Yamaha DX200 Owner's Manual
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- Yamaha DX200 | Owner's Manual - Page 1
- Yamaha DX200 | Owner's Manual - Page 2
MESSAGE SECTION This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. WARNING: Do not place this product in a position where - Yamaha DX200 | Owner's Manual - Page 3
supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions instructions found in the users manual eliminate the problem by using one of interference. Utilize power outlets that are Yamaha Service Afdei- ing: Yamaha Music Nederland Service - Yamaha DX200 | Owner's Manual - Page 4
contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel. battery which permits internal data to remain stored even when the power is off. When the backup battery needs replacing, the message - Yamaha DX200 | Owner's Manual - Page 5
purchasing the Yamaha DX200 Desktop Control Synthesizer! The DX200 is a combination tone generator and sequencer that puts an enormous amount of sonic power and real-time performance control in an exceptionally compact and easy-to-use "desktop" package. As one of the Loopfactory group of instruments - Yamaha DX200 | Owner's Manual - Page 6
Use This Manual 8 Panel Controls 9 Quick Start Guide 11 Shifting Harmonics 54 Mellow or metallic - FM Depth 55 Controlling the FM Decay 56 Noise Level 56 All kinds VCF Types 28 Tip 20 FEG Depth 30 Chapter 13 Pattern Power Tips 63 Tip 51 Hit the top of the Pattern 63 Factory Reset 34 - Yamaha DX200 | Owner's Manual - Page 7
16 Speed Tips for Power Users .... 90 Tip 69 71 Gang-editing a group of Steps 91 Troubleshooting 115 FM DX200 to your sequencer 96 Tip 81 Changing the MIDI channels 97 Tip 82 Loopfactory setup - with the SU200 98 Tip 83 Loopfactory sync system - with the AN200... 99 Tip 84 Loopfactory sampling - Yamaha DX200 | Owner's Manual - Page 8
of helpful, convenient information in this section, too. If something doesn't work as expected, go to Troubleshooting (page 115). If you want a clear, concise explanation of how the synthesizer of the DX200 works, see FM Tone Generation (page 116). If you're not sure where to go for help but you've - Yamaha DX200 | Owner's Manual - Page 9
Main Voice Control Keyboard Here's a quick way to get familiar with your DX200! The front (or top) panel of the DX200 can be roughly divided into four sections: Main, Control, Voice, and Keyboard (or main) Tip in which the control appears, or the group of Tips that are most closely related. 9 - Yamaha DX200 | Owner's Manual - Page 10
fundamental controls of the DX200 - for changing modes 15, 16, 30 [PORTAMENTO Tip 40 [HARMONIC Tip 42 [FM DEPTH Tip 43 [DECAY Tip 44 [NOISE LEVEL Tip 45 [KEYBOARD Tips 9, 26 [PATTERN SELECT Tips 3, 31, 78, 79 [SYNTH TRACK Tip 28 [RHYTHM TRACK Tip 28 Keyboard The Keyboard section has several - Yamaha DX200 | Owner's Manual - Page 11
Quick Start Guide Once that you've got the DX200 out of the box and checked that all included the other into an AC outlet. 4 Turn on the power with the rear panel power switch. Then, turn on the power of your recorder/mixer/amplifier. The DX200 takes a little time to "warm up" after being turned - Yamaha DX200 | Owner's Manual - Page 12
. As you work with the DX200 and explore its various functions and features, refer back to this diagram to see how all the pieces of the puzzle fit together. Pattern Select Setup User Pattern 128 256 Preset Patterns 128 User Patterns Preset Pattern 1 Sequence Synth Track Step 1 16 Rhythm Track - Yamaha DX200 | Owner's Manual - Page 13
Tone Generator Signal Flow & Effect Block Diagram Effect section Out Synth track Distortion EQ Rhythm track 1 Rhythm track 2 Rhythm track 3 The EQ processing is accessible only with the DX200 Editor software. 13 - Yamaha DX200 | Owner's Manual - Page 14
This is NOT an owner's manual! At least not an ordinary one. But, then again, the DX200 is no ordinary instrument. It's packed with exciting, powerful, yet easy-to-use features that give you complete, hands-on sonic control - plus tons of dynamic real-time functions that can bring an extra - Yamaha DX200 | Owner's Manual - Page 15
your synthesizer apprenticeship right here. In this section, you'll learn about playing Patterns, and how to use some of the DX200's powerful tools exactly are Patterns? The Patterns are the basic musical building blocks of the DX200 - they provide an instrument sound (also called a "Voice"), plus - Yamaha DX200 | Owner's Manual - Page 16
Patterns on the fly Try mixing it up now. The DX200 lets you change Patterns as easily as pressing a button... Thanks entire song if you want, without having wait for each Pattern to play back. The DX200 remembers all the buttons you press and how many times you press them, and automatically plays - Yamaha DX200 | Owner's Manual - Page 17
, that you've got a Pattern playing, try changing its speed. (This is also called "bpm" - beats per minute.) The DX200 gives you two ways to do this - tapping out the speed manually, or using the [DATA] knob to adjust it. 1 Tap the [TAP] button three or four times at the desired speed - Yamaha DX200 | Owner's Manual - Page 18
Chapter 1 Pattern Basics 6 Messing with the Beat There's more than one way to mess with the rhythm. Actually, the DX200 gives you a truckload of ways you can disturb and deconstruct your beats. One of these is the (appropriately named) Beat function. You'll be meeting - Yamaha DX200 | Owner's Manual - Page 19
build with them? Songs! Our team of expert programmers has created a few Songs using the various Patterns of the DX200. Check these out and hear just how powerful and versatile the DX200 can be for recording your own material. 8 Playing a Song Let's select a Song now and play it. 1 Press the [SONG - Yamaha DX200 | Owner's Manual - Page 20
the instrument. 9 Playing the keyboard The built-in keyboard is small - just one octave - but it lets you use all the features of the DX200 without having to connect a separate keyboard. Try it out now. 1 Press [KEYBOARD]. 2 Play the keyboard. The buttons give you a full octave, from C to C. Keep - Yamaha DX200 | Owner's Manual - Page 21
