Sony ILCE-7RM3 Brochure and Main Specifications - Page 14

Breathtaking movie reality

Page 14 highlights

Breathtaking movie reality 5K (15-megapixel) oversampling results in 4K movies with an overwhelming sense of depth and detail, while a new HLG picture profile supports high-quality HDR content creation. High resolution and wide dynamic range come together with stunning realism. High-resolution, wide-dynamic-range 4K * 4K movies** from 5K (15-megapixel) data NEW Full pixel readout in the Super 35 mode, without the need for pixel binning, makes it possible to condense 5K (15-megapixel) data into highresolution, extraordinarily beautiful 4K movies with minimal moiré and jaggies. Advanced image processing also allows full-frame 4K movie recording with dramatically improved image quality at mid to high sensitivities. Super 35mm or full-frame recording can be selected as required. * Connect to an HDR (HLG) compatible Sony TV via a USB cable when displaying HDR (HLG) movies. ** A Class 10 or higher SDHC/SDXC card is required for XAVC S format movie recording. UHS speed class 3 or higher is required for 100 Mbps recording. Wide dynamic range Broad support for HDR content creation NEW Sony's S-Log gamma curve provides extra flexibility to achieve a "look" that best serves your artistic vision during post-production color grad- ing, while a newly added HLG (Hybrid Log-Gamma)* picture profile supports instant HDR production without the need for color grading. Extra care has been taken to ensure that a wide range of HDR content creation requirements are fully supported. 26 HLG (Hybrid Log-Gamma) support for instant HDR workflow NEW Movies recorded using the HLG profile will appear true-to-life with no blocked shadows or blown highlights when played back on an HDR (HLG) compatible TV, without the need for color grading. The BT.2020 color space is supported, providing a wider color gamut. S-Log3 for wide 14-stop dynamic range NEW In addition to S-Log2, S-Log3 is available for better gradation from shadows to mid-tones (18% gray) and a wide dynamic range of up to 14 stops for movies. A new color SGamut3 color space that is a refined version of S-Gamut is also provided. SDR HDR (HLG) Comprehensive moviemaking control Improved Fast Hybrid AF for movies NEW Slow and quick motion NEW Fast Hybrid AF performance during movie recording has been refined, providing a wide AF area that is similar to that provided for still images. AF now accurately locks onto movie subjects over a wider area. Frame rates from 1 fps to 120 fps can be selected in eight steps for up to 60x quick motion and 5x slow motion while recording with full-HD quality. * Sound not recorded. Class 10 or higher SDHC/SDXC card required. S&Q Record Setting NTSC 24p 30p 60p PAL 25p 50p S&Q Frame Rate NTSC 1fps 2fps 4fps 8fps 15fps 30fps 60fps 120fps PAL 1fps 2fps 3fps 6fps 12fps 25fps 50fps 100fps Auto Power Off Temperature* Photo Capture NEW This function sets the temperature at which the camera will automatically shut off. "High" allows longer movie recording times when the camera is mounted on a tripod. High-quality stills can be extracted from movies and stored separately: 8 megapixel stills from 4K movies, and 2 megapixel stills from full-HD movies. * Set to "Standard" for handheld shooting. Use a tripod or other support when "High" is selected. Shooting time may vary according to environmental conditions and camera temperature when set to "High." S-Gamut3.Cine/S-Log3 Color Grading Enhanced Zebra function NEW This function simplifies exposure monitoring, especially when shooting with Log gamma. A new minimum brightness level setting helps to avoid blown out highlights. Proxy recording NEW 4K movies and lower-resolution proxy movies can be recorded simultaneously. The smaller proxy files are ideal for quick previewing or pre-editing that can reduce the time required for final 4K editing. Other movie features Picture profiles, Clean HDMI, Time Code/User Bit, REC control, Gamma Display Assist, and other details provide comprehensive support for advanced video workflows. Tripod provided by Manfrotto 27

