Harman Kardon CITATION 15 Owners Manual - Page 10

Harman Kardon CITATION 15 Manual

Page 10 highlights

In order to reproduce these stations monophonically (when in the "OUT" position of the stereo Auto/Mono Switch), rotate the STEREO THRESHOLD control clockwise until only good quality stereo stations are reproduced. EXT. DOLBY NR SWITCH When an FM station broadcasts a Dolby encoded program, it may be decoded by use of an external Dolby processor. If you use an external processor, the Dolby switch when depressed, will decode an encoded program. If the Dolby button is depressed without an external processor connected, you will get zero output from your speaker system. STEREO NOISE FILTER SWITCH Stereophonic FM broadcasts require greater signal strength at the antenna terminals (as compared to monophonic FM broadcasts). Weak or distant stereo signals will naturally contain more noise than a monophonic signal of similar strength, The Citation Fifteen STEREO NOISE FILTER will reduce or eliminate this undesirable noise. In the "OUT" position, the switch has no effect. Filtering is provided in the "IN" position. MUTE SWITCH The MUTE circuit reduces the audible noise (hissing or rushing sound) found between stations. 'l'o eliminate interstation noise, push the MUTE Switch "IN". To defeat the circuit, push the switch again. It will return to the "OUT" position. MUTING THRESHOLD CONTROL This rear panel control adjusts the level at which muting action will take place. Minimum muting action occurs in the full counterclockwise position. Maximum muting is achieved in the full clockwise position. The full clockwise position will also eliminate stations with poor transmission quality. The control should be adjusted to the point where you receive only those stations which meet your standards of broadcast quality. LEVEL SET TONE SWITCH The LEVEL SET TONE switch on the front panel activates a generator which produces a sine wave test tone of 400 Hz at a level equivalent to 50% of full modulation of an FM signal. "Off-the-air" tape recordings can be made with complete assurance of correct levels by using the test tone as a recording level reference. After activating the LEVEL SET TONE adjust the record level controls of your tape recorder so the record level meters or other indicators on your tape recorder register a level of "0" VU. At this setting recordings can be made with optimum signal-to-noise ratio and the distribution of dynamic level changes in music will be properly captured. Recorders vary in the saturation and overload characteristics of their record amplifiers which affect the occurrence of distortion in the recording process. You may find with your recorder that with the "0" VU setting of the record indicators, the reference tone is too high. While signal-to-noise ratio is usually optimum at the "0" VU setting, signal vs. distortion typically improves at lower recording levels (down to -8 VU). With some experience you will find a recording level within these values that provides a combination of high signal-tonoise ratio and low distortion that is right for you and your recorder. Because of the variation of levels required by different tape recorders, it is advisable to experiment with the record level controls on your recorder. However, once this level is determined it can remain constant. DIAL SCALE The DIAL SCALE consists of a large drum which rotates in conjunction with the knurled flywheel. The DIAL SCALE is calibrated with an FM frequency scale (88-108 mHz) and a logging scale (0-10). Most FM stations operate at frequencies which are not whole numbers (such as 96.3 mHz) as compared to 96 mHz. Ideally, each megacycle division on the frequency scale should be divided into 10 parts to enable the user to pinpoint the location of the station. This would require a dial scale which would be impractical. The logging scale which is divided into 100 equal parts provides a means of finding your favorite station, once you have noted its position on the logging scale. For example, in New York City, WQXR 9

