Carvin SL40C Instruction Manual - Page 13

Auxiliary Send Masters 24. AUX SENDS 1-6 CONTROLS & PFL 24 26 These are the Master levels for Auxiliary Sends. Each has its own PFL switch AUX SENDS to monitor the AUX send buses pre fader. 15 25 35 45 55 6 5 7/8 5 25. AUX 1-4 FLIP SWITCHES 0 10 PFL 0 10 PFL 0 10 PFL 0 10 PFL 0 10 PFL 0 10 PFL 0 10 L-R The AUXiliary FLIP switches on AUX send 1-4 are for the purpose of providing XLR balanced outputs for these auxiliaries. This is especially useful for balanced monitor sends. When the switch is down, the output of the auxiliary is sent to FLIP TO GRP 1 XLR FLIP TO GRP 2 XLR FLIP TO GRP 3 XLR FLIP 25 TO GRP 4 XLR the corresponding group XLR output and meter bridge feed. At the same time, the affected group output is fed to the auxiliaries 1/4" output jack. No other operation is affected. 26. AUX SENDS 7/8 CONTROL & L-R SWITCH The AUX SENDS 7/8 CONTROL is a stereo master level for both the AUX Send 7 and 8. The output of AUX 7-8 level can be sent to the L-R masters via the L-R switch providing a route for secondary channel inputs to get to the main L-R mix. Stereo Returns & Tape IN/OUT 27. STEREO RETURN LEVEL AND PAN The stereo return level is the main level control for the return. The stereo return PAN works as a balance control for Stereo inputs and as a PAN control for mono inputs. 28. STEREO RETURN AUX 1 AND AUX 2 SENDS The Stereo return AUX 1 and AUX 2 send controls allow the returns to be fed to the monitor mixes. These Aux sends are created from summing the left and right pre-level return signals. Because they are pre-level, they can be controlled independently of the signal going to the main left right mix. 29. STEREO RETURN MUTE AND SOLO Each stereo return contains a MUTE and a SOLO switch. The MUTE is equivalent to a L-R assignment on the channels, except it works in the reverse action. The MUTE switch is post the PAN and LEVEL controls. The SOLO switch is an in-place stereo solo, placed in the same location as the MUTE (post PAN and LEVEL). 30. TAPE OUT LEVEL AND SOURCE SWITCH. The TAPE OUT level provides an on board control for the RCA tape output. The level is limited to adding a maximum of +6db to the original signal going out in order to prevent overdriving the recording equipment used. The L-R or AUX 7-8 source switch is provided to allow the recording of a live performance from the main L-R house mix or an independent mix through the AUX 7-8 sends. 31. TAPE IN LEVEL This adjusts the level of the signal coming from RCA TAPE IN jacks. 32. TAPE IN L-R AND AUX 1-2 SWITCHES These switches allow playback of the RCA TAPE IN signal through the main L-R mix and/or the AUX 1-2 monitor mixes. 30 STEREO RETURNS 15 25 35 45 MUTE MUTE MUTE MUTE 27 0 10 0 10 0 10 0 10 PAN C PAN C PAN C PAN C SOLO SOLO SOLO SOLO 0 oo +6 TAPE OUT L-R AUX 7-8 LR AUX 1 5 28 0 10 AUX 2 5 LR AUX 1 5 0 10 AUX 2 5 LR AUX 1 5 0 10 AUX 2 5 LR AUX 1 5 0 10 AUX 2 5 0 TAPE IN 31 oo +6 32 0 10 0 10 0 10 0 10 L-R AUX 1-2 13