Harman Kardon 75 Owners Manual - Page 9

Enhanced, Stereo, Discrete

Page 9 highlights

When reproducing full orchestral material, the mode selector should be in the SQ MATRIX 1 position. When reproducing individual instruments or soloists the mode selector switch should be in the SQ MATRIX 2 position. LEFT FRONT - INTEGRATED AMPLIFIERS SPEAKERS -L F- LEFT BACK RIGHT BACK - SQ ENCODER - RIGHT FRONT - TWO - CHANNEL RECORDING EQUIPMENT - TWO CHANNEL RECORDING - LB ESQ" DECODER -RB -RE- ENHANCED STEREO This position should be used to enhance (convert) any stereo source into spatially expanded sound. When playing any stereo source, if your 75+ has been installed utilizing four or eight speakers, the sound will emerge from each speaker filling the room with sound that is almost as exciting as authentic 4-CH. It may also be used to spatially enhance a monophonic source. In this position the El 4 mode indicator lights will be illuminated, denoting stereo to 4-CH operation. INTEGRATED AMPLIFIERS SPEAKERS VOLUME CONTROL THE VOLUME control adjusts the signal level of any program material connected to your receiver. It is a four section control which simultaneously adjusts all channels, and its close tracking specifications insure that the relative volume level of each channel will be identical. SOUND FIELD BALANCE Your 75 + incorporates a unique four channel continuously variable balance control. The nature of stereo or 4-CH reproduction is such that it requires identical channels to attain the highest degree of faithfulness and spatial distribution. Any variation in the efficiency of any channel as compared to the others will disturb this relationship. Since there may be slight differences between program material, room acoustics, etc., your receiver includes a control to balance all channels. Sufficient range is covered by this control to permit rebalancing of the overall system even in cases where major unbalance exists. This control may be set anywhere within its range to attain system balance. It does not necessarily have to be set in the exact center position. When the BALANCE control is properly set, the apparent sound source will lie in a broad area between all speakers. TWO CHANNEL RECORDING RECOVERY CIRCUITS FOR "BACK" SOUNDS LEFT & RIGHT FRONT SPEAKER BALANCING LF (BACK SPEAKERS OFF) RF 4-CH DISCRETE In order to utilize this position you MUST have a four channel source con- nected to the system. In this position El 4 mode indicator lights will be illuminated denoting 4-CH to 4-CH operation. INTEGRATED AMPLIFIERS SPEAKERS LEFT FRONT- LEFT BACK- FOUR CHANNEL 0 I I C(. RECORDING RIGHT BACK- MOM CI RIGHT FRONT- On B LEFT FRONT LEFT BACK SPEAKER BALANCING • (RIGHT FRONT B BACK SPEAKERS OFF) RIGHT FRONT B RIGHT BACK SPEAKER BALANCING (LEFT FRONT B BACK SPEAKERS OFF) LB LEFT & RIGHT BACK RB SPEAKER BALANCING (FRONT SPEAKERS OFF) 8

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When
reproducing
full
orchestral
material,
the
mode
selector
should
be
in
the
SQ
MATRIX
1
position.
When
reproducing
individual
instruments
or
soloists
the
mode
selector
switch
should
be
in
the
SQ
MATRIX
2
position.
INTEGRATED
AMPLIFIERS
SPEAKERS
LEFT
FRONT
-
-L
F-
LEFT
BACK
-
-
TWO
-
TWO
E
SQ"
-
LB
SQ
CHANNEL
CHANNEL
RIGHT
BACK
-
ENCODER
-
RECORDING
EQUIPMENT
-
RECORDING
DECODER
-RB
RIGHT
FRONT
-
-RE-
ENHANCED
STEREO
This
position
should
be
used
to
enhance
(convert)
any
stereo
source
into
spatially
expanded
sound.
When
playing
any
stereo
source,
if
your
75+
has
been
installed
utilizing
four
or
eight
speakers,
the
sound
will
emerge
from
each
speaker
filling
the
room
with
sound
that
is
almost
as
exciting
as
authentic
4
-CH.
It
may
also
be
used
to
spatially
enhance
a
monophonic
source.
In
this
position
the
El
4
mode
indicator
lights
will
be
illuminated,
denoting
stereo
to
4
-CH
operation.
TWO
CHANNEL
RECORDING
RECOVERY
CIRCUITS
FOR
"BACK"
SOUNDS
INTEGRATED
AMPLIFIERS
SPEAKERS
4
-CH
DISCRETE
In
order
to
utilize
this
position
you
MUST
have
a
four
channel
source
con-
nected
to
the
system.
In
this
position
El
4
mode
indicator
lights
will
be
illuminated
denoting
4
-CH
to
4
-CH
operation.
LEFT
FRONT
LEFT
BACK
FOUR
CHANNEL
RECORDING
RIGHT
BACK
RIGHT
FRONT
0
I
I
MOM
CI
On
INTEGRATED
AMPLIFIERS
SPEAKERS
C(.
VOLUME
CONTROL
THE
VOLUME
control
adjusts
the
signal
level
of
any
program
material
connected
to
your
receiver.
It
is
a
four
section
control
which
simultaneously
adjusts
all
channels,
and
its
close
tracking
specifications
insure
that
the
relative
volume
level
of
each
channel
will
be
identical.
SOUND
FIELD
BALANCE
Your
75
+
incorporates
a
unique
four
channel
continuously
variable
balance
control.
The
nature
of
stereo
or
4
-CH
reproduction
is
such
that
it
requires
identical
channels
to
attain
the
highest
degree
of
faithfulness
and
spatial
distribution.
Any
variation
in
the
efficiency
of
any
channel
as
compared
to
the
others
will
disturb
this
relationship.
Since
there
may
be
slight
differences
between
program
material,
room
acoustics,
etc.,
your
receiver
includes
a
control
to
balance
all
channels.
Sufficient
range
is
covered
by
this
control
to
permit
rebalancing
of
the
overall
system
even
in
cases
where
major
unbalance
exists.
This
control
may
be
set
anywhere
within
its
range
to
attain
system
balance.
It
does
not
necessarily
have
to
be
set
in
the
exact
center
position.
When
the
BALANCE
control
is
properly
set,
the
apparent
sound
source
will
lie
in
a
broad
area
between
all
speakers.
LEFT
FRONT
B
LEFT
BACK
SPEAKER
BALANCING
(RIGHT
FRONT
B
BACK
SPEAKERS
OFF)
LEFT
&
RIGHT
FRONT
SPEAKER
BALANCING
LF
(BACK
SPEAKERS
OFF)
RF
LB
LEFT
&
RIGHT
BACK
RB
SPEAKER
BALANCING
(FRONT
SPEAKERS
OFF)
RIGHT
FRONT
B
RIGHT
BACK
SPEAKER
BALANCING
(LEFT
FRONT
B
BACK
SPEAKERS
OFF)
8