DX200 also has a special Rhythm track (actually there are three) that let you play and record drum, percussion, bass and other sounds - giving you the power Velocity setting for the built-in keyboard of the DX200. This affects the loudness of the Synth and Rhythm track sounds, when played from the - Yamaha DX200 | Owner's Manual - Page 22
Chapter 4 Scene Basics Scene is one of the most powerful and exciting features of the DX200. It lets you "morph" between two completely different sounds - in real time, as the Pattern is playing. 13 Switching Scenes Here we'll switch between - Yamaha DX200 | Owner's Manual - Page 23
Chapter 5 Effects The effects of the DX200 are more than just icing on the cake - they're powerful tools you can use to completely transform the sound, and put your tracks over the top. 15 What is an Effect? The Effects are the - Yamaha DX200 | Owner's Manual - Page 24
ears to come up with settings that feel good. q Reverb Reverb (r - Yamaha DX200 | Owner's Manual - Page 25
you to select one of thirteen Effect types for processing the sound of the tracks (Synth and Rhythm 1 - 3). Press the [TYPE] button, then use the [DATA] knob. Settings Delay 1 - 3, Reverb, Flanger 1 and 2, Chorus, Phaser 1 - 3, Overdrive/Amp 1 - 3 Parameter (PARAM) In general, this allows you to - Yamaha DX200 | Owner's Manual - Page 26
, it has more edge and bite. When applied to many of the DX200's Voices, it is capable of creating very convincing guitar-like distortion effects brittle, edgy sound. Distortion Allows you to apply a distortion effect to the Synth track. (Note that this does not affect any of the Rhythm tracks.) - Yamaha DX200 | Owner's Manual - Page 27
6 Filter (VCF) The VCF or Filter section is one of the most powerful and dynamic on the entire instrument. Used in the right way, the VCF at the Cutoff frequency). Volume Resonance Range 0 - 127 Frequency (pitch) Frequency (pitch) Range Synth track : -16 - 100 Rhythm track 1-3 : -64 - 63 27 - Yamaha DX200 | Owner's Manual - Page 28
Chapter 6 Filter (VCF) 19 Wild, wild filter sweeps - VCF Types The enormous power and versatility of the Filter section continues with the VCF Types. These hidden variations put some really heavy-duty sonic fireworks at your fingertips - just - Yamaha DX200 | Owner's Manual - Page 29
Chapter 6 Filter (VCF) VCF Type Determines the filter type used for the VCF section. The filter passes only a specified range of frequencies while cutting off the rest. There are several completely different types, as well as a variety of filter slopes (see below). Settings 24db (Low Pass Filter 24dB/ - Yamaha DX200 | Owner's Manual - Page 30
Chapter 6 Filter (VCF) 20 FEG Depth Technically, the FEG Depth controls how the Filter works over time. This is even shown on the panel for you: Indicates a "dip" in the filter, just at the start of each note. Indicates a filter "peak," just at the start of the note. With the the [CUTOFF] and [ - Yamaha DX200 | Owner's Manual - Page 31
a moment. Check out the following functions and familiarize yourself with them - they're very useful, convenient tools you'll need as you work with the DX200. 21 Show Value Sometimes you'll want to see what value a knob or button has been set to. Remember that when you call up different - Yamaha DX200 | Owner's Manual - Page 32
Chapter 7 Nuts and Bolts 3 Press the [EXIT] button to return to normal operation. All of the indicated controls can be used with the Show Value function. (Original Value, too. - See Tip 22 below.) • Trade Secrets Use Show Value to pick the brains of our programmers. Do you have a favorite Voice - Yamaha DX200 | Owner's Manual - Page 33
DX200 is a wonderfully deep and extraordinarily versatile synthesizer. Sonically, it can take you places you've never dreamed of. Unfortunately, that can be part of the problem . While you're tweaking a Voice, you may end up drifting in a synthesized q Turn off the power. When all else fails - Yamaha DX200 | Owner's Manual - Page 34
be careful! q Check the Troubleshooting section (page 115). We mean it. The next time you find yourself scratching your head (or tearing your hair out), save yourself a whole lot of grief and read through this section. It'll make you feel better. 24 Factory Reset If the DX200 freezes in an operation - Yamaha DX200 | Owner's Manual - Page 35
of each note. The higher the value, the longer the gate time. Shorter values produce a clipped sound, longer ones produce a sustained sound. Range 1 - 100 (normal) - 200 35 - Yamaha DX200 | Owner's Manual - Page 36
Chapter 8 Pattern Playback 26 Transposing the key The Transpose function lets you change the pitch or key of the Pattern as it plays back. With this, you can change chords on the fly, and create your own chord progressions - instantly, as you perform. Let's try it out. Select a Pattern and start it - Yamaha DX200 | Owner's Manual - Page 37
] knob to change the value. Range 50 (straight) - 83 (maximum swing) 28 Muting tracks The Patterns of the DX200 contain and play back up to four separate tracks - the Synth track and three Rhythm tracks. The convenient Track Mute feature lets you selectively mute these tracks - even during playback - Yamaha DX200 | Owner's Manual - Page 38
of a Pattern - without permanently changing the original data. Let's try it out... 1 Select a Pattern and start it up. 2 Make sure the Synth track is on (press [SYNTH TRACK] if necessary), then press one of the keyboard buttons. The button lamp turns off, indicating the note is muted. Hear how the - Yamaha DX200 | Owner's Manual - Page 39
sound fades in and out as you tweak the knob? Remember, this only affects the Synth track - unlike the master [VOLUME] knob, which controls the overall sound of the DX200. Volume Determines the volume of the Synth track. Hold down [SHIFT], and turn the [WET] (VOL) knob to adjust. Range 0 - 127 39 - Yamaha DX200 | Owner's Manual - Page 40
