Carvin CX1252 Instruction Manual - Page 10

Master Features

Page 10 highlights

5 13 1 11 2 3 10 PROTECT 4 MASTER SECTION FEATURES +12 8 4 0 4 8 -12 63 +12 8 4 0 4 8 -12 63 L/R MAIN 3 2 1 4 56 0 10 MONITOR 4 56 3 2 1 0 10 7 8 9 7 8 9 2 125 125 PHANTOM 3 1 4 56 0 10 DSP EFF RTN 4 56 EFF SEND TAPE / EFF RTN SEND 2 3 1 0 10 L RETURN R EFFECTS 250 250 7 9 7 9 8 8 POWER 500 500 TAPE SEND TAPE RTN L GRAPHIC EQ 1K R GRAPHIC EQ 1. MAIN MASTER LEVEL CONTROL The L/R MAIN master control is the master volume control for the main stereo mix. This volume receives its signals from the channel pan controls. If the AMP PATCH jacks are not being used, then this is also the master volume control feeding the Graphic EQ, the main line out jacks, and the internal stereo power amplifier (in the powered mixer version). 2. MONITOR MASTER LEVEL CONTROL The MONITOR master level control is the master volume for the monitor mix heard in the monitor output. This volume receives its signals from the channel monitor level controls. 3. EFFECT SEND MASTER LEVEL CONTROL The EFF SEND master control is the master volume for the effects send mix heard in the effects send output. The volume gets its signals from the effects/reverb control on the channels. The typical use of effects send mix it to drive external Effects processors, but it can also be used as another stage monitor mix if needed. 1K 2K 2K CX1252 STEREO DSP 127 EFFECTS L L MONITOR R R 4K 4K 8K 8K BYPASS 1 DELAYS 2 - 30 REVERB 31 - 90 CHORUS 91 - 110 FLANGE 111 - 128 L L AMP PATCH LINE OUT 16K 16K R R 12 5 9 8 7 6 FROM LEFT SPEAKER OUTPUT 1 +12 HI 3 0 38 6 6 4 9 9 12 102 MID 3 0 34 6 86 9 -129 12 12 LOW3 0 3 6 6 9 9 12 12 EFF / REV 4 5+162 3 87 2 1 498 0 PAN 100 04 2 HI 3 0 3 6 6 9 9 12 12 MID 3 03 6 6 9 9 12 12 LOW3 0 3 6 6 9 9 12 12 EFF / REV 4 56 3 7 2 8 1 9 0 10 PAN 0 3 HI 3 0 3 6 6 9 9 12 12 MID 3 03 6 6 9 9 12 12 3 03 6 6 9 9 12 12 EFF / REV 4 56 3 7 2 8 1 9 0 10 PAN 0 4 HI 3 0 3 6 6 9 9 12 12 MID 3 0 3 6 6 9 9 12 12 LOW3 0 3 6 6 9 9 12 12 EFF / REV 4 56 3 7 2 8 1 9 0 10 PAN 0 5 HI 3 0 3 6 6 9 9 12 12 MID 3 0 3 6 6 9 9 12 12 LOW3 0 3 6 6 9 9 12 12 EFF / REV 4 56 3 7 2 8 1 9 0 10 PAN 0 6 HI 3 0 3 6 6 9 9 12 12 MID 3 0 3 6 6 9 9 12 12 LOW3 0 3 6 6 9 9 12 12 EFF / REV 4 56 3 7 2 8 1 9 0 10 PAN 0 7 HI 3 0 3 6 6 9 9 12 12 MID 3 0 3 6 6 9 9 12 12 303 6 6 9 9 12 12 EFF / REV 4 56 3 7 2 8 1 9 0 10 PAN 0 8 HI 3 0 3 6 6 9 9 12 12 MID 3 0 3 6 6 9 9 12 12 LOW3 0 3 6 6 9 9 12 12 EFF / REV 4 56 3 7 2 8 1 9 0 10 PAN 0 9 HI 3 0 3 6 6 9 9 12 12 MID 3 0 3 6 6 9 9 12 12 LOW3 0 3 6 6 9 9 12 12 EFF / REV 4 5 6 3 7 2 8 1 9 0 10 PAN 0 10 HI 3 0 3 6 6 9 9 12 12 MID 3 0 3 6 6 9 9 12 12 LOW3 0 3 6 6 9 9 12 12 EFF / REV 4 5 6 3 7 2 8 1 9 0 10 PAN 0 11 HI 3 0 3 6 6 9 9 12 12 MID 3 0 3 6 6 9 9 12 12 303 6 6 9 9 12 12 EFF / REV 4 5 6 3 7 2 8 1 9 0 10 PAN 0 12 HI 3 0 3 6 6 9 9 12 12 MID 3 0 3 6 6 9 9 12 12 LOW3 0 3 6 6 9 9 12 12 EFF / REV 4 5 6 3 7 2 8 1 9 0 10 PAN 0 8 -12 L R MON4 5 6 3 7 L