Carvin CX1252 Instruction Manual - Page 5

Tape Send And Tape Return Rca Jacks

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RIGHT PA CABINET TWO-TRACK TAPE RECORDER EXTERNAL POWER AMP 4. TAPE/EFFECTS RETURN LEVEL CONTROL The TAPE/ EFF RTN control is a stereo effects or tape return volume control. It can receive input from both the L/R TAPE RTN RCA jacks and the L/R 1/4" EFFECTS RETURN jacks. This volume controls the return level being fed back into the master L/R stereo mix. A mono return into the stereo mix can be achieved by simply feeding the mono signal into both Left and right return jacks. The stereo return can also be used as just another input to the stereo mix for a keyboard or other stereo gear. MONITOR SPEAKERS 3 4 5 0 dB 2 6 1 7 8 2 CHANNEL 1110 9 12 50 13 30 15 22 POWER 19 17 5. DSP RETURN LEVEL CONTROL The DSP EFF RTN level control is the stereo output volume control for the internal digital effects processor. This volume controls the return level being fed back into the master L/R stereo mix and a smaller amount to the monitor mix. PROTECT 3 2 4 5 0 dB 6 1 7 8 1 CHANNEL 11 10 9 12 22 30 50 13 19 17 15 6. MONITOR LINE OUT JACK The MONITOR LINE OUT jack is where the monitor mix from the MONITOR master level control is output. This is a line level output and can be used to drive an external power amplifier or it can be plugged into one of the AMP PATCH jacks to drive one of the internal power amplifiers along with its corresponding graphic EQ. R R LINE OUT AMP PATCH BYPASS 1 DELAYS 2-30 REVERB 31-90 CHORUS 91-110 FLANGE 111-128 CX1252 8K 16K 8K 16K L L 4K 4K MONITOR R R 127 EFFECTS STEREO DSP 2K 2K L L 1K R GRAPHIC EQ 1K L GRAPHIC EQ TAPE RTN TAPE SEND L RETURN R EFFECTS TAPE / EFF RTN 9 8 7 0 10 DSP EFF RTN 4 56 9 8 PHANTOM POWER 500 500 7 250 250 0 10 4 56 125 125 1 3 1 3 2 2 9 8 7 9 8 7 SEND EFF SEND 9 8 7 0 10 MONITOR 45 6 0 10 45 6 0 10 4 56 L/R MAIN 63 63 AMP PROTECT 1 2 3 1 2 3 1 3 2 -20 dB 9 8 7 9 8 7 9 8 7 9 6 9 6 9 6 LINE MIC 12 0 10 LEVEL 4 56 0 10 R MON4 5 6 L PAN 0 0 10 56 12 12 LOW3 0 3 12 12 03 12 12 HI 3 0 3 12 1 2 3 1 2 3 1 2 3 EFF / REV 4 9 6 9 6 MID 3 9 6 -20 dB 9 8 7 9 8 7 9 8 7 9 6 9 6 9 6 TO REAR SPEAKER OUTPUTS 7. LEFT/RIGHT LINE OUT JACKS The LEFT/RIGHT LINE OUT jacks are post graphic EQ line output jacks for the stereo mix. The same signals are also being fed to the internal power amplifier. Note: If the AMP PATCH jacks are being used for patching the monitor out to one of the internal amplifiers, then that new signal will also be present on the corresponding LEFT/RIGHT LINE OUT jack. The stereo mix may still be accessed at the RCA TAPE SEND jacks if needed. NOTE : This jack should not be patch into the AMP PATCH jacks, feedback oscillations with occur. LINE MIC 11 0 10 LEVEL 45 6 0 10 R MON4 5 6 L PAN 0 0 10 6 5 12 12 30 3 12 12 3 0 12 12 1 2 3 1 2 3 1 2 3 EFF / REV 4 HI 3 0 3 11 9 6 9 6 MID 3 9 6 -20 dB 9 8 7 9 8 7 9 8 7 9 6 9 6 9 6 LINE MIC 10 0 10 LEVEL 45 6 0 10 R