which Patterns are triggered by which keyboard buttons. Any Pattern - even the User Patterns - can go to any button. Plus, you can use a key keyboard buttons turn off. 4 Select the Pattern with the [DATA] knob. Your original User Patterns are fair game as well. 5 Repeat Steps 2 - 4 as often as - Yamaha DX200 | Owner's Manual - Page 41
synthesizer sound - the LFO. Although LFO modulation can be used to make the sound warmer and more natural, its strong forte is in creating wild and extreme special effects. Explore the following Tips and you'll soon build up a huge arsenal of powerful controls on the DX200, this is responsible - Yamaha DX200 | Owner's Manual - Page 42
Chapter 9 LFO Modulation 33 Modulating the Filter Now, let's apply the LFO to the Filter - and create some interesting wah-wah effects. 1 Press [DETAIL] until "Fmd" (Filter Modulation Depth) appears briefly in the display. 2 Use the [DATA] knob to set the value to around "50." This is the Filter - Yamaha DX200 | Owner's Manual - Page 43
Chapter 9 LFO Modulation 34 Modulating the pitch Try using the LFO to warp the pitch - and discover some more awesome modulation effects. 1 Press [DETAIL] until "Pmd" (Pitch Modulation Depth) appears briefly in the display. 2 Use the [DATA] knob to set the value to "0." This is Pitch Modulation - Yamaha DX200 | Owner's Manual - Page 44
"trGL" (Triangle). This selects the Triangle wave. Try some of the other Wave settings and hear how they change the sound. • Sample and hold Use the Sample-and-hold wave (S-H) mainly for Pitch modulation effect. Unlike the other Wave settings, these generate random fluctuations. They're less suited - Yamaha DX200 | Owner's Manual - Page 45
Determines the LFO waveform. Settings q Triangle (trGL) Wave Chapter 9 LFO Modulation q Sine (SinE) q Saw Down (SAUd) q Sample-and-hold (S-H) q Saw Up (SAUu) q Square (Squr) 45 - Yamaha DX200 | Owner's Manual - Page 46
try selecting a different Pattern. 36 Shaping the sound with EG One of the most important aspects in analog synthesizer sound is how that sound is controlled over time. The DX200 gives you some very powerful and flexible ways to do this. One of them is the EG section. EG stands for Envelope Generator - Yamaha DX200 | Owner's Manual - Page 47
:00 or 12:00 and then slowly move upwards from that as you repeatedly play the key. 6 Now, on to the [RELEASE] knob. Start by resetting [ATTACK] to 7:00, [DECAY] to 11:00, and [SUSTAIN] to 1:00. Then experiment with different [RELEASE] knob settings, such as 1:00, 3:00 and 5:00. Notice - Yamaha DX200 | Owner's Manual - Page 48
Chapter 10 EG Basics • Tweak them together When you start out tweaking the EG, you may want to set [SELECT] to both FEG and AEG. This eliminates a lot of confusion about which EG is doing what. For example, if you have separate settings and the FEG opens up long after the AEG has already shut down, - Yamaha DX200 | Owner's Manual - Page 49
Chapter 10 EG Basics 37 Using EG to control the Filter (FEG) In Tip 36 above, we introduced you to the EG and showed you how it works with volume (Amplitude). Now, let's take a look at what the EG can do with the Filter. These specific FEG setting examples will get you started, and give you a definite - Yamaha DX200 | Owner's Manual - Page 50
Chapter 10 EG Basics 7 Just for good measure, play around with the [DECAY] knob a bit. As with the other controls, tweak this to various settings as you play the keys. Finally, set this to around 1:00 or 2:00 (80 - 90). 8 You're on your own now! With the above settings as a starting point, go back - Yamaha DX200 | Owner's Manual - Page 51
the filter sweeps back up again. Try these, too • Experiment with higher Cutoff and Resonance settings than the ones shown above. • Tweak the FM Synthesis controls - Algorithm, Modulator, Noise Oscillator, and the related knobs. These give the Filter a wealth of high harmonics to work with, and make - Yamaha DX200 | Owner's Manual - Page 52
synthesizer programmer. You've learned about the Patterns, the Scenes, Effects, the Filter, LFO, EG, and so on - but your education's not over yet. The DX200 is one of the defining features of analog synthesizers and electronic music. Portamento packs enormous power. On the one hand, it lets you add - Yamaha DX200 | Owner's Manual - Page 53
behind the FM Synthesis sound of the DX200. It determines how the basic sound-generating elements (operators) of the synthesizer are organized the others The true power in the Algorithm control is how it affects and is affected by the other FM controls - Modulator, Harmonic, FM Depth and Decay. All - Yamaha DX200 | Owner's Manual - Page 54
above), tweak the FM sound some more with the Modulator controls. These give you enormous control over the sound of the DX200 Voices - letting you edgy." Modulator Select Determines which group of Modulators in the Algorithm is selected for control by the [HARMONIC], [FM DEPTH], and [DECAY] knobs. - Yamaha DX200 | Owner's Manual - Page 55
a bit (to select the parameter), then slowly tweak the [DATA] knob. FM Depth Determines the level or volume of the selected Modulators. First, select the desired group of Modulators (in Modulator Select above), then tweak the [FM DEPTH] knob. Some settings can result in a metallic sound with no - Yamaha DX200 | Owner's Manual - Page 56
in mind that this primarily affects the timbre of the Voice, not its volume. First, select the desired group of Modulators (in Modulator Select above), and set the [FM DEPTH] knob to a suitable value. (If FM Depth is set too low, Decay will have little to no effect.) Then, tweak the [DECAY] knob - Yamaha DX200 | Owner's Manual - Page 57
noise, you've heard them all. Not true. The Noise Oscillator on the DX200 gives you quite a choice of noise makers - sixteen in all! As we MODULATOR [SELECT] button, repeatedly if necessary, to select "ALL." 2 Set both FM Depth and Decay to the minimum (-64). Doing this takes all the high harmonics - Yamaha DX200 | Owner's Manual - Page 58
Assign lets you configure the DX200 in either Poly or Mono operation, for full chords or single-note lines. Combined with the Unison setting, this function brings the humongously phat sounds of vintage synthesizers to the digital realm - letting you beef up the FM Voices the old analog way. 1 Call - Yamaha DX200 | Owner's Manual - Page 59
