Harman Kardon SC3 Owners Manual - Page 4

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an inconspicuous and neat installation. Do not drive the staples or tacks through the center of the wire for this may short out the two sections and will decrease the overall volume or short out the speakers entirely. 1) Plug one end of the speaker cable into the receptacle on the rear of your left speaker (this is the speaker on the left as you face the speakers). 2) Plug the other end of the speaker cable into the LEFT speaker receptacle on the rear of the receiver. 3) Similarly connect the other speaker cable to your right speaker. 4) Attach the other end of the speaker cable to the receptacle marked RIGHT on the rear of the receiver. 5) Your receiver is now connected for stereo operation. CONNECTING THE FM ANTENNA Due to the exceptionally high sensitivity of your receiver the 48" wire supplied is sufficient for all but the most difficult locations. The balanced antenna input is designed to accept a 300 ohm antenna, indoor or outdoor type. When using the antenna supplied connect one end of the 48" wire to either FM antenna terminal. Horizontal placement of the antenna offers maximum polarization for optimum reception. The antenna may be tacked to the back of the molding behind the equipment or to the shelf you use. In more remote locations, an outside Yagi, folded di-pole or omni-directional antenna is recommended (Jerrold/Taco FMP 8, FMP 10, FMP 16. For the greatest gain, an 8 to 14 element Yagi designed for the FM band is suggested. A Yagi however, is very directional and it may be desirable to use an antenna rotor if a full 360° coverage is required. For reception in the suburbs, an outside folded di-pole or omni-directional di-pole is recommended. CONNECTING A STEREO TAPE RECORDER Since most stereo tape recorders include their own record and playback pre-amplifiers, it is not desirable to connect the output of the recorder into any low level input receptacles. This will result in overloading of the low level stage and cause distortion. Connect the two tape recorder output leads to the LEFT and RIGHT TAPE AMP/AUX receptacles on the rear panel of the receiver. This will enable you to play back your stereo tapes. To make. a recording, connect the inputs of your recorder to the LEFT and RIGHT TAPE OUT receptacles. This will enable you to make a stereophonic recording with the proper recording equalization as determined by your recorder, while simultaneously listening to the program material through your speaker system. The recording signals from the TAPE OUT receptacles are unaffected by the tone controls or volume setting of the receiver to insure an absolutely flat response. CONNECTING A MONOPHONIC TAPE RECORDER If a monophonic tape recorder is to be used with your receiver connect the recorder output to either the LEFT Or RIGHT TAPE AMP/AUX input receptacle located on the rear panel. This will enable you to play back your monophonic tapes. If your recorder is stereo playback but records monophonically, connect the output as described in the previous section on connecting a stereo tape recorder. Connect the input for recording monophonically as described below. Connect the input of your recorder to either the LEFT or RIGHT TAPE OUT receptacle. This will enable you to record monophonically while simultaneously listening to the program through the receiver and speakers. 4 Operation IProcedure Every control on this receiver serves a specific useful function and is important for the proper operation of your stereo system. It is important to note that under no circumstances should this receiver be operated without either a speaker or resistive load (4 115 W) across both the output terminals. ON/OFF SWITCH The power switch is located on the volume control. In the full counter-clockwise position the receiver is off. Rotate the control clockwise to turn the receiver on. TUNING CONTROL The TUNING CONTROL is located directly to the right of the dial glass and is used to select the desired station. VOLUME CONTROL The VOLUME CONTROL on your receiver is essentially two controls in one, mechanically tied together, to be operated by one knob. The volume control varies both channels simultaneously and is used to adjust the volume level of program material fed into the stereo system. Its effect can be modified by the special Harman-Kardon CONTOUR switch. BALANCE CONTROL The nature of stereophonic reproduction is such that it requires two identical channels to attain the highest degree of faithfulness and spatial distribution. Any variation in the efficiency of one channel as compared to the other will disturb this relationship. As there may be slight differences between the location of the two speakers, tape heads, cartridge coils, etc., your receiver includes a special control to balance one channel against the other. Sufficient range is covered by this control to permit rebalancing of the overall system even in extreme cases where unbalance exists. It should be noted that the BALANCE control may be set anywhere within its range of adjustment to attain system balance.

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an
inconspicuous
and
neat
installation.
Do
not
drive
the
staples
or
tacks
through
the
center
of
the
wire
for
this
may
short
out
the
two
sections
and
will
decrease
the
overall
volume
or
short
out
the
speak-
ers
entirely.
1)
Plug
one
end
of
the
speaker
cable
into
the
re-
ceptacle
on
the
rear
of
your
left
speaker
(this
is
the
speaker
on
the
left
as
you
face
the
speakers).
2)
Plug
the
other
end
of
the
speaker
cable
into
the
LEFT
speaker
receptacle
on
the
rear
of
the
receiver.
3)
Similarly
connect
the
other
speaker
cable
to
your
right
speaker.
4)
Attach
the
other
end
of
the
speaker
cable
to
the
receptacle
marked
RIGHT
on
the
rear
of
the
receiver.
5)
Your
receiver
is
now
connected
for
stereo
operation.
CONNECTING
THE
FM
ANTENNA
Due
to
the
exceptionally
high
sensitivity
of
your
receiver
the
48"
wire
supplied
is
sufficient
for
all
but
the
most
difficult
locations.