R MON4 5 6 3 7 L R MON4 5 6 3 7 L R MON4 5 6 3 7 L R MON4 5 6 3 7 L R MON4 5 6 3 7 L R MON4 5 6 3 7 L R MON4 5 6 3 7 L R MON4 5 6 3 7 L R MON4 5 6 3 7 L R MON4 5 6 3 7 L R MON4 5 6 3 7 2 8 1 9 0 10 2 8 1 9 0 10 2 8 1 9 0 10 2 8 1 9 0 10 2 8 1 9 0 10 2 8 1 9 0 10 2 8 1 9 0 10 2 8 1 9 0 10 2 8 1 9 0 10 2 8 1 9 0 10 2 8 1 9 0 10 2 8 1 9 0 10 4 56 3 7 4 56 3 7 4 56 3 7 4 56 3 7 4 56 3 7 4 56 3 7 4 56 3 7 4 56 3 7 456 3 7 456 3 7 456 3 7 45 6 3 7 2 8 1 9 0 10 LEVEL -20 dB 1 2 8 1 9 0 10 LEVEL -20 dB 2 2 8 1 9 0 10 LEVEL -20 dB 3 2 8 1 9 0 10 LEVEL -20 dB 4 2 8 1 9 0 10 LEVEL -20 dB 5 2 8 1 9 0 10 LEVEL -20 dB 6 2 8 1 9 0 10 LEVEL -20 dB 7 2 8 1 9 0 10 LEVEL -20 dB 8 2 8 1 9 0 10 LEVEL -20 dB 9 2 8 1 9 0 10 LEVEL -20 dB 10 2 8 1 9 0 10 LEVEL -20 dB 11 2 8 1 9 0 10 LEVEL -20 dB 12 MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC L GRAPHIC EQ 63 125 250 500 1K 2K 4K 8K 16K R GRAPHIC EQ 63 125 250 500 1K 2K 4K 8K 16K L/R MAIN 4 56 3 7 2 8 1 9 0 10 45 6 3 7 2 8 1 9 0 10 MONITOR 45 6 3 7 2 8 1 9 0 10 EFF SEND SEND STEREO DSP PHANTOM POWER 4 56 3 7 2 8 1 9 0 10 DSP EFF RTN 4 56 3 7 2 8 1 9 0 10 TAPE / EFF RTN L RETURN R 127 EFFECTS L R TAPE SEND TAPE RTN L R CX1252 BYPASS 1 DELAYS 2-30 REVERB 31-90 CHORUS 91-110 FLANGE 111-128 L R AMP PATCH L R LINE LINE LINE LINE LINE LINE LINE LINE LINE LINE LINE LINE AMP PROTECT EFFECTS MONITOR LINE OUT MONITOR TO AMP PATCH (R) CABLE MONO (LEFT) PA CABINET FROM RIGHT SPEAKER OUTPUT MONO (LEFT) PA CABINET MONITOR SPEAKERS (RIGHT) SPEAKER OUTPUT 14

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14
125
250
500
63
1K
2K
4K
8K
16K
L/R MAIN
2
1
0
10
9
8
7
6
5
4
3
PHANTOM
2
1
0
10
9
8
7
6
5
4
3
MONITOR
2
1
0
10
9
8
7
6
5
4
3
DSP EFF RTN
2
1
0
10
9
8
7
6
5
4
3
EFF SEND
2
1
0
10
9
8
7
6
5
4
3
TAPE / EFF RTN
L
TAPE
RTN
TAPE
SEND
L
R
L
R
SEND
L
L
R
MONITOR
EFFECTS
LINE OUT
R
127 EFFECTS
R
RETURN
8
9
10
MON
PAN
11
LEVEL
MON
PAN
L
R
0
12
MIC
0
8
4
4
8
–12
+12
0
8
4
4
8
–12
+12
125
250
500
63
1K
2K
4K
8K
16K
8
9
10
11
12
POWER
C
X
1
2
5
2
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
LEVEL
L
R
0
MIC
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
MON
PAN
LEVEL
0
MIC
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
MON
PAN
LEVEL
0
MIC
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
MON
PAN
LEVEL
0
MIC
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
MON
PAN
LEVEL
0
MIC
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
MON
PAN
LEVEL
0
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
MON
PAN
LEVEL
0
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
MON
PAN
LEVEL
0
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
MON
PAN
LEVEL
0
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
MON
PAN
LEVEL
0
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
MON
PAN
LEVEL
0
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
MID
HI
MID
LOW
HI
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
MID
LOW
HI
