Yamaha AR-80 Owner's Manual - Page 130

About Accompaniment Program Recording, s, Parts and Measures

Get Yamaha AR-80 PDF manuals and user guides View all Yamaha AR-80 manuals
Add to My Manuals
Save this manual to your list of manuals

Page 130 highlights

2. While holding down the ACCOMP. PROGRAM button, press the same button in the STYLE section again. PAGE VOICE EFFECT DISPLAY SET FOOT REGIST. SW. SHIFT M.O.C./ VOICE L.M.SPLIT EDIT ACCOMP. SEQUENCE PROGRAM PROGRAM PITCH/ DISK MIDI CONTRAST HELP HOLD When recording a Style from scratch: Simply press and release the ACCOMP. PROGRAM button. PAGE VOICE EFFECT DISPLAY SET FOOT REGIST. SW. SHIFT M.O.C./ VOICE L.M.SPLIT EDIT ACCOMP. SEQUENCE PROGRAM PROGRAM PITCH/ DISK MIDI CONTRAST HELP HOLD • Pressing the ACCOMP. PROGRAM button to enter the Accompaniment Program function automatically stops playback of Styles or User sequences. When recording from scratch, "No name" appears as the Style name, indicating that the Style has no data. About Accompaniment Program Recording - Sections, Parts and Measures Before going on to record a User Style in Accompaniment Program, you should understand a little about the elements that make up a User Style. Each Style can have up to five "sections": Intro, Main A, Main B, Fill, and Ending. Generally, these sections should be stylistically similar. Each of these sections is made up of up to eight different instrumental "parts": Rhythm 1 & 2, Bass, Chord 1 & 2, Pad, and Phrase 1 & 2. Finally, the length of each section is expressed in "measures." A section can be up to eight measures long (with the exception of Fill, which can only be one measure). 124

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
  • 65
  • 66
  • 67
  • 68
  • 69
  • 70
  • 71
  • 72
  • 73
  • 74
  • 75
  • 76
  • 77
  • 78
  • 79
  • 80
  • 81
  • 82
  • 83
  • 84
  • 85
  • 86
  • 87
  • 88
  • 89
  • 90
  • 91
  • 92
  • 93
  • 94
  • 95
  • 96
  • 97
  • 98
  • 99
  • 100
  • 101
  • 102
  • 103
  • 104
  • 105
  • 106
  • 107
  • 108
  • 109
  • 110
  • 111
  • 112
  • 113
  • 114
  • 115
  • 116
  • 117
  • 118
  • 119
  • 120
  • 121
  • 122
  • 123
  • 124
  • 125
  • 126
  • 127
  • 128
  • 129
  • 130
  • 131
  • 132
  • 133
  • 134
  • 135
  • 136
  • 137
  • 138
  • 139
  • 140
  • 141
  • 142
  • 143
  • 144
  • 145
  • 146
  • 147
  • 148
  • 149
  • 150
  • 151
  • 152
  • 153
  • 154
  • 155
  • 156
  • 157
  • 158
  • 159
  • 160
  • 161
  • 162
  • 163
  • 164
  • 165
  • 166
  • 167
  • 168
  • 169
  • 170
  • 171
  • 172
  • 173
  • 174
  • 175
  • 176
  • 177
  • 178
  • 179
  • 180
124
2.
While holding down the ACCOMP. PROGRAM button, press the same
button in the STYLE section again.
When recording a Style from scratch:
Simply press and release the ACCOMP. PROGRAM button.
When recording from scratch, “No name” appears as the Style name, indicating that the Style
has no data.
CONTRAST
HELP
DISK
ACCOMP.
PROGRAM
HOLD
PITCH/
MIDI
SEQUENCE
PROGRAM
VOICE
EDIT
REGIST.
SHIFT
EFFECT
SET
PAGE
M.O.C./
L.M.SPLIT
FOOT
SW.
VOICE
DISPLAY
CONTRAST
HELP
DISK
ACCOMP.
PROGRAM
HOLD
PITCH/
MIDI
SEQUENCE
PROGRAM
VOICE
EDIT
REGIST.
SHIFT
EFFECT
SET
PAGE
M.O.C./
L.M.SPLIT
FOOT
SW.
VOICE
DISPLAY
• Pressing the ACCOMP.
PROGRAM button to enter the
Accompaniment Program
function automatically stops
playback of Styles or User
sequences.
About Accompaniment Program Recording
— Sections, Parts and Measures
Before going on to record a User Style in Accompaniment Program, you should understand a little
about the elements that make up a User Style.
Each Style can have up to five “sections”: Intro,
Main A, Main B, Fill, and Ending.
Generally, these sections should be stylistically similar.
Each
of these sections is made up of up to eight different instrumental “parts”: Rhythm 1 & 2, Bass,
Chord 1 & 2, Pad, and Phrase 1 & 2.
Finally, the length of each section is expressed in
“measures.”
A section can be up to eight measures long (with the exception of Fill, which can
only be one measure).