Carvin SL40C Instruction Manual - Page 16

Carvin SL40C Manual

Get Carvin SL40C PDF manuals and user guides View all Carvin SL40C manuals
Add to My Manuals
Save this manual to your list of manuals

Page 16 highlights

FIGURE 5-3 For illustration, the connections have been separated into three parts. This illustration is intended to show the same thing as figure 5-2 with multiple channels. MULTI-TRACK RECORDER CHANNEL TAPE IN FROM MULTI-TRACK OUTPUT 1 DIRECT OUT 2 DIRECT OUT 3 DIRECT OUT 4 DIRECT OUT 5 DIRECT OUT 6 DIRECT OUT 7 DIRECT OUT PHANTOM POWER 8 1-8 DIRECT OUT TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT 9 DIRECT OUT 10 DIRECT OUT 11 12 DIRECT OUT DIRECT OUT 12V LIGHT 13 DIRECT OUT 14 DIRECT OUT PHANTOM POWER 15 16 DIRECT OUT 9-16 DIRECT OUT TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT TAPE IN CHANNEL DIRECT OUT TO MULTI-TRACK INPUT PATCH CABLE BACK OF PATCH BAY (normally through) FRONT OF PATCH BAY PATCH FOR GROUPS TO TAPE 1 DIRECT OUT 2 DIRECT OUT 3 DIRECT OUT 4 DIRECT OUT 5 DIRECT OUT 6 DIRECT OUT 7 DIRECT OUT PHANTOM POWER 8 1-8 DIRECT OUT TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT 9 DIRECT OUT 10 DIRECT OUT 11 12 DIRECT OUT DIRECT OUT 12V LIGHT 13 DIRECT OUT 14 DIRECT OUT PHANTOM POWER 15 16 DIRECT OUT 9-16 DIRECT OUT TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT CHANNEL MICROPHONE AND INSTRUMENT INPUTS DIRECT OUT GROUP 1-8 OUT 1 2 3 4 5 6 7 8 L R POWER INSERTS GROUPS 1 2 3 4 5 6 7 8 1 2 AUX SEND 5 6 LR 1 3 4 7 8 LR 2 CONTROL L-R STUDIO L-R LR 3 PHONES PHONES L R OUT LEFT TAPE IN LR 4 RIGHT AUX RETURN 16 1 DIRECT OUT 2 DIRECT OUT 3 DIRECT OUT 4 DIRECT OUT 5 DIRECT OUT 6 DIRECT OUT 7 DIRECT OUT PHANTOM POWER 8 1-8 DIRECT OUT TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT 9 DIRECT OUT 10 DIRECT OUT 11 12 DIRECT OUT DIRECT OUT 12V LIGHT 13 DIRECT OUT 14 DIRECT OUT PHANTOM POWER 15 16 DIRECT OUT 9-16 DIRECT OUT TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC TAPE IN LINE IN MIC INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT LINE IN MIC IN

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
PHANTOM
POWER
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
PHANTOM
POWER
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
7
6
5
4
3
2
1
8
15
14
13
12
11
10
9
16
1
-8
9
-16
DIRECT
OUT
12V
LIGHT
CHANNEL DIRECT OUT
TO MULTI-TRACK INPUT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
8
1
-8
9
-16
DIRECT
OUT
PATCH FOR GROUPS TO TAPE
MULTI-TRACK RECORDER
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
POWER
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
POWER
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
TAPE
IN
MIC
LINE
IN
DIRECT
OUT
INSERT
7
6
5
4
3
2
1
8
15
14
13
12
11
10
9
16
1
-8
9
-16
DIRECT
OUT
LIGHT
CHANNEL TAPE IN FROM
MULTI-TRACK OUTPUT
TAPE IN
DIRECT
OUT
LINE IN
MIC IN
LEFT
AUX
SEND
5
L
R
IN
OUT
6
7
8
1
2
3
4
AUX
RETURN
POWER
GROUPS
L
R
1
2
L
R
3
L
R
4
L
R
INSERTS
1
2
3
4
5
6
7
8
L
R
RIGHT
CONTROL
L-R
STUDIO
L-R
PHONES
PHONES
TAPE
GROUP 1-8
OUT
BACK OF
PATCH BAY
(normally through)
FRONT OF
PATCH BAY
CHANNEL MICROPHONE AND INSTRUMENT INPUTS
PATCH
CABLE
FIGURE 5-3
For illustration, the connections have been separated into three
parts.
This illustration is intended to show the same thing as
figure 5-2
with multiple channels.
16