Harman Kardon TA260 Owners Manual - Page 9

Equalization, Switch, Scratch, Rumble, Filter, Power, On/Off, Speaker, Phasing

Page 9 highlights

throw the MAGNETIC INPUT switch to position 1 for phono and to position 2 to play back your tapes. NOTE that operation of the MAGNETIC INPUT switch may require resetting of the EQUALIZATION switch as explained below. Equalization Switch: In order to achieve good reproduction of the wide range of frequencies in music and to make necessary adjustments for the limitations of the recording technique, record manufacturers have found it necessary to modify the actual frequency response of the music while it is being recorded. Thus, to avoid overcutting and consequent distortion, a measured and deliberate reduction is effected in low frequency response by selecting a "turnover frequency" and by recording attenuated response below that point. To assure optimum signal to noise at the high frequency end when the record is played at home, the highs are deliberately exaggerated during the recording process. A measured and deliberate boost is effected above a certain frequency. This combination of deliberate exaggeration at the low and high ends of the frequency response can be expressed in a recording curve. When the record is played a mirror image of that curve should be available so that the ideal "flat" response may be achieved. The front panel EQUALIZATION switch selects the proper equalization for record and tape play back. When playing records with a magnetic cartridge throw this switch to the RIAA position. When playing tapes throw the switch to NARTB. The EQUALIZATION switch must always be properly set in order to achieve best tone balance. Scratch Filter: In the event of objectionable high frequency record scratch throw the SCRATCH FILTER switch to ON. This will roll off the higher frequencies to clear up your older records. Rumble Filter Switch: At times, record changers, turntables and even some FM stations produce an objectionable low frequency signal that is strong enough to be introduced into the playback system. This is known as rumble and can be eliminated by the special low frequency roll off switch on the front panel. Whenever rumble is encountered throw the RUMBLE FILTER to ON. Power On/Off Switch: Depress the red push button power ON/OFF switch to turn the set on. Depress the button again to turn the set off. Speaker Phasing Switch: When more than one speaker is used in any music reproducing system they must be connected in a manner as to aid each other, rather than to work against one another. Since it is necessary to use two speakers for stereophonic reproduction, this caution appplies. Checking for proper phase, and correcting if necessary, is quite simple. Place the MODE-BLEND control in the MONOPHONIC position and play a monophonic record with readily apparent bass tones. Listen carefully to the strength and clarity of the bass while moving the speaker PHASING switch, located on the chassis, back and forth between 0° and 180°. Select the position on the PHASING switch which gives maximum bass reproduction. Once the phase is established the PHASING switch may remain in the set position or may be switched as preferred to test for proper phasing at any time. Improper speaker phasing will create what is commonly termed as a "hole in the middle" effect for

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throw
the
MAGNETIC
INPUT
switch
to
position
1
for
phono
and
to
position
2
to
play
back
your
tapes.
NOTE
that
operation
of
the
MAGNETIC
INPUT
switch
may
require
re-
setting
of
the
EQUALIZATION
switch
as
explained
below.
Equalization
Switch:
In
order
to
achieve
good
reproduction
of
the
wide
range
of
frequencies
in
music
and
to
make
necessary
adjustments
for
the
limitations
of
the
recording
technique,
record
manufacturers
have
found
it
necessary
to
modify
the
actual
frequency
response
of
the
music
while
it
is
being
recorded.
Thus,
to
avoid
over
-
cutting
and
consequent
distortion,
a
measured
and
deliberate
reduction
is
effected
in
low
frequency
response
by
selecting
a
"turnover
frequency"
and
by
recording
attenuated
response
below
that
point.
To
assure
optimum
signal
to
noise
at
the
high
frequency
end
when
the
record
is
played
at
home,
the
highs
are
deliberately
exaggerated
during
the
recording
process.
A
measured
and
deliberate
boost
is
effected
above
a
certain
frequency.
This
combination
of
deliberate
exaggeration
at
the
low
and
high
ends
of
the
frequency
response
can
be
expressed
in
a
record-
ing
curve.
When
the
record
is
played
a
mirror
image
of
that
curve
should
be
available
so
that
the
ideal
"flat"
response
may
be
achieved.
The
front
panel
EQUALIZATION
switch
selects
the
proper
equalization
for
record
and
tape
play
back.
When
playing
records
with
a
magnetic
cartridge
throw
this
switch
to
the
RIAA
position.
When
playing
tapes
throw
the
switch
to
NARTB.
The
EQUALIZATION
switch
must
always
be
properly
set
in
order
to
achieve
best
tone
balance.
Scratch
Filter:
In
the
event
of
objectionable
high
frequency
record
scratch
throw
the
SCRATCH
FILTER
switch
to
ON.
This
will
roll
off
the
higher
frequencies
to
clear
up
your
older
records.
Rumble
Filter
Switch:
At
times,
record
changers,
turntables
and
even some
FM
stations
produce
an
objectionable
low
frequency
signal
that
is
strong
enough
to
be
introduced
into
the
playback
system.
This
is
known
as
rumble
and
can
be
eliminated
by
the
special
low
frequency
roll
off
switch
on
the
front
panel.
Whenever
rumble
is
encountered
throw
the
RUMBLE
FILTER
to
ON.
Power
On/Off
Switch:
Depress
the
red
push
button
power
ON/OFF
switch
to
turn
the
set
on.
Depress
the
button
again
to
turn
the
set
off.
Speaker
Phasing
Switch:
When
more
than
one
speaker
is
used
in
any
music
reproducing
system
they
must
be
connected
in
a
manner
as
to
aid
each
other,
rather
than
to
work
against
one
another.
Since
it
is
necessary
to
use
two
speakers
for
stereophonic
reproduc-
tion,
this
caution
appplies.
Checking
for
proper
phase,
and
correcting
if
necessary,
is
quite
simple.
Place
the
MODE
-BLEND
control
in
the
MONOPHONIC
position
and
play
a
monophonic
record
with
readily
apparent
bass
tones.
Listen
carefully
to
the
strength
and
clarity
of
the
bass
while
moving
the
speaker
PHASING
switch,
located
on
the
chassis,
back
and
forth
between
and
180°.
Select
the
position
on
the
PHASING
switch
which
gives
maximum
bass
reproduction.
Once
the
phase
is
established
the
PHASING
switch
may
remain
in
the
set
position
or
may
be
switched
as
preferred
to
test
for
proper
phasing
at
any
time.
Improper
speaker
phasing
will
create
what
is
commonly
termed
as
a
"hole
in
the
middle"
effect
for