Fender Passport P150 Owners Manual - Page 9

Mic / Line / Stereo, Inputs

Page 9 highlights

MIC / LINE / STEREO INPUTS A. LINE / MIC SWITCH - This A switch allows the user to select gain levels for items B and C. When the switch is in the line position, the line level / gain is B useful for items such as keyboards, drum machines, outboard effects, etc. When the switch is in the mic position, line level gain is active and is most commonly used for microphones. For optimum C performance, be sure to use the mic position when a microphone is plugged into the respective channel and the line position when an item using a line level signal is used. E. STEREO / MONO SWITCH - This switch allows E the user to select between a stereo or mono inputs items F H and G. This switch should be F set to the Mono position when a source such as a guitar is input to this channel, thus allowing the mono source to be applied to both outputs at the same level. Failure to do G this will result in the input source only appearing at one of the outputs. When the switch is in the stereo position, the full stereo field is heard. B. MIC - Plug your microphone in here. This three pin XLR balanced female input connector is intended for input signals from low impedance microphones. C. LINE - Plug your instrument in here. This 1/4 inch balanced input jack suited for use with items having a line level output such as high impedance microphones, keyboards, drum machines, outboard effects, etc. It accepts both balanced and unbalanced cables. D D. AUX LINE INPUT (Ch. 3) - Input 3 features a pair of RCA input connectors that allow an additional line level stereo source to be input to the system. These connectors SUM, or add, the two input signals together and send them to the mix in exactly the same way as the normal Line inputs. Note: These connectors are set at a constant "line level" are not effected by the Mic/Line "gain" select switch. F. TAPE IN - Balanced phono (RCA) input jacks designed for use with a tape player, CD player, etc. These jacks are stereo and the full stereo field will be heard when playing prerecorded music. Note: These connectors are set at a constant "line level". G. STEREO - This 1/4" jack is wired for Tip=Left, Ring=Right and Sleeve=Ground, the standard format of commercially available cables. The sensitivity of this input is suited for playback devices such as CDs, Cassettes, DAT or Mini Disc. Outputs from instruments such as keyboards can also be used here (refer to item E). H. TAPE OUT - The two Tape Out RCA jacks provide a mix output that is independent of the Master Level Controls. Connect these to the inputs of a recording device, such as a cassette or DAT recorder, to record your event. Changes made during the performance, to the input level controls, channel EQ, and reverb controls will be heard in the Tape Out mix. Changes made to the master level controls will not effect the level of the recording. Adjust recording levels according to the instructions on your recording device. 9

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9
A. LINE / MIC SWITCH
- This
switch allows the user to select
gain levels for items B and C.
When the switch is in the line
position, the line level / gain is
useful for items such as keyboards,
drum machines, outboard effects,
etc.
When the switch is in the mic
position, line level gain is active and
is most commonly used for
microphones.
For optimum
performance, be sure to use the
mic position when a microphone is
plugged into the respective channel
and the line position when an item
using a line level signal is used.
B. MIC
- Plug your microphone in here.
This three
pin XLR balanced female input connector is intended
for input signals from low impedance microphones.
C. LINE -
Plug your instrument in here.
This 1/4
inch balanced input jack suited for use with items
having a line level output such as high impedance
microphones, keyboards, drum machines, outboard
effects, etc.
It accepts both balanced and
unbalanced cables.
D. AUX LINE INPUT (Ch. 3)
- Input 3
features a pair of RCA input connectors
that allow an additional line level stereo
source to be input to the system.
These
connectors SUM, or add, the two input
signals together and send them to the
mix in exactly the same way as the normal Line
inputs.
Note: These connectors are set at a
constant "line level" are not effected by the Mic/Line
"gain" select switch.
E.
STEREO
/
MONO
SWITCH
- This switch allows
the user to select between a
stereo or mono inputs items F
and G.
This switch should be
set to the Mono position when
a source such as a guitar is
input to this channel, thus
allowing the mono source to
be applied to both outputs at
the same level.
Failure to do
this will result in the input
source only appearing at one
of the outputs.
When the
switch is in the stereo position, the full stereo field is
heard.
F. TAPE IN
- Balanced phono (RCA) input jacks
designed for use with a tape player, CD player, etc.
These jacks are stereo and the full stereo field will be
heard when playing prerecorded music.
Note:
These connectors are set at a constant “line level”.
G. STEREO
- This 1/4” jack is wired for Tip=Left,
Ring=Right and Sleeve=Ground, the standard
format of commercially available cables.
The
sensitivity of this input is suited for playback devices
such as CDs, Cassettes, DAT or Mini Disc.
Outputs
from instruments such as keyboards can also be
used here (refer to item E).
H. TAPE OUT -
The two Tape Out RCA jacks
provide a mix output that is independent of the
Master Level Controls.
Connect these to the inputs
of a recording device, such as a cassette or DAT
recorder, to record your event.
Changes made
during the performance, to the input level controls,
channel EQ, and reverb controls
will be heard in the
Tape Out mix.
Changes made to the master level
controls will not effect the level of the recording.
Adjust recording levels according to the instructions
on your recording device.
MIC / LINE / STEREO
INPUTS
A
B
C
D
E
F
G
H