The
balanced
antenna
input
is
designed
to
accept
a
300
ohm
antenna,
indoor
or
outdoor
type.
When
using
the
antenna
supplied
connect
one
end
of
the
48"
wire
to
either
FM
antenna
terminal.
Horizontal
placement
of
the
antenna
offers
maxi-
mum
polarization
for
optimum
reception.
The
antenna
may
be
tacked
to
the
back
of
the
mold-
ing
behind
the
equipment
or
to
the
shelf
you
use.
In
more
remote
locations,
an
outside
Yagi,
folded
di
-pole
or
omni-directional
antenna
is
re-
commended
(Jerrold/Taco
FMP
8,
FMP
10,
FMP
16.
For
the
greatest
gain,
an
8
to
14
element
Yagi
designed
for
the
FM
band
is
suggested.
A
Yagi
however,
is
very
directional
and
it
may
be
desirable
to
use
an
antenna
rotor
if
a
full
360°
coverage
is
required.
For
reception
in
the
suburbs,
an
outside
folded
di
-pole
or
omni-directional
di
-pole
is
re-
commended.
CONNECTING
A
STEREO
TAPE
RECORDER
Since
most
stereo
tape
recorders
include
their
own
record
and
playback
pre
-amplifiers,
it
is
not
desirable
to
connect
the
output
of
the
recorder
into
any
low
level
input
receptacles.
This
will
result
in
overloading
of
the
low
level
stage
and
cause
distortion.
Connect
the
two
tape
recorder
output
leads
to
the
LEFT
and
RIGHT
TAPE
AMP/AUX
receptacles
on
the
rear
panel
of
the
receiver.
This
will
enable
you
to
play
back
your
stereo
tapes.
To
make.
a
recording,
connect
the
inputs
of
your
recorder
to
the
LEFT
and
RIGHT
TAPE
OUT
re-
ceptacles.
This
will
enable
you
to
make
a
stereo-
phonic
recording
with
the
proper
recording
equali-
zation
as
determined
by
your
recorder,
while
simul-
taneously
listening
to
the
program
material
through
your
speaker
system.
The
recording
signals
from
the
TAPE
OUT
receptacles
are
unaffected
by
the
tone
controls
or
volume
setting
of
the
receiver
to
insure
an
absolutely
fl
at
response.
CONNECTING
A
MONOPHONIC
TAPE
RECORDER
If
a
monophonic
tape
recorder
is
to
be
used
with
your
receiver
connect
the
recorder
output
to
either
the
LEFT
Or
RIGHT
TAPE
AMP/AUX
input
re-
ceptacle
located
on
the
rear
panel.
This
will
enable
you
to
play
back
your
monophonic
tapes.
If
your
recorder
is
stereo
playback
but
records
monophonically,
connect
the
output
as described
in
the
previous
section
on
connecting
a
stereo
tape
recorder.
Connect
the
input
for
recording
mono-
phonically
as
described
below.
Connect
the
input
of
your
recorder
to
either
the
LEFT
or
RIGHT
TAPE
OUT
receptacle.
This
will
enable
you
to
record
monophonically
while
simul-
taneously
listening
to
the
program
through
the
re-
ceiver
and
speakers.
Operation
IP
rocedure
Every
control
on
this
receiver
serves
a
specific
useful
function
and
is
important
for
the
proper
operation
of
your
stereo
system.
It
is
important
to
note
that
under
no
circumstances
should
this
receiver
be
operated
without
either
a
speaker
or
resistive
load
(4
115
W)
across
both
the
output
terminals.
ON/OFF
SWITCH
The
power
switch
is
located
on
the
volume
con-
trol.
In
the
full
counter
-clockwise
position
the
re-
ceiver
is
off.
Rotate
the
control
clockwise
to
turn
the
receiver
on.
TUNING
CONTROL
The
TUNING
CONTROL
is
located
directly
to
the
right
of
the
dial
glass
and
is
used
to
select
the
desired
station.
VOLUME
CONTROL
The
VOLUME
CONTROL
on
your
receiver
is
essentially
two
controls
in
one,
mechanically
tied
together,
to
be
operated
by
one
knob.
The
volume
control
varies
both
channels
simultaneously
and
is
used
to
adjust
the
volume
level
of
program
material
fed
into
the
stereo
system.
Its
effect
can
be
modified
by
the
special
Harman-Kardon
CONTOUR
switch.
BALANCE
CONTROL
The
nature
of
stereophonic
reproduction
is
such
that
it
requires
two
identical
channels
to
attain
the
highest
degree
of
faithfulness
and
spatial
distribu-
tion.
Any
variation
in
the
efficiency
of
one
channel
as
compared
to
the
other
will
disturb
this
relation-
ship.
As
there
may
be
slight
differences
between
the
location
of
the
two
speakers,
tape
heads,
cart-
ridge
coils,
etc.,
your
receiver
includes
a
special
control
to
balance
one
channel
against
the
other.
Sufficient
range
is
covered
by
this
control
to
permit
rebalancing
of
the
overall
system
even
in
extreme
cases
where
unbalance
exists.
It
should
be
noted
that
the
BALANCE
control
may
be
set
anywhere
within
its
range
of
adjustment
to
attain
system
balance.
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