Fender The Twin Owner Manual - Page 5

Panel, Functions - amp

Page 5 highlights

• FUSE REPLACE WITH 0 INPUT POWER 120 V SAME TYPE 60 Hz FENDER MUSICAL INSTRUMENTS CORP. WMA. CA. USA 92621 MODEL THE TWIN SERIAL NURSER PREAMP POWER AMP 4A - 125V SLO BLO // OUT EFFECTS OOP POWER AMP LOOP LEVEL CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK 00 NOT REMOVE CHASSIS. NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. THRU UN PICO KIN AVIS: RISQUE DE -11kilv -Mir *IOW CHOCELECTRIQUE- NE PAS OUVRIR. O TWIN REAR PANEL FUNCTIONS: A. FUSE -This fuse is in the AC supply of the amplifier and will help to protect the amplifier and operator in the event of an electrical fault. If a fuse blows, it should only be replaced with a fuse in accordance with the listing at the fuse holder. If the amplifier repeatedly blows fuses, it should be checked out by a qualified technician. Under no circumstances should a fuse with a higher current rating or a fuse bypass be used as this could cause equipment damage and present a serious safety hazard. B. PREAMP OUT -This jack provides an unbalanced output signal from the preamp. Its nominal level is set by the LOOP LEVEL SWITCH. (See E). This output can be used in conjunction with the POWER AMP IN jack as a patch point for effect units. C. POWER AMP IN -This jack inputs signal directly to the power amp. It automatically disconnects the preamp signal when used. This is useful when using the effects loop option or using the TWIN as a slave amp. Its nominal sensitivity is set by the LOOP LEVEL SWITCH. (See E). D. POWER AMP THRU-This jack provides an unbalanced output signal from the preamp and is post EFFECTS LOOP (POWER AMP IN). This signal can be used to feed recording and sound reinforcement mixers or more often to drive other TWIN amplifiers as slaves. This is done by connecting a standard guitar cord from the POWER AMP THRU jack of the master amplifier to the POWER AMP IN jack of the slave, then from the POWER AMP THRU jack of the slave to the POWER AMP IN jack of the next slave, etc. Its nominal level is set by the LOOP LEVEL SWITCH and this switch should be set to the same level on all the amplifiers in the chain. (See E). (NOTE: This output works best with tube type slave amps, see J. BALANCED LINE OUT for slaving solid-state slave amps.) E. LOOP LEVEL SWITCH -Selects the nominal operating level of the PREAMP OUT, POWER AMP IN, and POWER AMP THRU jacks. When using the effects loop option this switch should be set to the highest possible level for best low noise performance. This is done by first setting the switch to LOW/16dBv, second set the front panel amplifier operating controls for normal playing levels, then patch in the desired effect units. (If the effect units have gain and/or output controls, set these for "unity gain" through the effect unit, this is verified by alternately plugging in and unplugging the effect unit output from the POWER AMP IN jack and listening for any change in volume. When the effect unit is set for "unity gain" there will be no noticeable change in level. With some effects it may be necessary to do this in the bypass mode of the effect.) Next set the LOOP LEVEL SWITCH to the highest setting that will allow clean, distortion free operation of the effect unit. Now with the effect in the bypass mode once again check for "unity gain" with the procedure outlined above. If the effect unit is clipping on loud passages the switch should be set to the next lower setting. NOTE: When slaving amps the LOOP LEVEL SWITCH on all amplifiers should be set to the same position. F. OUTPUT BIAS ADJUST -This trim adjustment is used to set the bias on the output tubes in conjunction with the two bias test points. This adjustment is made by connecting a digital volt-meter to the two test points labeled BIAS. Use the most sensitive DC Volts scale and adjust the voltage between the two test points to .04 VDC. This calibration should be made after the amplifier has been allowed to warm up for at least two minutes and prior to the balance calibration. (NOTE: If tubes won't bias, replace 6L6-GC's.) G. TEST POINTS -Used to measure tube bias and balance with a digital voltmeter. (See F & H). H. OUTPUT BALANCE ADJUST -This trim adjustment is used to set the balance between the push/pull sections of the amplifier in conjunction with the two BALANCE test points. This adjustment is made by connecting a digital voltmeter to the two test points labeled BALANCE. Use the most sensitive DC Volts scale and adjust the voltage between the BALANCE test points to 0 VDC. This calibration should be made after the amplifier has been allowed to warm up for at least two minutes and after the BIAS calibration is performed. (NOTE: If tubes won't balance, check bias and/or replace 6L6-GC's.) Only make adjustments to bias and balance when necessary. If you are not sure about using this feature.. . leave it alone!!! I. FOOTSWITCH JACK -Plug-in connection for remote footswitch to activate Channel Two when in the Channel-Switching mode and to switch the Reverb on and off.

