Yamaha PSR-S950 Data List - Page 65

Vocal Effect Type List, Harmony Assign Parameters

Page 65 highlights

Vocal Harmony Parameter List (PSR-S950) / Liste der Vokalharmonie-Parameter (PSR-S950) / Liste des paramètres liés à l'harmonie vocale (PSR-S950) / Lista de parámetros de Vocal Effect Type List Type Name ROMANTIC REV 80sPOP REV ROOM STAGE PLATE VCL DOUBLE SPREAD DELAY SHORT DELAY R&R DELAY CROSS DELAY TEMPO DELAY TEMPO CROSS CHORUS EQ HI-FI EQ TEL GRAMOPHONE ROBOT OVERDRIVEN SCREAM&SHOUT TEMPO FLANGE TEMPO PHASER TEMPO A.PAN NO EFFECT (Romantic Reverb) (80s'Pop Reverb) (Concert Stage) (Vocal Doubler) (Stereo Spread) (Rock&Roll Delay) (Tempo Cross Delay) (Chorus) (Tempo Flanger) (Tempo Auto Pan) Description Long reverb for vocal part. Romantic image. Long reverb for vocal part. 80's pop image. Reverb simulating the acoustics of a room. Reverb simulating the concert stage. Reverb simulating a plate reverb unit. Immediate delay with center focused feeling. Immediate delay with spread feeling. Produces simple delayed sounds: L,R, and C (center). Produces short delayed sound with narrow image. Produces slap back echo sound. Good for Rock&Roll music. The feedback of the two delayed sounds is crossed. Tempo-synchronized delay. Tempo-synchronized cross delay. Conventional chorus program with rich, warm chorusing. Equalizer effect that boosts both high and low frequencies. Equalizer effect that cuts both high and low frequencies. Produces Lo-Fi sound with gramophone image. Produces Lo-Fi sound with robotic image. Produces overdriven sound. Good for rock and dance music. Produces heavy distorted sound. Tempo-synchronized flanger. Tempo-synchronized phaser. Tempo-synchronized auto pan. No effect. MSB 1 1 2 3 4 5 5 5 5 5 8 21 22 66 76 76 94 94 98 98 107 108 121 0 LSB 0 16 0 0 0 16 17 0 1 18 0 0 0 0 16 0 0 16 0 16 0 0 0 0 Harmony Assign Parameters Parameter TRANS.MODE *These are effective only when Vocoder or Vocoder-Mono is selected in Mode. SESSION TABLE *These are effective only when a Chordal Type other than Scale Diatonic or Parallel is selected. KEY ROOT *These are effective only When the Chordal Type parameter is set to ScaleDiatonic. KEY TYPE *These are effective only When the Chordal Type parameter is set to ScaleDiatonic. Value 0 Auto -3 -2 -1 +1 +2 +3 Normal Simple R&R UrbanA UrbanB Blues7 UrbanC Description Assigns the harmony to the octave range centered around the pitch of the played note. Assigns the harmony to the same octave range as the vocal (microphone) input. Assigns the harmony to a range roughly 3 octaves below the pitch of the played note. Assigns the harmony to a range roughly 2 octaves below the pitch of the played note. Assigns the harmony to a range roughly 1 octave below the pitch of the played note. Assigns the harmony to a range roughly 1 octave above the pitch of the played note. Assigns the harmony to a range roughly 2 octaves above the pitch of the played note. Assigns the harmony to a range roughly 3 octaves above the pitch of the played note. The chord designation is used as shown. This is for general use in conventional music genres. Tends to add a simpler harmony. Use this when you need simple accompaniment. Tends to add harmony with a strong major 6th in both major and minor triads. This is good with rock 'n' roll music. Tends to add harmony with a strong major 6th to the major triad and a minor 7th to the minor triad. This is good for a sophisticated, urban feel. Tends to add harmony with a strong major 7th to the major triad and a minor 7th to the minor triad. This is good for a sophisticated, urban feel. Tends to add harmony with a strong minor 7th. This is good for blues music. Tends to add harmony with a strong major 9th to both the major and minor triads. This is good for a sophisticated, urban feel. Determines the root key for the transposition. Refer to the Reference Manual. Determines the scale type for the transposition. Refer to the Reference Manual. PSR-S950/S750 Data List 65