and saving them The exciting and powerful Scene feature lets you create and sound you want for Scene 1. Any and all of the Synth knobs can be used. Only button [1] is lit. • you've pressed SCENE button [1] or [2]. Otherwise, the DX200 will switch to the Store Pattern operation (page 79). Indicates - Yamaha DX200 | Owner's Manual - Page 60
12 Free EG Here's another ultra-cool power tool for the control freak in you. The DX200 is packed with an endless supply of sonic mayhem and wild, shifting synthesizer textures, but you can keep it all under control - with Free EG. 49 Free EG The DX200 has so many real-time control features, it - Yamaha DX200 | Owner's Manual - Page 61
) Triggers playback of the Free EG tracks from the start, when a Note On message is received from a connected MIDI device, or when a key on the DX200 is played. ALL (All Notes) Triggers playback of the Free EG tracks from the start, when a Note On message is received from a connected MIDI device - Yamaha DX200 | Owner's Manual - Page 62
Chapter 12 Free EG 50 Changing the Length of your Free EG tracks The flexible little Length feature works both ways - both in recording and playback. It lets you set how long (in measures) your Free EG moves are recorded for, and it lets you separately set how long it takes for them to play back. Set - Yamaha DX200 | Owner's Manual - Page 63
It's time to put your DX200 know-how and experience to work - and delve into these Pattern Power Tips. The first couple of Tips introduce you to some important tools for working with the Patterns, such as copying and erasing data. They're - Yamaha DX200 | Owner's Manual - Page 64
13 Pattern Power Tips 52 Shake, Retrigger, and Roll! In Tip 51, you saw how to use the Top function to play your own stutter hits. Here's a nifty variation on that function - it's called Retrigger & Roll. Retrigger & Roll does just as its name suggests. It retriggers notes of the Synth track, and - Yamaha DX200 | Owner's Manual - Page 65
Chapter 13 Pattern Power Tips 53 Selecting a Voice (Copy Voice) One important step you more than once to call up the "mo - Yamaha DX200 | Owner's Manual - Page 66
Chapter 13 Pattern Power Tips 55 Transposing the pitch of a Pattern Try this cool would change the key to F. Keep in mind that this changes the pitch of the Rhythm tracks as well as the Synth track. 4 Transpose the Pattern. Press [13] (the button stops flashing and stays lit). At the "Y£n" ("Yes or - Yamaha DX200 | Owner's Manual - Page 67
Chapter 13 Pattern Power Tips 56 Copying a Pattern (Sequence) Earlier in this section, in Tip 53, you learned how to copy a Voice from one Pattern to another. Here you' - Yamaha DX200 | Owner's Manual - Page 68
you'll need to do when you make your own Pattern is to make room for it on the DX200. To do that, you'll have to erase or clear one of the factory preset Patterns. Don't worry, you won't be permanently erasing this Pattern. All this operation does is give you - Yamaha DX200 | Owner's Manual - Page 69
Chapter 14 Pattern Recording 58 Setting the Metronome lead-in When you record your parts in real time, you'll need a rhythmic guide - a metronome click - to lead you into the recording, and keep you in time. Here, you can set the length of the Metronome lead-in - in - Yamaha DX200 | Owner's Manual - Page 70
basic procedure to get you started. You supply the creative ideas and talent. And the DX200 will provide the sonic horsepower you need ," etc. 3 Select the track for recording - Synth or one of the three Rhythm tracks. Press [SYNTH TRACK] for Synth, or [RHYTHM TRACK] (repeatedly) for Rhythm tracks - Yamaha DX200 | Owner's Manual - Page 71
great recording. What's more, the DX200 automatically corrects the timing of the notes know, here's how you can patch up your tracks. While the Pattern missing out on a very easy and powerful way to record! Just hook one up Beat (below). Select a track with [SYNTH TRACK] and [RHYTHM TRACK], and press - Yamaha DX200 | Owner's Manual - Page 72
Pattern isn't really erased - you can get it back by sim- 1 ply turning the DX200 off and back on again. 2 2 Make the Beat setting for the new Pattern: 16 the Pattern. 3 Here, you'll be recording the Synth part, so select the Synth track. Press [SYNTH TRACK] (the button lights). By the way, you - Yamaha DX200 | Owner's Manual - Page 73
line, and press each button so that they are all lit. Why do this? Generally, when you're recording the Synth track, it'll be easier to create a Pattern if all Steps 1 - 16 are on. This will create [SHIFT] and press [STEP 9-16], repeatedly if necessary (like you did in instruction Step 5 above). 73 - Yamaha DX200 | Owner's Manual - Page 74
did with Steps 1 - 8 above, but use the setting guide below: Again, this is ONLY a guide - make your own settings, if you want. 8 Finally . Set knobs [1] and [5] to around 12:00. (The display value should be around 200.) Set knobs [2], [3], [4], [6], [7], and [8] to around 9:00. (The display value - Yamaha DX200 | Owner's Manual - Page 75
these: [6], [7], [12], [14], and [16]. You've got your basic Synth track - now, continue crafting and adding to the Pattern by working on the Rhythm 1 with Step, then use Real-time to improvise a bass line on the Synth Track. Or you could combine both methods on a single track - recording a basic - Yamaha DX200 | Owner's Manual - Page 76
Chapter 14 Pattern Recording Rhythm Tracks The DX200 is filled to the brim with an enormous getting the system down to a routine. So, here's the routine! 1) Select the desired track. Press [SYNTH TRACK] or [RHYTHM TRACK]. 2) Turn on the desired Steps. Press the appropriate Step buttons, so that they - Yamaha DX200 | Owner's Manual - Page 77
the rhythm a bit with some hi-hat parts - and add a turntable scratch at the end. 21 Using the "In the Fast Lane" box above as a guide, go on to Rhythm Track 2, and make the settings as described here. Turn the indicated buttons on and set them to the instruments shown. While - Yamaha DX200 | Owner's Manual - Page 78