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FUSE
REPLACE
WITH
0
INPUT
POWER
SAME
TYPE
120
V
60
H
z
4A
-
125V
SLO
BLO
FENDER
MUSICAL
INSTRUMENTS
CORP.
WMA.
CA.
USA
92621
MODEL
THE
TWIN
SERIAL
NURSER
POWER
POWER
PREAMP
AMP
AMP
//
OUT
EFFECTS
OOP
THRU
LOOP
CAUTION:
LEVEL
TO
REDUCE
SHOC
THE
K
RISK
NOT
OF
ELECTRIC
00
REMOVE
CHASSIS.
NO
USER
SERVICEABLE
PARTS
INSIDE.
REFER
SERVICING
TO
QUALIFIED
SERVICE
PERSONNEL.
UN
PICO
KIN
AVIS:
RISQUE
DE
-11kilv
-Mir
*IOW
CHOCELECTRIQUE-
NE
PAS
OUVRIR.
O
TWIN
REAR
PANEL
FUNCTIONS:
A.
FUSE
-This
fuse
is
in
the
AC
supply
of
the
amplifier
and
will
help
to
protect
the
amplifier
and
operator
in
the
event
of
an
electrical
fault.
If
a
fuse
blows,
it
should
only
be
replaced
with
a
fuse
in
accordance
with
the
listing
at
the
fuse
holder.
If
the
amplifier
repeatedly
blows
fuses,
it
should
be
checked
out
by
a
qualified
technician.
Under
no
circumstances
should
a
fuse
with
a
higher
current
rating
or
a
fuse
bypass
be
used
as
this
could
cause
equipment
damage
and
present
a
serious
safety
hazard.
B.
PREAMP
OUT
—This
jack
provides
an
unbalanced
output
signal
from
the
preamp.
Its
nominal
level
is
set
by
the
LOOP
LEVEL
SWITCH.
(See
E).
This
output
can
be
used
in
conjunction
with
the
POWER
AMP
IN
jack
as
a
patch
point
for
effect
units.
C.
POWER
AMP
IN
—This
jack
inputs
signal
directly
to
the
power
amp.
It
automatically
disconnects
the
preamp
signal
when
used.
This
is
useful
when
using
the
effects
loop
option
or
using
the
TWIN
as
a
slave
amp.
Its
nominal
sensitivity
is
set
by
the
LOOP
LEVEL
SWITCH.
(See
E).
D.
POWER
AMP
THRU—This
jack
provides
an
unbalanced
output
signal
from
the
preamp
and
is
post
EFFECTS
LOOP
(POWER
AMP
IN).
This
signal
can
be
used
to
feed
recording
and
sound
reinforce-
ment
mixers
or
more
often
to
drive
other
TWIN
amplifiers
as
slaves.
This
is
done
by
connecting
a
standard
guitar
cord
from
the
POWER
AMP
THRU
jack
of
the
master
amplifier
to
the
POWER
AMP
IN
jack
of
the
slave,
then
from
the
POWER
AMP
THRU
jack
of
the
slave
to
the
POWER
AMP
IN
jack
of
the
next
slave,
etc.