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PSR-S950/S750 Data List
65
Vocal Harmony Parameter List (PSR-S950) / Liste der Vokalharmonie-Parameter (PSR-S950) / Liste des paramètres liés à l’harmonie vocale (PSR-S950) / Lista de parámetros de
Vocal Effect Type List
Harmony Assign Parameters
Type Name
Description
MSB
LSB
ROMANTIC REV
(Romantic Reverb)
Long reverb for vocal part. Romantic image.
1
0
80sPOP REV
(80s'Pop Reverb)
Long reverb for vocal part. 80's pop image.
1
16
ROOM
Reverb simulating the acoustics of a room.
2
0
STAGE
(Concert Stage)
Reverb simulating the concert stage.
3
0
PLATE
Reverb simulating a plate reverb unit.
4
0
VCL DOUBLE
(Vocal Doubler)
Immediate delay with center focused feeling.
5
16
SPREAD
(Stereo Spread)
Immediate delay with spread feeling.
5
17
DELAY
Produces simple delayed sounds: L,R, and C (center).
5
0
SHORT DELAY
Produces short delayed sound with narrow image.
5
1
R&R DELAY
(Rock&Roll Delay)
Produces slap back echo sound. Good for Rock&Roll music.
5
18
CROSS DELAY
The feedback of the two delayed sounds is crossed.
8
0
TEMPO DELAY
Tempo-synchronized delay.
21
0
TEMPO CROSS
(Tempo Cross Delay)
Tempo-synchronized cross delay.
22
0
CHORUS
(Chorus)
Conventional chorus program with rich, warm chorusing.
66
0
EQ HI-FI
Equalizer effect that boosts both high and low frequencies.
76
16
EQ TEL
Equalizer effect that cuts both high and low frequencies.
76
0
GRAMOPHONE
Produces Lo-Fi sound with gramophone image.
94
0
ROBOT
Produces Lo-Fi sound with robotic image.
94
16
OVERDRIVEN
Produces overdriven sound. Good for rock and dance music.
98
0
SCREAM&SHOUT
Produces heavy distorted sound.
98
16
TEMPO FLANGE
(Tempo Flanger)
Tempo-synchronized flanger.
107
0
TEMPO PHASER
Tempo-synchronized phaser.
108
0
TEMPO A.PAN
(Tempo Auto Pan)
Tempo-synchronized auto pan.
121
0
NO EFFECT
No effect.
0
0
Parameter
Value
Description
TRANS.MODE
*These are effective only when
Vocoder or Vocoder-Mono is
selected in Mode.
0
Assigns the harmony to the octave range centered around the pitch of the played note.
Auto
Assigns the harmony to the same octave range as the vocal (microphone) input.
-3
Assigns the harmony to a range roughly 3 octaves below the pitch of the played note.
-2
Assigns the harmony to a range roughly 2 octaves below the pitch of the played note.
-1
Assigns the harmony to a range roughly 1 octave below the pitch of the played note.
+1
Assigns the harmony to a range roughly 1 octave above the pitch of the played note.
+2
Assigns the harmony to a range roughly 2 octaves above the pitch of the played note.
+3
Assigns the harmony to a range roughly 3 octaves above the pitch of the played note.
SESSION TABLE
*These are effective only when a
Chordal Type other than Scale
Diatonic or Parallel is selected.
Normal
The chord designation is used as shown. This is for general use in conventional music genres.
Simple
Tends to add a simpler harmony. Use this when you need simple accompaniment.
R&R
Tends to add harmony with a strong major 6th in both major and minor triads. This is good with rock ‘n’ roll music.
UrbanA
Tends to add harmony with a strong major 6th to the major triad and a minor 7th to the minor triad. This is good for a sophisticated, urban feel.
UrbanB
Tends to add harmony with a strong major 7th to the major triad and a minor 7th to the minor triad. This is good for a sophisticated, urban feel.
Blues7
Tends to add harmony with a strong minor 7th. This is good for blues music.
UrbanC
Tends to add harmony with a strong major 9th to both the major and minor triads. This is good for a sophisticated, urban feel.
KEY ROOT
*These are effective only When
the Chordal Type parameter is
set to ScaleDiatonic.
Determines the root key for the transposition. Refer to the Reference Manual.
KEY TYPE
*These are effective only When
the Chordal Type parameter is
set to ScaleDiatonic.
Determines the scale type for the transposition. Refer to the Reference Manual.