Harman Kardon AVR 1710 Owners Manual - Page 43

Channel Stereo

Page 43 highlights

English AVR Appendix Table A10 - Surround Modes - continued Surround Mode DTS Neo:6 Mode Group Description DTS Neo:6 analog processing is available with DTS and DTS 96/24 signals and two-channel analog or PCM signals to create a 3-, 5- or 6-channel presentation. Incoming Bitstream or Signal See below DTS Neo:6 Cinema DTS Neo:6 Music HARMAN NSP 5-Channel Stereo 7-Channel Stereo (AVR 1710/ AVR 171 only) 2-Channel Stereo Depending on the number of speakers in your system, select 3-, 5- or 6-channel modes, enhanced for movie or video presentations. • DTS 2/2/.0 or .1, 3/2/.0 or .1 • DTS 96/24 • Analog (two-channel) • PCM (32kHz, 44.1kHz or 48kHz) Available only in 5- and 6-channel modes, creates a surround presentation suitable for music recordings. • DTS 2/2/.0 or .1, 3/2/.0 or .1 • DTS 96/24 • Analog (two-channel) • PCM (32kHz, 44.1kHz or 48kHz) A HARMAN proprietary technology, NSP uses sophisticated digital processing to deliver • Analog (two-channel) a true natural sounding three-dimensional listening experience from conventional 2-channel stereo sources like CDs and stereo broadcasts. While preserving the recording's original timbre and spatial balance, HARMAN NSP creates a simulated • Tuner • PCM (32kHz, 44.1kHz, 48kHz, 96kHz) listening space that automatically adjusts to suit the type of program you are listening to. Adjustments are available for the size of the simulated space and for how aggressively NSP automatically adjusts the simulated space to compliment the program material. Useful for parties, the left- and right-channel information is played through both • Analog (two-channel) the front and surround speakers on each side, while the center speaker plays a summed mono mix. • Tuner • PCM (32kHz, 44.1kHz, 48kHz, 96kHz) Expands the 5-Channel Stereo presentation to include the surround back channels. • Analog (two-channel) • Tuner • PCM (32kHz, 44.1kHz, 48kHz, 96kHz) Turns off all surround processing and plays a pure two-channel signal or a downmix of a multichannel signal. The signal is digitized and bass management settings are applied, making it appropriate when a subwoofer is used. • Analog (two-channel; DSP downmix available for multichannel) • Tuner • PCM (32kHz, 44.1kHz, 48kHz, 96kHz) 43

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52

43
ENGLISH
AVR
Appendix
Surround Mode
Description
Incoming Bitstream or Signal
DTS Neo:6
Mode Group
DTS Neo:6 analog processing is available with DTS and DTS 96/24 signals and
two-channel analog or PCM signals to create a 3-, 5- or 6-channel presentation.
See below
DTS Neo:6
Cinema
Depending on the number of speakers in your system, select 3-, 5- or 6-channel
modes, enhanced for movie or video presentations.
• DTS 2/2/.0 or .1, 3/2/.0 or .1
• DTS 96/24
• Analog (two-channel)
• PCM (32kHz, 44.1kHz or 48kHz)
DTS Neo:6
Music
Available only in 5- and 6-channel modes, creates a surround presentation
suitable for music recordings.
• DTS 2/2/.0 or .1, 3/2/.0 or .1
• DTS 96/24
• Analog (two-channel)
• PCM (32kHz, 44.1kHz or 48kHz)
HARMAN NSP
A HARMAN proprietary technology, NSP uses sophisticated digital processing to deliver
a true natural sounding three-dimensional listening experience from conventional
2-channel stereo sources like CDs and stereo broadcasts. While preserving the
recording’s original timbre and spatial balance, HARMAN NSP creates a simulated
listening space that automatically adjusts to suit the type of program you are
listening to. Adjustments are available for the size of the simulated space and for
how aggressively NSP automatically adjusts the simulated space to compliment the
program material.
• Analog (two-channel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
5-Channel Stereo
Useful for parties, the left- and right-channel information is played through both
the front and surround speakers on each side, while the center speaker plays a
summed mono mix.
• Analog (two-channel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
7-Channel Stereo
(AVR 1710/
AVR 171 only)
Expands the 5-Channel Stereo presentation to include the surround back channels.
• Analog (two-channel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
2-Channel Stereo
Turns off all surround processing and plays a pure two-channel signal or a downmix
of a multichannel signal. The signal is digitized and bass management settings are
applied, making it appropriate when a subwoofer is used.
• Analog (two-channel; DSP downmix available for multichannel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
Table A10 – Surround Modes – continued