a "global" effect. Playing back the rhythm you've just programmed, mute the Synth track and experiment with different Gate Time settings. (Hold [SHIFT] and press [ REVERSE]; use [DATA] knob to change.) Try settings of 30, 50, and 200 on all three Rhythm tracks - and hear what happens! • Swing For an - Yamaha DX200 | Owner's Manual - Page 79
Pitch Determines the pitch of the selected note. For the Synth track, this is expressed as note names; for the Rhythm Free EG moves, and Effect edits - are stored with the Pattern, too. The DX200 gives you 128 User memory spaces for saving your original Patterns. Once you've created a Pattern (or - Yamaha DX200 | Owner's Manual - Page 80
mind too that you can use Bulk Send with the computer-based DX200 Editor (page 106) to further edit your Voices. • Make it a Set this to ON when you want to avoid inadvertently erasing or replacing any previously stored User Patterns. Hold down [SHIFT] and press [16] until "Prot" (Protect) appears - Yamaha DX200 | Owner's Manual - Page 81
starting from scratch The first thing you'll need to do when you create your own Song is to make room for it on the DX200. To do that, you'll have to erase or clear one of the existing Songs. 1 Make sure the Song mode is selected. Press the [SONG - Yamaha DX200 | Owner's Manual - Page 82
Song Finally, we come to the culminating feature of the DX200. This is the place where you bring together all the Any of the Patterns can be selected - Preset or User. Remember that you can easily switch between the Preset Patterns and the User Patterns by holding down [SHIFT] and pressing the [ - Yamaha DX200 | Owner's Manual - Page 83
creating a Song from scratch, you may not need to enter "----" at all. Just skip over the measures that you want to stay the same - the DX200 automatically repeats the last Pattern, until the next new entry. 7 To end the Song, record the "End" mark. Select the measure FOLLOWING the final measure - Yamaha DX200 | Owner's Manual - Page 84
measures as needed. Or, if you're programming the Song from scratch, just skip over the measures that you want to stay the same - the DX200 automatically maintains the last setting, until the next new entry. • Fine tempo changes The BPM value has an extremely fine resolution of 1/10 beats per - Yamaha DX200 | Owner's Manual - Page 85
how to use the rest of the powerful Song editing features in your tunes. By the way, we'll keep these instructions to the bare-bones minimum. Read cut the Pattern in half. If you're only aiming for a brief change, remember to reset the Beat in the next measure or so! To select: Hold down [SHIFT] and - Yamaha DX200 | Owner's Manual - Page 86
SELECT]. Range P.001 - P.256 (Preset Patterns) U.001 - U.128 (User Patterns) Pitch Offset Hold [SHIFT] and press [KEYBOARD]. Range -24 - press [REVERSE]. Range 1 - 200 Reverse Press [REVERSE]. Settings Forward (For) Reverse (bAC)) Track Mute Hold [SHIFT] and press the [SYNTH TRACK] button or the [ - Yamaha DX200 | Owner's Manual - Page 87
013 Measure 5 Pattern 014 Don't forget to store your newly edited Song, or you'll lose any edits you've made once you turn the power off or select another Song or Pattern. • Replacing a Pattern If you want to replace a Pattern - in other words, erasing one and putting a new one in - Yamaha DX200 | Owner's Manual - Page 88
place. Measure 3 Pattern 014 Don't forget to store your newly edited Song, or you'll lose any edits you've made once you turn the power off or select another Song or Pattern. Delete Pattern Allows you delete a Pattern from any measure within an existing Song. All subsequent Patterns/measures move - Yamaha DX200 | Owner's Manual - Page 89
a new Song, you'll want to save it for future recall. The DX200 gives you a total of 10 memory spaces for saving your original Songs. Once is cheap. If you have a sequencer or MIDI data filer, you can use the DX200's Bulk Send function (page 108) to save your valuable Song data in multiple "banks" - Yamaha DX200 | Owner's Manual - Page 90
for Power Users Work smarter, not harder! In this section, we'll show you some nifty ways to put your editing in high gear - so you can get MORE out of your DX200 in LESS ANY value-changing operation. Use it for the synth-related knobs, and use it to jump around on playback controls, such as Gate Time - Yamaha DX200 | Owner's Manual - Page 91
Tips for Power Users 70 Using [SHIFT] to "hold" a setting Editing on the DX200 is quick something else. Wanting to come back to edit Reverb again, you press the EFFECT [TYPE] button. EG Select, Key Assign, and so on. 71 Gang-editing a group of Steps No, we're not advocating the use of violence here - Yamaha DX200 | Owner's Manual - Page 92
Chapter 17 Real World Tips This chapter is a grab bag full of various practical tips that solidify your programming chops and put you on the way to truly mastering the instrument. You've seen all these features before. Now, try them out in these real-world examples - and explore some new, uncharted - Yamaha DX200 | Owner's Manual - Page 93
Chapter 17 Real World Tips 74 Changing the pitch with the keyboard As you saw in Tip 26, you can use the keyboard of the DX200 to change pitch and even create chord progressions on the fly. But you can get really wild and crazy with this feature, too - and come up - Yamaha DX200 | Owner's Manual - Page 94
Chapter 17 Real World Tips 75 Stutter fill-in 1 Remember in Tip 51 how you hit the top of a Pattern? In this Tip, and the two that follow, let's try some specific "stutter" rhythm examples. Select and play a Pattern. Then, hold down [SHIFT] and hit the [TOP] (Record) button in the following rhythm. - Yamaha DX200 | Owner's Manual - Page 95
Chapter 17 Real World Tips 77 Stutter fill-in 3 Select and play a Pattern. Then, hold down [SHIFT] and hit the [TOP] (Record) button in the following rhythm. Use both hands on this one too. This could take a little practice before you nail it... ONE TWO THREE FOUR ONE Start ! Hit it here... - Yamaha DX200 | Owner's Manual - Page 96
