Yamaha CLP-115 Owner's Manual - Page 17

Selecting & Playing Voices, Selecting Voices, Using the Pedals

Page 17 highlights

ENGLISH Selecting & Playing Voices Selecting Voices Procedure While holding down the [VOICE] button, press one of the C1-A1 keys to select and start the corresponding voice. Then, when you start playing, adjust the [MASTER VOLUME] control to the most comfortable listening level. C1 D1 F1 G1 VOICE The lowest key C1 D1 E1 F1 G1 A1 Key Voice Name Description C1 Grand Piano 1 Recorded samples from a full concert grand piano. Perfect for classical compositions as well as any other style that requires acoustic piano. C 1 Grand Piano 2 Spacious and clear piano with bright reverb. Good for popular music. D1 E.Piano 1 An electronic piano sound created by FM synthesis. Good for popular music. D 1 E.Piano 2 The sound of an electric piano using hammer-struck metallic "tines." Soft tone when played lightly, and an aggressive tone when played hard. E1 Harpsichord 1 The definitive instrument for baroque music. Since harpsichord uses plucked strings, there is no touch response. F1 Harpsichord 2 Mixes the same voice an octave higher for a more brilliant tone. F 1 Vibraphone Vibraphone played with relatively soft mallets. It has a tremolo effect that is typical for vibraphone. G1 Church Organ 1 This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). Good for sacred music from the Baroque period. G 1 Church Organ 2 This is the organ's full coupler sound, often associated with Bach's "Toccata and Fugue". A1 Strings Spacious and large-scale string ensemble. Try combining this voice with piano in DUAL mode. TIP To understand the characteristics of various voices, listen to demo songs for each voice (page 15). TERMINOLOGY Voice: On the CLP-115, a voice means a "tone" or "tonal color." NOTE Selecting a voice automatically engages the best-suited reverb type and depth (page 18) for that particular voice. Using the Pedals Damper (Right) Pedal The damper pedal functions in the same way as a damper pedal on an acoustic piano. When the damper pedal is pressed, notes sustain longer. Releasing the pedal immediately stops (damps) any sustained notes. When you press the damper pedal here, the notes you play before you release the pedal sustain longer. NOTE If the damper pedal doesn't work, make sure that the pedal cord is properly plugged into the main unit (page 30). CLP-115 Selecting & Playing Voices 17

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CLP-115
Selecting & Playing Voices
ENGLISH
17
Selecting & Playing Voices
Selecting Voices
While holding down the
[VOICE]
button, press one of the C1–A1 keys to select and
start the corresponding voice.
Then, when you start playing, adjust the
[MASTER VOLUME]
control to the most com-
fortable listening level.
Using the Pedals
Damper (Right) Pedal
The damper pedal functions in the same way as a
damper pedal on an acoustic piano. When the
damper pedal is pressed, notes sustain longer.
Releasing the pedal immediately stops (damps) any
sustained notes.
Procedure
TIP
To understand the characteris-
tics of various voices, listen to
demo songs for each voice
(page 15).
TERMINOLOGY
Voice:
On the CLP-115, a voice means
a “tone” or “tonal color.”
NOTE
Selecting a voice automatically
engages the best-suited reverb
type and depth (page 18) for
that particular voice.
Key
Voice Name
Description
C1
Grand Piano 1
Recorded samples from a full concert grand piano. Perfect for classical
compositions as well as any other style that requires acoustic piano.
C
±
1
Grand Piano 2
Spacious and clear piano with bright reverb. Good for popular music.
D1
E.Piano 1
An electronic piano sound created by FM synthesis. Good for popu-
lar music.
D
±
1
E.Piano 2
The sound of an electric piano using hammer-struck metallic “tines.” Soft
tone when played lightly, and an aggressive tone when played hard.
E1
Harpsichord 1
The definitive instrument for baroque music. Since harpsichord uses
plucked strings, there is no touch response.
F1
Harpsichord 2
Mixes the same voice an octave higher for a more brilliant tone.
F
±
1
Vibraphone
Vibraphone played with relatively soft mallets. It has a tremolo effect
that is typical for vibraphone.
G1
Church Organ 1
This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). Good for
sacred music from the Baroque period.
G
±
1
Church Organ 2
This is the organ’s full coupler sound, often associated with Bach’s
“Toccata and Fugue”.
A1
Strings
Spacious and large-scale string ensemble. Try combining this voice
with piano in DUAL mode.
C1
D1
E1
F1
G1
A1
C 1
±
D 1
±
F 1
±
G 1
±
The lowest key
VOICE
²
³
´
²
´
²
´
When you press the damper pedal
here, the notes you play before you
release the pedal sustain longer.
NOTE
If the damper pedal doesn’t
work, make sure that the pedal
cord is properly plugged into the
main unit (page 30).