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In
order
to
reproduce
these
stations
monophonically
(when
in
the
"OUT"
position
of
the
stereo
Auto/Mono
Switch),
rotate
the
STEREO
THRESHOLD
control
clockwise
until
only
good
quality
stereo
stations
are
reproduced.
EXT.
DOLBY
NR
SWITCH
When
an
FM
station
broadcasts
a
Dolby
encoded
program,
it
may
be
decoded
by
use
of
an
external
Dolby
processor.
If
you
use
an
external
processor,
the
Dolby
switch
when
depressed,
will
decode
an
encoded
program.
If
the
Dolby
button
is
depressed
without
an
external
proc-
essor
connected,
you
will
get
zero
output
from
your
speaker
system.
STEREO
NOISE
FILTER
SWITCH
Stereophonic
FM
broadcasts
require
greater
signal
strength
at
the
antenna
terminals
(as
compared
to
monophonic
FM
broadcasts).
Weak
or
distant
stereo
signals
will
naturally
contain
more
noise
than
a
mono-
phonic
signal
of
similar
strength,
The
Citation
Fifteen
STEREO
NOISE
FILTER
will
reduce
or
eliminate
this
undesirable
noise.
In
the
"OUT"
position,
the
switch
has
no
effect.
Filtering
is
provided
in
the
"IN"
position.
MUTE
SWITCH
The
MUTE
circuit
reduces
the
audible
noise
(hissing
or
rushing
sound)
found
between
stations.
'l'o
eliminate
interstation
noise,
push
the
MUTE
Switch
"IN".
To
defeat
the
circuit,
push
the
switch
again.
It
will
return
to
the
"OUT"
position.
MUTING
THRESHOLD
CONTROL
This
rear
panel
control
adjusts
the
level
at
which
muting
action
will
take
place.
Minimum
muting
action
occurs
in
the
full
counterclock-
wise
position.
Maximum
muting
is
achieved
in
the
full
clockwise
position.
The
full
clockwise
position
will
also
eliminate
stations
with
poor
transmission
quality.
The
control
should
be
adjusted
to
the
point
where
you
receive
only
those
stations
which
meet
your
standards
of
broadcast
quality.
LEVEL
SET
TONE
SWITCH
The
LEVEL
SET
TONE
switch
on
the
front
panel
activates
a
gen-
erator
which
produces
a
sine
wave
test
tone
of
400
Hz
at
a
level
equivalent
to
50%
of
full
modulation
of
an
FM
signal.
"Off
-the
-air"
tape
recordings
can
be
made
with
complete
assurance
of
correct
levels
by
using
the
test
tone
as
a
recording
level
reference.
After
activating
the
LEVEL
SET
TONE
adjust
the
record
level
con-
trols
of
your
tape
recorder
so
the
record
level
meters
or
other
indi-
cators
on
your
tape
recorder
register
a
level
of
"0"
VU.
At
this
setting
recordings
can
be
made
with
optimum
signal-to-noise
ratio
and
the
distribution
of
dynamic
level
changes
in
music
will
be
properly
captured.
Recorders
vary
in
the
saturation
and
overload
characteristics
of
their
record
amplifiers
which
affect
the
occurrence
of
distortion
in
the
recording
process.
You
may
find
with
your
recorder
that
with
the
"0"
VU
setting
of
the
record
indicators,
the
reference
tone
is
too
high.
While
signal-to-noise
ratio
is
usually
optimum
at
the
"0"
VU
setting,
signal
vs.
distortion
typically
improves
at
lower
recording
levels
(down
to
—8
VU).
With
some
experience
you
will
find
a
recording
level
within
these
values
that
provides
a
combination
of
high
signal-to-
noise
ratio
and
low
distortion
that
is
right
for
you
and
your
recorder.
Because
of
the
variation
of
levels
required
by
different
tape
re-
corders,
it
is
advisable
to
experiment
with
the
record
level
controls
on
your
recorder.
However,
once
this
level
is
determined
it
can
re-
main
constant.
DIAL
SCALE
The
DIAL
SCALE
consists
of
a
large
drum
which
rotates
in
con-
junction
with
the
knurled
flywheel.
The
DIAL
SCALE
is
calibrated
with
an
FM
frequency
scale
(88-108
mHz)
and
a
logging
scale
(0-10).
Most
FM
stations
operate
at
frequencies
which
are
not
whole
numbers
(such
as
96.3
mHz)
as
compared
to
96
mHz.
Ideally,
each
megacycle
division
on
the
frequency
scale
should
be
divided
into
10
parts
to
enable
the
user
to
pinpoint
the
location
of
the
station.
This
would
require
a
dial
scale
which
would
be
impractical.
The
logging
scale
which
is
divided
into
100
equal
parts
provides
a
means
of
finding
your
favorite
station,
once
you
have
noted
its
position
on
the
logging
scale.
For
example,
in
New
York
City,
WQXR
9