Canon EOS-1D Mark IV Professional Products 2010 Brochure - Page 24

Photojournalism, in the 21st, Century - sale

Page 24 highlights

©2009 Vincent Laforet. All Rights Reserved. Photojournalism in the 21st Century PHOTOJOURNALISM Final apperance of Wireless File Transmitter WFT-E2 II A* may be different No-compromise Video and Stills in One Camera In addition to its standout still-image capture, the EOS-1D Mark IV offers enhanced image quality, smooth frame rates and adaptive exposure compensation. Shooting video with the EOS-1D Mark IV is effortlessly simple, and the camera increases flexibility for the photographer. The fully-operational multi-lens system of the EOS-1D Mark IV is totally portable, and its rugged design means shooting in remote or adverse situations is simple. And since switching from stills to video is as easy as the press of a button, the EOS-1D Mark IV ensures no-compromise, adaptable recording suitable for whatever comes in front of the lens. Still images can be captured, in full resolution, while shooting movies and can be saved as distinct files. It's as simple as pressing the shutter button while recording a movie, and the resultant image can be modified as could any other recorded still. 61 The Advantage of Interchangeable Lenses By shooting video with a large sensor camera, it's simple to take advantage of characteristics intrinsic to SLR photogra- phy. Since the EOS-1D Mark IV is part of a comprehensive SLR system, an entire range of compatible lenses adds enormous freedom and creativity in shooting. With control of depth-of- field, focal length and more, EF lenses lend the ability to bring the same With a Redrock Micro DSLR Cinema rig "eye" to both still and moving pictures, helping to ensure that a consis- tent and established style is maintained, whatever the media. Inside of the lens bag Use of Canon EF15mm Fisheye on the hood of a car *This device has not been authorized as required by the rules of the Federal Communications Commission. This device is not, and may not, be offered for sale or lease, or sold or leased, until authorization is obtained. T" he EOS-1D Mark IV provides me with a one-two punch. It allows me to capture my stills with one of the best digital camera bodies available today. The camera has an incredible array of autofocus features that allows me to photograph sporting events, news, aerial and fine art photography. Its 1080p video function allows me to push the boundaries. The CMOS sensor and Dual DIGIC 4 Image Processors capture an incredibly high-quality video that mimics the look of 35mm motion picture film." Vincent Laforet Explorer of Light 48

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48
T
he EOS-1D
Mark IV provides
me with a one-two
punch. It allows me to
capture my stills with
one of the
best digital
camera
bodies
available
today. The camera has
an incredible array of
autofocus features that
allows me to photograph
sporting events, news,
aerial and fine art pho-
tography. Its 1080p
video function allows
me to push the bound-
aries. The CMOS sensor
and Dual DIGIC 4
Image Processors
capture an incredibly
high-quality video that
mimics the look of 35mm
motion picture film.”
Vincent
Laforet
Explorer of Light
No-compromise Video and
Stills in One Camera
In addition to its standout
still-image capture, the
EOS-1D Mark IV offers
enhanced image quality,
smooth frame rates and adaptive exposure
compensation. Shooting video with the EOS-1D Mark IV
is effortlessly simple, and the camera increases flexibility
for the photographer. The fully-operational multi-lens
system of the EOS-1D Mark IV is totally portable, and its
rugged design means shooting in remote or adverse
situations is simple. And since switching from stills to
video is as easy as the press of a button, the EOS-1D
Mark IV ensures no-compromise, adaptable recording
suitable for whatever comes in front of the lens. Still
images can be captured, in full resolution, while shooting
movies and can be saved as distinct files. It’s as simple
as pressing the shutter button while recording a movie,
and the resultant image can be modified as could any
other recorded still.
The Advantage of
Interchangeable Lenses
By shooting video with a large sensor camera, it’s simple to
take advantage of characteristics intrinsic to SLR photogra-
phy. Since the EOS-1D Mark IV is part of a comprehensive
SLR system, an entire range of compatible lenses adds
enormous freedom and
creativity in shooting.
With control of depth-of-
field, focal length and
more, EF lenses lend the
ability to bring the same
“eye” to both still and
moving pictures, helping
to ensure that a consis-
tent and established
style is maintained,
whatever the media.
PHOTOJOURNALISM
©2009 Vincent Laforet. All Rights Reserved.
Photojournalism
in the 21st
Century
Inside of the lens bag
With a Redrock Micro DSLR Cinema rig
Use of Canon EF15mm Fisheye on the hood of a car
Final apperance of Wireless
File Transmitter WFT-E2 II A*
may be different
61
*This device has not been authorized as required by the rules of the Federal Communications Commission. This device is not, and may not, be offered for sale or
lease, or sold or leased, until authorization is obtained.