MON4 5 6 L PAN 0 0 10 6 5 12 12 LOW3 0 3 12 12 3 0 12 12 1 2 3 1 2 3 1 2 3 EFF / REV 4 HI 3 0 3 10 9 6 9 6 MID 3 9 6 -20 dB 9 8 7 9 8 7 9 8 7 9 6 9 6 9 6 LINE MIC 9 0 10 LEVEL 45 6 0 10 R MON4 5 6 L PAN 0 0 10 6 5 12 12 LOW3 0 3 12 12 3 0 12 12 1 2 3 1 2 3 1 2 3 EFF / REV 4 HI 3 0 3 9 9 6 9 6 MID 3 9 6 -20 dB 9 8 7 9 8 7 9 8 7 9 6 9 6 9 6 LINE MIC 8 0 10 LEVEL 45 6 0 10 R MON4 5 6 L PAN 0 0 10 6 5 12 12 LOW3 0 3 12 12 3 0 12 12 1 2 3 1 2 3 1 2 3 EFF / REV 4 HI 3 0 3 8 9 6 9 6 MID 3 9 6 -20 dB 8 8 8 9 7 9 7 9 7 9 6 9 6 9 6 LINE MIC 7 0 10 LEVEL 45 6 0 10 R MON4 5 6 L PAN 0 0 10 6 5 12 12 30 3 12 12 3 0 12 12 1 3 1 3 1 3 EFF / REV 4 HI 3 0 3 7 2 2 2 9 6 9 6 MID 3 9 6 -20 dB 8 8 8 9 7 9 7 9 7 9 6 9 6 9 6 LINE MIC 6 0 10 LEVEL 45 6 0 10 R MON4 5 6 L PAN 0 0 10 6 5 12 12 LO 3W 0 3 12 12 3 0 12 12 1 3 1 3 1 3 EFF / REV 4 HI 3 0 3 6 2 2 2 9 6 9 6 MID 3 9 6 -20 dB 8 8 8 9 7 9 7 9 7 9 6 9 6 9 6 LINE MIC 5 0 10 LEVEL 45 6 0 10 R MON4 5 6 L PAN 0 0 10 6 5 12 12 LO 3W 0 3 12 12 3 0 12 12 1 3 1 3 1 3 EFF / REV 4 HI 3 0 3 5 2 2 2 9 6 9 6 MID 3 9 6 -20 dB 8 8 8 9 7 9 7 9 7 9 6 9 6 9 6 LINE MIC 4 0 10 LEVEL 45 6 0 10 R MON4 5 6 L PAN 0 0 10 6 5 12 12 1 3 1 3 1 3 EFF / REV 4 LOW3 0 3 12 12 3 0 12 12 HI 3 0 3 4 2 2 2 9 6 9 6 MID 3 9 6 -20 dB 8 8 8 9 7 9 7 9 7 9 6 9 6 9 6 LINE MIC 3 0 10 LEVEL 45 6 0 10 R MON4 5 6 L PAN 0 0 10 6 5 12 12 303 12 12 3 0 12 12 1 3 1 3 1 3 EFF / REV 4 HI 3 0 3 3 2 2 2 9 6 9 6 MID 3 9 6 -20 dB 8 8 8 9 7 9 7 9 7 9 6 9 6 9 6 LINE MIC 2 0 10 LEVEL 45 6 0 10 R MON4 5 6 L PAN 0 0 10 6 5 12 12 1 3 1 3 1 3 EFF / REV 4 LOW3 0 3 12 12 3 0 12 12 HI 3 0 3 8. LEFT/RIGHT AMP PATCH JACKS The LEFT/RIGHT AMP PATCH jacks are pre-graphic EQ and normalized to the stereo mix L/R MAIN level control. When something is plugged into these jacks, the stereo mix is disconnected from the graphic EQ and internal power amplifier allowing the new signal, that was plugged into the jack, to go through the graphic EQ and to the internal power amplifier. Also, this new signal appears at the corresponding LEFT/RIGHT LINE OUT jacks. A typical use for these jacks is in the case where a powered mono main mix and powered monitor mix are needed. Here either the left or right main mix can be used for the mono main mix and the monitor line out jack can be plugged in the opposite AMP PATCH jack for a powered monitor mix. 2 2 2 2 9 6 9 6 MID 3 9 6 -20 dB 8 8 9 7 9 7 498 LINE MIC 1 0 10 LEVEL 45 6 0 10 R 87 9 6 MON4 5 6 -12 8 100 04 5+162 12 12 L 1 3 1 3 2 2 0 PAN 2 1 3 EFF / REV 4 LOW3 0 3 9 -129 12 12 86 9 6 34 0 12 102 4 HI 3 0 38 1 +12 9 6 6 MID 3 9 6 LEFT PA CABINET 9. TAPE SEND AND TAPE RETURN RCA JACKS The LEFT/RIGHT TAPE SEND RCA jacks deliver the main mix output pre the graphic EQ uninterrupted by the status of the AMP PATCH jack. If the AMP PATCH jacks are being used, the TAPE SEND jacks are a way to access the main mix. The LEFT/RIGHT TAPE RETURN RCA jacks are RCA inputs to the TAPE/ EFF RTN level control. These TAPE RETURN jacks can also be used for returning another effects processor or instrument such as a keyboard to the main mix. 13 6