Its
nominal
level
is
set
by
the
LOOP
LEVEL
SWITCH
and
this
switch
should
be
set
to
the
same
level
on
all
the
amplifiers
in
the
chain.
(See
E).
(NOTE:
This
output
works
best
with
tube
type
slave
amps,
see
J.
BALANCED
LINE
OUT
for
slaving
solid-state
slave
amps.)
E.
LOOP
LEVEL
SWITCH
-Selects
the
nominal
operating
level
of
the
PREAMP
OUT,
POWER
AMP
IN,
and
POWER
AMP
THRU
jacks.
When
using
the
effects
loop
option
this
switch
should
be
set
to
the
highest
possible
level
for
best
low
noise
performance.
This
is
done
by
first
setting
the
switch
to
LOW/16dBv,
second
set
the
front
panel
amplifier
operating
controls
for
normal
playing
levels,
then
patch
in
the
desired
effect
units.
(If
the
effect
units
have
gain
and/or
output
controls,
set
these
for
"unity
gain"
through
the
effect
unit,
this
is
verified
by
alternately
plugging
in
and
unplugging
the
effect
unit
output
from
the
POWER
AMP
IN
jack
and
listening
for
any
change
in
volume.
When
the
effect
unit
is
set
for
"unity
gain"
there
will
be
no
noticeable
change
in
level.
With
some
effects
it
may
be
necessary
to
do
this
in
the
bypass
mode
of
the
effect.)
Next
set
the
LOOP
LEVEL
SWITCH
to
the
highest
setting
that
will
allow
clean,
distortion
free
operation
of
the
effect
unit.
Now
with
the
effect
in
the
bypass
mode
once
again
check
for
"unity
gain"
with
the
procedure
outlined
above.
If
the
effect
unit
is
clipping
on
loud
passages
the
switch
should
be
set
to
the
next
lower
setting.
NOTE:
When
slaving
amps
the
LOOP
LEVEL
SWITCH
on
all
amplifiers
should
be
set
to
the
same
position.
F.
OUTPUT
BIAS
ADJUST
-This
trim
adjustment
is
used
to
set
the
bias
on
the
output
tubes
in
con-
junction
with
the
two
bias
test
points.
This
adjustment
is
made
by
connecting
a
digital
volt
-meter
to
the
two
test
points
labeled
BIAS.
Use
the
most
sensitive
DC
Volts
scale
and
adjust
the
voltage
between
the
two
test
points
to
.04
VDC.
This
calibration
should
be
made
after
the
amplifier
has
been
allowed
to
warm
up
for
at
least
two
minutes
and
prior
to
the
balance
calibration.
(NOTE:
If
tubes
won't
bias,
replace
6L6
-GC's.)
G.
TEST
POINTS
-Used
to
measure
tube
bias
and
balance
with
a
digital
voltmeter.
(See
F
&
H).
H.
OUTPUT
BALANCE
ADJUST
-This
trim
adjustment
is
used
to
set
the
balance
between
the
push/pull
sections
of
the
amplifier
in
conjunction
with
the
two
BALANCE
test
points.
This
adjustment
is
made
by
connecting
a
digital
voltmeter
to
the
two
test
points
labeled
BALANCE.
Use
the
most
sensitive
DC
Volts
scale
and
adjust
the
voltage
between
the
BALANCE
test
points
to
0
VDC.
This
calibration
should
be
made
after
the
amplifier
has
been
allowed
to
warm
up
for
at
least
two
minutes
and
after
the
BIAS
calibration
is
performed.
(NOTE:
If
tubes
won't
balance,
check
bias
and/or
replace
6L6
-GC's.)
Only
make
adjustments
to
bias
and
balance
when
necessary.
If
you
are
not
sure
about
using
this
feature..
.
leave
it
alone!!!
I.
FOOTSWITCH
JACK
—Plug-in
connection
for
remote
footswitch
to
activate
Channel
Two
when
in
the
Channel
-Switching
mode
and
to
switch
the
Reverb
on
and
off.