in the same groove. This is great for live situations. For example, you could use a computer or sequencer for your main tracks and fly in some DX200 Patterns as you perform - while everything stays in perfect sync. In this application, the sequencer is the "master," or controlling device, and the - Yamaha DX200 | Owner's Manual - Page 97
manual. (For an example showing the DX200 as the master, see Tip 83.) Clock Sets the DX200 to either send or receive MIDI clock messages. This determines whether the DX200 here if you ever DO need them. The four tracks of the DX200 - Synth and Rhythm 1 - 3 - are fixed to receive/transmit data over - Yamaha DX200 | Owner's Manual - Page 98
-style synthesizer - it also excels in loop-based music production systems. In this Tip and the ones that follow, we'll take a look at some of ways you can use the powerful and versatile Loopfactory line to shake up the dance floor. In this simple setup, the DX200 is paired with the SU200 Sampling - Yamaha DX200 | Owner's Manual - Page 99
with each other. Add a DJ mixer, and you've got a compact yet powerful DJ setup for laying down some slammin' beats. 1 Connect the DX200 and the AN200 as shown. Here, we'll use the DX200 as the "master," to control the AN200. MIDI clock MIDI OUT OUTPUT INPUT OUTPUT MIDI IN DJ Mixer MIDI clock - Yamaha DX200 | Owner's Manual - Page 100
effects. • Bulk Send your music To help out in the Power Hint above, try using the Bulk Send function (page 108) to transfer Songs between the DX200 and AN200. For example, program a Song on the DX200, then transfer just the Song data to the AN200. Keep in mind, this will keep your Songs in sync - Yamaha DX200 | Owner's Manual - Page 101
advantage of the special characteristics of each of these synthesizers - playing the FM sounds of the DX200 in 16-note polyphony, and the fat, analog sound of the AN200 in 5-note polyphony. Plus, with the SU200 locked in sync, you can play the samples on that unit using the Loop Track feature - and - Yamaha DX200 | Owner's Manual - Page 102
the Aux Send on the mixer back to the SU200 input (as in Tips 84 and 85), and sample the Patterns of the DX200 and AN200. • The more, the merrier Naturally, if you have other synthesizers with MIDI THRU terminals, you can extend the chain and have them join in on the fun. However - Yamaha DX200 | Owner's Manual - Page 103
DX200 in your home studio. 87 Playing the DX200 as a synthesizer The DX200 is an extremely powerful and versatile synthesizer - you should hear the synth sound of the DX200. (If you don't, DX200 - see Tip 81. For instructions on changing the MIDI channel of the keyboard, refer to the owner's manual - Yamaha DX200 | Owner's Manual - Page 104
DX200 MIDI OUT MIDI IN MIDI OUT MIDI IN MIDI keyboard RM1x DX200 In the top example, the computer has a MIDI interface and is running sequencing software lets you hear the sound of the DX200 as you play the keyboard. • Since the Synth Voices of the DX200 play on Channel 1, make sure that - Yamaha DX200 | Owner's Manual - Page 105
DX200 as a synthesizer (as we covered in Tip 87) to play back your sequencer tracks? If so, here's a power-user in that many of the instructions depend on the settings and manual. 1 Connect the DX200 and the external sequencer as shown. DX200 MIDI IN Computer MIDI OUT Sequence software - Yamaha DX200 | Owner's Manual - Page 106
this book, you can rightfully consider yourself a master programmer and expert user of the DX200. Well, almost. Actually, we hate to break it to you have all that editing power and depth right at your fingertips - with the DX200 Editor. The DX200 Editor is special software that works on your - Yamaha DX200 | Owner's Manual - Page 107
the desired setting: On, Out, In, or Off. See "Tech Talk" below for details on the settings. MIDI Control Determines whether or not the DX200 receives and/or sends sequencer control (System Real Time) messages. The Start message (FA hexadecimal) tells a MIDI device to go to the beginning of its - Yamaha DX200 | Owner's Manual - Page 108
data storage options it gives you. With the use of a MIDI data filer (such as the Yamaha MDF3) or MIDI sequencing software (such as the included XGworks lite), you can save all your valuable Song and User Pattern data for future recall - any time you need it. Plus, you can amass a whole library - Yamaha DX200 | Owner's Manual - Page 109
OUT Yamaha MDF3, or computer with MIDI interface Make the proper connections and make sure the connected device has the appropriate data on disk. (Setup for Bulk Send on the other device may involve some additional steps; refer to the relevant owner's manual for details.) 2 Make sure the DX200 is - Yamaha DX200 | Owner's Manual - Page 110
Tip 36 Delay Tip 16 Delete Pattern Tip 67 Distortion Tip 17 DX200 Editor Tip 90 E Effect Parameter Tip 16 Effect Type Tip 16 Effect Wet Tips 15, 16 Effects Tips 15 - 17 EG Tip 36 [EXIT] button Tip 23 F Factory Reset Tip 24 FEG Tip 36 FEG Depth Tips 20, 38, 39 Filter - Yamaha DX200 | Owner's Manual - Page 111
Tips 88, 89 Release Tip 36 Resonance Tip 18 Retrigger and Roll Tip 52 Reverb Tip 16 Reverse Tip 4 Reverse (Song Edit Tip 65 Rhythm tracks Tip 11 Pattern Tip 55 Trigger (Free EG Tip 49 Type (Free EG Tip 49 U User Patterns Tip 61 V VCF Tips 18 - 20 VCF Types Tip 19 Velocity Tip 12 - Yamaha DX200 | Owner's Manual - Page 112
folder on your PC (Program Files as the default) and XGworksLite folder in the YAMAHA folder. Refer to the "XGworks Manual" (XGworks.pdf) and online manuals how to use the application. s DX200 Editor You can use the DX200 Editor Plug-in applications of XGworks lite to edit the Patterns of the - Yamaha DX200 | Owner's Manual - Page 113
Voice Files These are Preset Voice Files for the PLG150-DX. These are compatible with the DX200, so can be edited with the DX200 Editor. File names are "PlgDxP1.DX2" to "PlgDxP7.DX2." Minimum System Requirement DX200 Editor OS: Mac OS8.0 to 9.04 CPU: PowerPC604, 100MHz or faster (G3, 300MHz - Yamaha DX200 | Owner's Manual - Page 114