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13
RIGHT
PA CABINET
LEFT
PA CABINET
125
250
500
63
1K
2K
4K
8K
16K
L/R MAIN
2
1
0
10
9
8
7
6
5
4
3
PHANTOM
2
1
0
10
9
8
7
6
5
4
3
MONITOR
2
1
0
10
9
8
7
6
5
4
3
DSP EFF RTN
2
1
0
10
9
8
7
6
5
4
3
EFF SEND
2
1
0
10
9
8
7
6
5
4
3
TAPE / EFF RTN
L
TAPE
RTN
TAPE
SEND
L
R
L
R
SEND
L
L
R
MONITOR
EFFECTS
LINE OUT
R
127 EFFECTS
R
RETURN
8
9
10
MON
PAN
11
LEVEL
MON
PAN
L
R
0
12
MIC
0
8
4
4
8
–12
+12
0
8
4
4
8
–12
+12
125
250
500
63
1K
2K
4K
8K
16K
8
9
10
11
12
POWER
C
X
1
2
5
2
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
LEVEL
L
R
0
MIC
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
MON
PAN
LEVEL
0
MIC
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
MON
PAN
LEVEL
0
MIC
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
MON
PAN
LEVEL
0
MIC
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
MON
PAN
LEVEL
0
MIC
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
MON
PAN
LEVEL
0
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
MON
PAN
LEVEL
0
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
MON
PAN
LEVEL
0
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
MON
PAN
LEVEL
0
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
MON
PAN
LEVEL
0
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
MON
PAN
LEVEL
0
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
MID
MID
LOW
HI
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
MID
LOW
HI
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
MID
LOW
HI
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
MID
LOW
HI
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
HI
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
MID
LOW
HI
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
MID
LOW
HI
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
MID
LOW
HI
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
HI
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
MID
LOW
HI
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
MID
LOW
HI
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
7
6
5
4
3
2
1
7
6
5
4
3
2
1
EFF /
REV
5
4
3
2
1
0
10
9
8
7
6
EFF /
REV
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
EFF /
REV
5
4
3
2
1
0
10
9
8
7
6
EFF /
REV
5
4
3
2
1
0
10
9
8
7
6
EFF /
REV
5
4
3
2
1
0
10
9
8
7
6
EFF /
REV
5
4
3
2
1
0
10
9
8
7
6
EFF /
REV
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
EFF /
REV
5
4
3
2
1
0
10
9
8
7
6
EFF /
REV
5
4
3
2
1
0
10
9
8
7
6
EFF /
REV
5
4
3
2
1
0
10
9
8
7
6
EFF /
REV
EFF /
REV
-20
dB
MID
MID
-20
dB
-20
dB
-20
dB
-20
dB
-20
dB
-20
dB
-20
dB
-20
dB
-20
dB
-20
dB
-20
dB
AMP
PROTECT
LINE
LINE
LINE
LINE
LINE
LINE
LINE
LINE
LINE
AMP
PATCH
R GRAPHIC EQ
L GRAPHIC EQ
STEREO DSP
BYPASS
1
DELAYS
2-30
REVERB
31-90
CHORUS
91-110
FLANGE
111-128
MONITOR SPEAKERS
EXTERNAL
POWER AMP
TWO-TRACK
TAPE RECORDER
TO REAR
SPEAKER OUTPUTS
1
2
6
4.