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
MID
LOW
HI
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
MID
LOW
HI
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
HI
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
MID
LOW
HI
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
MID
LOW
HI
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
MID
LOW
HI
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
HI
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
MID
LOW
HI
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
MID
LOW
HI
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
7
6
5
4
3
2
1
7
6
5
4
3
2
1
EFF /
REV
5
4
3
2
1
0
10
9
8
7
6
EFF /
REV
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
EFF /
REV
5
4
3
2
1
0
10
9
8
7
6
EFF /
REV
5
4
3
2
1
0
10
9
8
7
6
EFF /
REV
5
4
3
2
1
0
10
9
8
7
6
EFF /
REV
5
4
3
2
1
0
10
9
8
7
6
EFF /
REV
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
EFF /
REV
5
4
3
2
1
0
10
9
8
7
6
EFF /
REV
5
4
3
2
1
0
10
9
8
7
6
EFF /
REV
5
4
3
2
1
0
10
9
8
7
6
EFF /
REV
EFF /
REV
-20
dB
MID
MID
-20
dB
-20
dB
-20
dB
-20
dB
-20
dB
-20
dB
-20
dB
-20
dB
-20
dB
-20
dB
-20
dB
AMP
PROTECT
LINE
LINE
LINE
LINE
LINE
LINE
LINE
LINE
LINE
AMP
PATCH
R GRAPHIC EQ
L GRAPHIC EQ
STEREO DSP
BYPASS
1
DELAYS
2-30
REVERB
31-90
CHORUS
91-110
FLANGE
111-128
FROM LEFT
SPEAKER OUTPUT
MONO (LEFT)
PA CABINET
MONO (LEFT)
PA CABINET
MONITOR TO
AMP PATCH (R)
CABLE
MONITOR SPEAKERS
(RIGHT) SPEAKER OUTPUT
FROM RIGHT
SPEAKER OUTPUT
5
1.
MAIN MASTER LEVEL CONTROL
The L/R MAIN master control is the master volume control for the main stereo
mix.
This volume receives its signals from the channel pan controls.
If the AMP
PATCH jacks are not being used, then this is also the master volume control
feeding the Graphic EQ, the main line out jacks, and the internal stereo power
amplifier (in the powered mixer version).
2.
MONITOR MASTER LEVEL CONTROL
The MONITOR master level control is the master volume for the monitor mix
heard in the monitor output.
This volume receives its signals from the channel
monitor level controls.
3.
EFFECT SEND MASTER LEVEL CONTROL
The EFF SEND master control is the master volume for the effects send mix
heard in the effects send output.
The volume gets its signals from the
effects/reverb control on the channels.
The typical use of effects send mix it to
drive external Effects processors, but it can also be used as another stage moni-
tor mix if needed.
1
2
3
10
6
8
5
13
11
12
7
9
4
127 EFFECTS
CHORUS
91 - 110
FLANGE
111 - 128
1
DELAYS
2 - 30
REVERB
31 - 90
BYPASS
STEREO DSP
0
8
4
4
8
–12
+12
125
250
500
63
1K
2K
4K
8K
16K
L/R MAIN
PHANTOM
2
1
0
10
9
8
7
6
5
4
3
MONITOR
DSP EFF RTN
EFF SEND
TAPE / EFF RTN
L
TAPE
RTN
TAPE
SEND
L
R
L
R
SEND
L
L
R
MONITOR
EFFECTS
LINE OUT
R
R
RETURN
0
8
4
4
8
–12
+12
125
250
500
63
1K
2K
4K
8K
16K
POWER
CX1252
PROTECT
AMP
PATCH
R GRAPHIC EQ
L GRAPHIC EQ
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
5
4
3
MASTER SECTION FEATURES