+9.0dBm (10kohm) 7.DIMENSIONS,WEIGHT 338.0(W) x 208.9(D) x 51.7(H) mm, 1600 g 8.ACCESSORIES CD ROM (for Windows and Macintosh) x 1 Owner's Manual x 1 AC Adaptor x 1 (Power supply recommendation may vary from country to country. Please check with your nearest Yamaha dealer for further - Yamaha DX200 | Owner's Manual - Page 115
Troubleshooting Appendix Problem No power Step Sequencer of the DX200 starts. When playing the DX200 by the DX200 Editor, the Step Sequencer of the DX200 does not play of the Free EG tracks selected (on)? (Page 60) Is the Synth track selected? Has the playback Gate Time been set to a value other - Yamaha DX200 | Owner's Manual - Page 116
Operators MIXER FILTER DISTORTION EQ LFO PEG NOISE GENERATOR Before actually editing the DX200 voices, let's get an idea of how the FM tone generator works. Operators In the DX200, there are six special devices called "operators" that generate sine waves. A sine wave is the fundamental wave - Yamaha DX200 | Owner's Manual - Page 117
for many different sounds, here we'll look at the fundamental combinations of just two operators, to help you understand the basics of FM synthesis. Two sine wave operators (labelled "A" and "B" here) can be combined in one of two ways: horizontally or vertically. (1) Horizontal Combination When the - Yamaha DX200 | Owner's Manual - Page 118
Tone Generation Carrier and Modulator In FM tone generation, each of the six operators functions as either a carrier or a modulator. The operator doing the modulation is called the modulator; the one being - Yamaha DX200 | Owner's Manual - Page 119
Appendix FM Tone Generation Harmonics Most sounds are made up of multiple tones that are different than the pitch (frequency). Within these multiple tones, the one that - Yamaha DX200 | Owner's Manual - Page 120
FM Tone Generation Algorithms Although two operators can be combined in only two different ways, six operators can be configured in a wide variety of combinations. These combinations are called "algorithms." Just as on the original DX7, the DX200 or three operators as a group. One such example is - Yamaha DX200 | Owner's Manual - Page 121
Appendix FM Tone Generation Voice Editing Essentials There are four main elements that determine the character of a voice: (1) Each operator's output level. (2) Each operator's frequency. (3) The feedback - Yamaha DX200 | Owner's Manual - Page 122
Appendix FM Tone Generation Modulator Carrier B Frequency ratio 1:1 A B Frequency ratio 1:2 A Sawtooth wave Rectangular (as the harmonics start to fade). Since each operator has its own EG, the DX200 gives you comprehensive and dynamic control over both the volume and timbre of the voice, - Yamaha DX200 | Owner's Manual - Page 123
Chart of Algorithms Appendix FM Tone Generation Modulator groups Modulator Select = 1 Algorithm 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 - Yamaha DX200 | Owner's Manual - Page 124
14 Decay Time This message adjusts the EG decay time that was specified by sound data. Control# 75 Parameter Decay Time Data Range 0...127 Synth Track only It determines how long it takes for the sound changes from maximum level to sustain level. 1.2.15 Effect4 Depth This message adjusts the - Yamaha DX200 | Owner's Manual - Page 125
device = Sub-ID #1=General Information = Sub-ID #2=Identity Reply = YAMAHA ID = Device Family Code LSB DX200 ID #1 = Device Family Code MSB DX200 ID #2 = Device Number Code LSB DX200 ID #3 = Device Number Code MSB DX200 ID #4 = End of Exclusive When the Identity Request message (2.1.2.1, above - Yamaha DX200 | Owner's Manual - Page 126
Voice FreeEG 1...128 17) User Pattern Voice Step Seq. 1...128 18) User Pattern Effect 1 ... 128 19) User Pattern Multi Part 1 ... 128 20) User Pattern Rhythm Step Seq 1 ... 128 21) User Song 1 ... 10 [ DX BULK DUMP ] 1) VCED 2) ACED 3) VMEM 4) AMEM 2.2.1 DX200 Native Bulk Dump This message - Yamaha DX200 | Owner's Manual - Page 127
User Song block (see Tables , and ). 2.2.2 DX bulk dump 11110000 01000011 0000nnnn 0ttttttt 0sssssss 0ttttttt 0vvvvvvv : 0kkkkkkk 11110111 F0H 43H 0NH TTH SSH TTH VVH : KKH F7H Exclusive status YAMAHA , DX200 will act the same as when ALL SOUND OFF, ALL NOTE OFF, and RESET ALL - Yamaha DX200 | Owner's Manual - Page 128
USED NOT USED NOT USED NOT USED NOT USED 32 BULK RECEIVE BLOCK NOT USED Description DX,normal,Soft1,Soft2,Easy,Wide,Hard, 1-32, 33-64, 65-96, 97-127 Modulator 2 Harmonic Modulator 3 Harmonic Modulator 1 FM Depth Modulator 2 FM Depth Modulator 3 FM Depth Modulator 1 EG Decay Modulator 2 EG - Yamaha DX200 | Owner's Manual - Page 129
FEG Depth Filter Type LFO Speed Portamento Time Mixer Noise Level Modulator 1 Harmonic Modulator 2 Harmonic Modulator 3 Harmonic Modulator 1 FM Depth Modulator 2 FM Depth Modulator 3 FM Depth Modulator 1 EG Decay Modulator 2 EG Decay Modulator 3 EG Decay AEG Attack AEG Decay AEG Sutain AEG Release - Yamaha DX200 | Owner's Manual - Page 130
02 LFO Speed 03 Modulator 1 Harmonic 04 Modulator 2 Harmonic 05 Modulator 3 Harmonic 06 Modulator All Harmonic 07 Modulator 1 FM Depth 08 Modulator 2 FM Depth 09 Modulator 3 FM Depth 0A Modulator All FM Depth 0B Modulator 1 EG Decay 0C Modulator 2 EG Decay 0D Modulator 3 EG Decay 0E Modulator All EG - Yamaha DX200 | Owner's Manual - Page 131
User 200%(7F)...1600%(3FF) 1%(0)...100%(40)...200%(7F)...1600%(3FF) 1%(0)...100%(40)...200%(7F)...1600%(3FF) 1%(0)...100%(40)...200%(7F)...1600%(3FF) 1%(0)...100%(40)...200%(7F)...1600%(3FF) 1%(0)...100%(40)...200%(7F)...1600%(3FF) 1%(0)...100%(40)...200%(7F)...1600%(3FF) 1%(0)...100%(40)...200 - Yamaha DX200 | Owner's Manual - Page 132
40(0) 40(0) 40(0) 40(0) 40(0) 40(0) 40(0) 40(0) MIDI Bulk Dump Parameter table ( User Pattern Voice Common 2 ) Address Size High Mid Low (H) (H) 21 mm 00 1 1 2 1 Total Harmonic Modulator 3 Harmonic Modulator 1 FM Depth Modulator 2 FM Depth Modulator 3 FM Depth Modulator 1 EG Decay - Yamaha DX200 | Owner's Manual - Page 133
Modulator 2 FM Depth Modulator 3 FM Depth Modulator 1 EG Decay Modulator 2 EG Decay Modulator 3 EG Decay AEG Attack AEG Decay AEG Sutain AEG Release VOLUME PAN EFFECT SEND EFFECT PARAMETER mm = 00 ~ 7F : User Voice No.1 ~ User Voice No.128 MIDI Bulk Dump Parameter table ( User Pattern - Yamaha DX200 | Owner's Manual - Page 134