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Breathtaking movie reality
5K (15-megapixel) oversampling results in 4K movies with an
overwhelming sense of depth and detail, while a new HLG picture
profile supports high-quality HDR content creation. High resolution
and wide dynamic range come together with stunning realism.
27
26
4K movies** from 5K (15-megapixel) data
Broad support for HDR content creation
HLG (Hybrid Log-Gamma) support for instant HDR workflow
Full pixel readout in the Super 35
mode, without the need for pixel bin-
ning, makes it possible to condense
5K (15-megapixel) data into high-
resolution, extraordinarily beautiful
4K movies with minimal moiré and
jaggies. Advanced image process-
ing also allows full-frame 4K movie
recording with dramatically improved
image quality at mid to high sensitivi-
ties. Super 35mm or full-frame re-
cording can be selected as required.
*
Sony’s S-Log gamma curve provides
extra flexibility to achieve a “look”
that best serves your artistic vision
during post-production color grad-
ing, while a newly added HLG (Hy-
brid Log-Gamma)* picture profile
supports instant HDR production
without the need for color grading.
Extra care has been taken to ensure
that a wide range of HDR content
creation requirements are fully sup-
ported.
Movies recorded using the HLG
profile will appear true-to-life with
no blocked shadows or blown high-
lights when played back on an HDR
(HLG) compatible TV, without the
need for color grading. The BT.2020
color space is supported, providing
a wider color gamut.
SDR
HDR (HLG)
Improved Fast Hybrid AF for movies
Photo Capture
Proxy recording
Auto Power Off Temperature*
Other movie features
Enhanced Zebra function
Slow and quick motion
S-Log3 for wide 14-stop dynamic range
Fast Hybrid AF performance during
movie recording has been refined,
providing a wide AF area that is
similar to that provided for still im-
ages. AF now accurately locks onto
movie subjects over a wider area.
High-quality stills can be extracted
from movies and stored separately:
8 megapixel stills from 4K movies,
and 2 megapixel stills from full-HD
movies.
4K movies and lower-resolution
proxy movies can be recorded
simultaneously. The smaller proxy
files are ideal for quick previewing
or pre-editing that can reduce the
time required for final 4K editing.
This function sets the temperature
at which the camera will automati-
cally shut off. “High” allows longer
movie recording times when the
camera is mounted on a tripod.
Picture profiles, Clean HDMI, Time
Code/User Bit, REC control, Gamma
Display Assist, and other details
provide comprehensive support for
advanced video workflows.
This function simplifies exposure
monitoring, especially when shoot-
ing with Log gamma. A new mini-
mum brightness level setting helps
to avoid blown out highlights.
Frame rates from 1 fps to 120 fps
can be selected in eight steps for
up to 60x quick motion and 5x slow
motion while recording with full-HD
quality.
In addition to S-Log2, S-Log3 is
available for better gradation from
shadows to mid-tones (18% gray)
and a wide dynamic range of up to
14 stops for movies. A new color S-
Gamut3 color space that is a refined
version of S-Gamut is also provided.
S&Q Record Setting
NTSC
24p
30p
60p
PAL
25p
50p
S&Q Frame Rate
NTSC
1fps
2fps
4fps
8fps
15fps 30fps 60fps 120fps
PAL
1fps
2fps
3fps
6fps
12fps 25fps 50fps 100fps
Comprehensive moviemaking control
Wide dynamic range
High-resolution, wide-dynamic-range 4K
* Sound not recorded. Class 10 or higher SDHC/SDXC
card required.
* Set to “Standard” for handheld shooting. Use a tripod or other support when “High” is selected. Shooting time may
vary according to environmental conditions and camera temperature when set to “High.”
* Connect to an HDR (HLG) compatible Sony TV via a USB cable when displaying HDR (HLG) movies.
** A Class 10 or higher SDHC/SDXC card is required for XAVC S format movie recording. UHS speed class 3 or higher is
required for 100 Mbps recording.
S-Gamut3.Cine/S-Log3
Color Grading
NEW
NEW
NEW
NEW
NEW
NEW
NEW
Tripod provided by Manfrotto
NEW
NEW