TAPE/EFFECTS RETURN LEVEL CONTROL
The TAPE/ EFF RTN control is a stereo effects or tape return volume control.
It
can receive input from both the L/R TAPE RTN RCA jacks and the L/R 1/4”
EFFECTS RETURN jacks.
This volume controls the return level being fed back
into the master L/R stereo mix.
A mono return into the stereo mix can be
achieved by simply feeding the mono signal into both Left and right return jacks.
The stereo return can also be used as just another input to the stereo mix for a
keyboard or other stereo gear.
5.
DSP RETURN LEVEL CONTROL
The DSP EFF RTN level control is the stereo output volume control for the inter-
nal digital effects processor.
This volume controls the return level being fed
back into the master L/R stereo mix and a smaller amount to the monitor mix.
6.
MONITOR LINE OUT JACK
The MONITOR LINE OUT jack is where the monitor mix from the MONITOR
master level control is output.
This is a line level output and can be used to drive
an external power amplifier or it can be plugged into one of the AMP PATCH
jacks to drive one of the internal power amplifiers along with its corresponding
graphic EQ.
7.
LEFT/RIGHT LINE OUT JACKS
The LEFT/RIGHT LINE OUT jacks are post graphic EQ line output jacks for the
stereo mix.
The same signals are also being fed to the internal power amplifier.
Note: If the AMP PATCH jacks are being used for patching the monitor out to
one of the internal amplifiers, then that new signal will also be present on the
corresponding LEFT/RIGHT LINE OUT jack.
The stereo mix may still be
accessed at the RCA TAPE SEND jacks if needed.
NOTE : This jack should not be patch into the AMP PATCH jacks, feedback
oscillations with occur.
8.
LEFT/RIGHT AMP PATCH JACKS
The LEFT/RIGHT AMP PATCH jacks are pre-graphic EQ and normalized to the
stereo mix L/R MAIN level control.
When something is plugged into these jacks,
the stereo mix is disconnected from the graphic EQ and internal power amplifier
allowing the new signal, that was plugged into the jack, to go through the graphic
EQ and to the internal power amplifier.
Also, this new signal appears at the cor-
responding LEFT/RIGHT LINE OUT jacks.
A typical use for these jacks is in the
case where a powered mono main mix and powered monitor mix are needed.
Here either the left or right main mix can be used for the mono main mix and the
monitor line out jack can be plugged in the opposite AMP PATCH jack for a pow-
ered monitor mix.
9.
TAPE SEND AND TAPE RETURN RCA JACKS
The LEFT/RIGHT TAPE SEND RCA jacks deliver the main mix output pre the
graphic EQ uninterrupted by the status of the AMP PATCH jack.
If the AMP
PATCH jacks are being used, the TAPE SEND jacks are a way to access the
main mix.
The LEFT/RIGHT TAPE RETURN RCA jacks are RCA inputs to the TAPE/ EFF
RTN level control. These TAPE RETURN jacks can also be used for returning
another effects processor or instrument such as a keyboard to the main mix.