User 200%(7F)...1600%(3FF) 1%(0)...100%(40)...200%(7F)...1600%(3FF) 1%(0)...100%(40)...200%(7F)...1600%(3FF) 1%(0)...100%(40)...200%(7F)...1600%(3FF) 1%(0)...100%(40)...200%(7F)...1600%(3FF) 1%(0)...100%(40)...200%(7F)...1600%(3FF) 1%(0)...100%(40)...200%(7F)...1600%(3FF) 1%(0)...100%(40)...200 - Yamaha DX200 | Owner's Manual - Page 135
Step Seq Mute 13 Step Seq Mute 14 Step Seq Mute 15 Step Seq Mute 16 nn = User Pattern Number ( 0 - 7F ) *1 : MSB bit 2-0 -> bit 9-7 LSB bit 6 MuteOFF(0) MuteOFF(0) MIDI Parameter Change table ( DX Voice Parameter - VCED format ) Parameter Group# Parameter# Size g h OP6 OP5 OP4 OP3 - Yamaha DX200 | Owner's Manual - Page 136
Appendix MIDI Data Format MIDI Parameter Change table ( DX Voice Additional Parameter - ACED format ) Parameter Group# g h (H) (H) 06 00 Parameter# Size (H) (H) 00 1 01 1 02 1 03 1 04 1 05 1 06 1 07 1 08 1 09 1 0A 1 0B 1 0C 1 0D 1 0E 1 0F 1 10 1 - Yamaha DX200 | Owner's Manual - Page 137
NAME VOICE NAME VOICE NAME VOICE NAME VOICE NAME (80h X 20h = 1000h) DX Packed Voice Additional Parameter - AMEM format Parameter# (H) 00 01 02 03 04 05 06 SENSITIVITY 1 AMPLITUDE MODULATION SENSITIVITY 1 RANDOM PITCH / PEG VELOCITY SW / LFO KEY TRIGGER / PEG RANGE 1 PITCH BEND RANGE - Yamaha DX200 | Owner's Manual - Page 138
User Pattern Part 1 : Rhythm Trk 1 User Pattern Part 128 Rhythm Trk 2 User Pattern Part 1 : Rhythm Trk 2 User Pattern Part 128 Rhythm Trk 3 User Pattern Part 1 : Rhythm Trk 3 User Pattern Part 128 Synth Track User Pattern Part 1 : Synth Track User OFF 1...16,OFF 1%(1)...200%(C8) forward(0),backward - Yamaha DX200 | Owner's Manual - Page 139
AmpSim 3 Control Paramater Tempo Sync Resolution Tempo Sync Resolution Tempo Sync Resolution Reverb Time LFO Speed LFO Speed LFO Speed LFO Speed LFO Speed LFO 23.5 24.8 26.2 27.5 28.9 30.2 31.6 32.9 34.3 37.0 39.7 table#2 Reverb time Data 0,1 2,3 4,5 6,7 8,9 10,11 12,13 14,15 16,17 18,19 20, - Yamaha DX200 | Owner's Manual - Page 140
L63...C...R63(1...64...127) 0 - 127 -64 - +63 -64 - +63 *1 ) CENTER when pp = 08(Synth Track), RANDOM when pp = 0,1,2(Rhythm Track) *2 ) reserved when pp = 08(Synth Track) MIDI Parameter Change table (User Voice MULTI PART ) Address Size (H) (H) 4p nn 00 1 01 1 02 1 03 1 04 1 05 - Yamaha DX200 | Owner's Manual - Page 141
40)...200%(7F)...1600%(3FF) 1%(0)...100%(40)...200%(7F)...1600%(3FF) 1%(0)...100%(40)...200%(7F)...1600%(3FF) 1%(0)...100%(40)...200%(7F)...1600%(3FF) 1%(0)...100%(40)...200%(7F)...1600%(3FF) 1%(0)...100%(40)...200%(7F)...1600%(3FF) 1%(0)...100%(40)...200%(7F)...1600%(3FF) 1%(0)...100%(40)...200%(7F - Yamaha DX200 | Owner's Manual - Page 142
User 200%(7F)...1600%(3FF) 1%(0)...100%(40)...200%(7F)...1600%(3FF) 1%(0)...100%(40)...200%(7F)...1600%(3FF) 1%(0)...100%(40)...200%(7F)...1600%(3FF) 1%(0)...100%(40)...200%(7F)...1600%(3FF) 1%(0)...100%(40)...200%(7F)...1600%(3FF) 1%(0)...100%(40)...200%(7F)...1600%(3FF) 1%(0)...100%(40)...200 - Yamaha DX200 | Owner's Manual - Page 143
be transmitted after sending Step Seq Gate Time LSB n. MIDI Parameter Change table (User Song) Address Size (H) (H) 6s mm 00 2 02 2 04 2 Data (H) 00 20.0 - 300.0,---01-200, ---- 16, 12, 8, ---- -24 - 24, ---For, bACk, ---oooo-____, ---- *1) bit 0: Synth Track, bit1: Rhythm Track - Yamaha DX200 | Owner's Manual - Page 144
MIDI Implementation Chart YAMAHA [ DESKTOP CONTROL SYNTHESIZER ] Model DX200 MIDI Implementation Chart Function... Transmitted o *3 o *2 Aux :All Sound off x :Reset All Cntrls x :Local ON/OFF x :All Notes OFF x Mes- :Active Sense o sages:Reset x o(120,126,127) o(121) x o(123-125 - Yamaha DX200 | Owner's Manual - Page 145
effect Slightly muffled lo-fi snare Hard smashing gated snare Jungle snare Fast sample hit Industrial hammer-like sound Note No. Note 61 C# 3 62 D Low Synth Vibra Metal Click Gt Attack Gt Power Stab Resonant synthesizer zap High-pitched synthesized tom synth zap Hi-res laser zap Eerie reverse reverb - Yamaha DX200 | Owner's Manual - Page 146
95 Psy Mini 143 137 P96 96 Plazma 138 146 P97 97 Rave Synth 137 135 P98 98 Psy Seq 143 135 P99 99 TEKKEN 142 135 Bang Tech Highway Spacecraft Hyp Fuzz FunkyFingr HPF Metal Software Shin-Wa Stepping Dada Fly FlyingRoad Deep Grey Group BPM 88 89 92 99 98 98 hiphop 106 - Yamaha DX200 | Owner's Manual - Page 147
105 ambient 95 DX200:U123,U124 & SU200:BANK A (Trip Hop Demo) DX200:U125,U126 & SU200:BANK B (Trance Demo) DX200:U127,U128 & SU200:BANK C (Break Beats Demo) DX200:U123,U124 & AN200:U123,U124 (Trip Hop Demo) DX200:U125,U126 & AN200:U125,U126 (Trance Demo) DX200:U127,U128 & AN200:U127,U128 (Break - Yamaha DX200 | Owner's Manual - Page 148
LICENSING AGREEMENT The following is a legal agreement between you, the end user, and Yamaha Corporation ("Yamaha"). The enclosed Yamaha software program is licensed by Yamaha to the original purchaser for use only on the terms set forth herein. Please read this licensing agreement with care - Yamaha DX200 | Owner's Manual - Page 149
Computer zu verwenden. Sie dürfen sie nicht auf mehr als einem Computer bzw. einer Computerstation verwenden. Die SOFTWARE bleibt im Besitz von Yamaha und ist durch japanische Copyrightgesetze sowie alle anwendbaren internationalen Vertragsbestimmungen geschützt. Sie haben ein Anspruchsrecht auf das - Yamaha DX200 | Owner's Manual - Page 150
conditions normales d'utilisation, le LOGICIEL ne remplit pas les fonctions décrites dans le manuel fourni, Yamaha s'engage vis-à-vis de l'acheteur original à remplacer gratuitement, sur la base d'un échange, tout support reconnu défectueux par suite d'un défaut de matière première ou d'un vice de - Yamaha DX200 | Owner's Manual - Page 151
Italy Tel: 02-935-771 SPAIN/PORTUGAL Yamaha-Hazen Electronica Musical, S.A. Ctra. de la Coruna km. 17, 200, 28230 Las Rozas (Madrid) Spain Tel Yamaha Europa GmbH. Siemensstraße 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030 AFRICA Yamaha Corporation, Asia-Pacific Music Marketing Group - Yamaha DX200 | Owner's Manual - Page 152
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