increments to capture four pixel-shifted images containing a total of approx- imately 169.6 million pixels* that are later composited using a computer to achieve overwhelming subjective resolution in a single image. Still images are captured with true-tolife details, texture, and color, with minimal moiré and color artifacts. * Image size after compositing is approx. 42.4 million (7952 x 5304) pixels. Notes A dedicated software application is required for compositing. Image compositing may not be successful if camera or subject movement causes blur. The use of a tripod is recommended, as is the use of PC tethered control or a remote commander (when PC tethered control is not being used) where possible. Uncompressed RAW and silent mode are automatically selected for Pixel Shift Multi shooting. Some restrictions apply to flash and other devices. Refer to the Sony support site for details. http://www.sony.net/psms/ Even the atmosphere of the subject and surroundings are reproduced with breathtaking fidelity, making Pixel Shift Multi Shooting an ideal technology for archival images of art, architecture, and more. Normal single shot Pixel Shift Multi Shooting after compositing 24 The Pixel Shift Multi Shooting principle In a "normal" digital capture each pixel represents just one color: red, green, or blue. The surrounding pixels are used to supply the necessary extra information required to interpolate and reproduce the remaining two primary colors. Pixel Shift Multi Shooting, however, composites four pixel-shifted images so that each of the sensor's 42.4 million effective pixels can represent red, green, and blue values simultaneously. Extra interpolation becomes unnecessary so the data from the sensor can be directly synthesized to recreate the final colors. The result is unprecedented reproduction accuracy and detail for true-to-life textures. Images shot using this feature can be processed using the dedicated PC software from Sony running on a personal computer. Normal single shot R : 10.5M G : 21M B : 10.5M 1) RGB color information 2) Demosaicing provides the acquired at a 1:2:1 ratio. remaining color information. Pixel Shift Multi Shooting R : 10.5M X 4 G : 21M X 4 B : 10.5M X 4 1) The image sensor is moved in 1-pixel increments while shooting four sequential frames. 2) Each pixel represents R, G, and B information. Tripod provided by Manfrotto 25

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Pixel Shift Multi Shooting : Superior resolution from 42.4 megapixel RGB information
The Pixel Shift Multi Shooting principle
Normal single shot
Pixel Shift Multi Shooting
This new feature takes advantage
of the advanced in-body image
stabilization system control capabil-
ity available in the
7R III, precisely
shifting the sensor in 1-pixel incre-
ments to capture four pixel-shifted
images containing a total of approx-
Even the atmosphere of the subject
and surroundings are reproduced
with breathtaking fidelity, making
Pixel Shift Multi Shooting an ideal
technology for archival images of
art, architecture, and more.
imately 169.6 million pixels* that are
later composited using a computer
to achieve overwhelming subjec-
tive resolution in a single image. Still
images are captured with true-to-
life details, texture, and color, with
minimal moiré and color artifacts.
Notes
A dedicated software application is required for compositing. Image compositing
may not be successful if camera or subject movement causes blur. The use of a tri-
pod is recommended, as is the use of PC tethered control or a remote commander
(when PC tethered control is not being used) where possible. Uncompressed RAW
and silent mode are automatically selected for Pixel Shift Multi shooting. Some
restrictions apply to flash and other devices. Refer to the Sony support site for
details.
* Image size after compositing is approx. 42.4 million (7952 x 5304) pixels.
Normal single shot
Pixel Shift Multi Shooting after compositing
Tripod provided by Manfrotto
Lifelike detail, texture, color, and atmosphere
NEW
In a “normal” digital capture each pixel represents just
one color: red, green, or blue. The surrounding pixels
are used to supply the necessary extra information
required to interpolate and reproduce the remaining
two primary colors. Pixel Shift Multi Shooting, however,
composites four pixel-shifted images so that each of the
sensor’s 42.4 million effective pixels can represent red,
green, and blue values simultaneously. Extra interpola-
tion becomes unnecessary so the data from the sensor
can be directly synthesized to recreate the final colors.
The result is unprecedented reproduction accuracy and
detail for true-to-life textures. Images shot using this
feature can be processed using the dedicated PC soft-
ware from Sony running on a personal computer.
1) RGB color information
acquired at a 1:2:1 ratio.
1) The image sensor is moved in 1-pixel increments while shooting four sequential frames.
2) Each pixel represents
R, G, and B information.
2) Demosaicing provides the
remaining color information.
R : 10.5M
G : 21M
B : 10.5M
R : 10.5M X 4
G : 21M X 4
B : 10.5M X 4
A new dimension of
subjective resolution
Still images of art and architecture take on a new dimension of
reality with unprecedented subjective resolution.