Harman Kardon D200 Owners Manual - Page 4

Problems, Maintenance, Repair

Page 4 highlights

setting for the particular record you are to play. With Loudness Contour Selector in the uncompensated position, turn the loudness (volume) control to as high a level as you can briefly allow. (This to permit you to make the remaining adjustments while you are listening at your own maximum efficiency). Now adjust the Bass and Treble Tone Controls to correct for the electromechanical characteristics of the loudspeaker you are using and for the acoustic characteristics of the room in which you are listening. These adjustments are wisely pragmatic. Modify each until settings are chosen which in your total system create .the proper sense of aural balance and evenness. Now reduce the loudness (volume) control setting to a level somewhat lower than normal listening level in your room. You will note that the full bodied - lifelike quality you experienced at high listening level has disappeared (this because of the Fletcher -Munson effect described in the paragraph on the I-1/K Dynamic Loudness Contour). With all other controls unchanged, select the best contour setting for you. Do this by switching quickly from the uncompensated position to the most compensated and then backing down one position at a time until you find the one which most nearly duplicates the full-bodied sound you enjoyed at high level. Now turn the loudness control up to the level at which you wish to listen - (perhaps the maximum level you can permit in your home) - and listen. You'll find that there is automatic compensation of contour wherever you set the loudness control thereafter. In fact, under normal circumstances, you should not find it necessary to readjust the tone controls or the contour selector once having chosen the correct settings for you, your room and your system. HUM PROBLEMS In some installations where a record-player, tape recorder, or other auxiliary AC operated equipment is used, hum may be encountered due to voltage differences between the various units. This may be eliminated by reversing one or all of the AC power plugs. Simply reverse one a a time until improvement is experienced. An additional refinement incorporated in the Recital is the special hum balance control located on the top of the chassis near the front panel. This is a screwdriver control which requires initial adjustment. whenever new tubes are used in the amplifier section. To set this control properly, place the function selector on RIAA, advance the volume control to 3/4 of maximum, and vary the balance control for minimum hum. MAINTENANCE AND REPAIR Due to the conservative design and high quality components of the Recital, no routine maintenance other than yearly tube -checking is required. Should trouble develop, however, only the most qualified service man should be employed, as special equipment and training is required to properly align a high-fidelity FM receiver. .27512A

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setting
for
the
particular
record
you
are
to
play.
With
Loudness
Contour
Selector
in
the
uncompensated
po-
sition,
turn
the
loudness
(volume)
control
to
as
high
a
level
as
you
can
briefly
allow.
(This
to
permit
you
to
make
the
remaining
adjustments
while
you
are
listening
at
your
own
maximum
efficiency).
Now
adjust
the
Bass
and
Treble
Tone
Controls
to
correct
for
the
electro-
mechanical
characteristics
of
the
loudspeaker
you
are
using
and
for
the
acoustic
characteristics
of
the
room
in
which
you
are
listening.
These
adjustments
are
wisely
pragmatic.
Modify
each
until
settings
are
chosen
which
in
your
total
system
create
.the
proper
sense
of
aural
balance
and
evenness.
Now
reduce
the
loudness
(vol-
ume)
control
setting
to
a
level
somewhat
lower
than
normal
listening
level
in
your
room.
You
will
note
that
the
full
bodied
-
lifelike
quality
you
experienced
at
high
listening
level
has
disappeared
(this
because
of
the
Fletcher
-Munson
effect
described
in
the
paragraph
on
the
I
-1/K
Dynamic
Loudness
Contour).
With
all
other
controls
unchanged,
select
the
best
contour
setting
for
you.
Do
this
by
switching
quickly
from
the
uncompen-
sated
position
to
the
most
compensated
and
then
backing
down
one
position
at
a
time
until
you
find
the
one
which
most
nearly
duplicates
the
full-bodied
sound
you
enjoyed
at
high
level.
Now
turn
the
loudness
control
up
to
the
level
at
which
you
wish
to
listen
-
(perhaps
the
maxi-
mum
level
you
can
permit
in
your
home)
-
and
listen.
You'll
find
that
there
is
automatic
compensation
of
contour
wherever
you
set
the
loudness
control
there-
after.
In
fact,
under
normal
circumstances,
you
should
not
find
it
necessary
to
readjust
the
tone
controls
or
the
contour
selector
once
having
chosen
the
correct
settings
for
you,
your
room
and
your
system.
HUM
PROBLEMS
In
some
installations
where
a
record-player,
tape
recorder,
or
other
auxiliary
AC
operated
equip-
ment
is
used,
hum
may
be
encountered
due
to
voltage
differences
between
the
various
units.
This
may
be
eliminated
by
reversing
one
or
all
of
the
AC
power
plugs.
Simply
reverse
one
a
a
time
until
improvement
is
experienced.
An
additional
refinement
incorporated
in
the
Recital
is
the
special
hum
balance
control
located
on
the
top
of
the
chassis
near
the
front
panel.
This
is
a
screwdriver
control
which
requires
initial
adjustment.
whenever
new
tubes
are
used
in
the
amplifier
section.
To
set
this
control
properly,
place
the
function
selector
on
RIAA,
advance
the
volume
control
to
3/4
of
maximum,
and
vary
the
balance
control
for
minimum
hum.
MAINTENANCE
AND
REPAIR
Due
to
the
conservative
design
and
high
quality
components
of
the
Recital,
no
routine
maintenance
other
than
yearly
tube
-checking
is
required.
Should
trouble
develop,
however,
only
the
most
qualified
service
man
should
be
employed,
as
special
equipment
and
training
is
required
to
properly
align
a
high-fidelity
FM
re-
ceiver.
.27512A