Harman Kardon VPM500 Owners Manual - Page 8

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SECTIONIII: HOOK I NG UP THE VPM500 A note on not falling flat on your face. A floormounted VPM500 is going to have at least two and as many as eight cables running to various parts of your room. Since you will be viewing the VPM500 in a darkened room, and since it is almost a given that many of your friends and family will be enjoying the Home Theater experience with you, safe cable arrangement is extremely important. If possible, try to run cables and hook-up wires in such a way as to avoid pratfalls. Under carpeting or rugs is a good approach. If this is not possible, consider flat cable guides, available at hardware and building supply stores, to conceal cables and provide a flatter, less trippable surface to tread on. Video source quality. The VPM500 magnifies not only the dramatic visual impact of video, but also flaws in picture quality which may not have been visible on smaller sets. Therefore it is important to make sure that your video source is of good quality. Your TV antenna is an extremely important component in the VPM500 signal chain. If you have previously relied on an inside antenna, this may be the time to invest in a good line-of-sight exterior, allchannel antenna with high quality 75-ohm cable. If your existing outdoor antenna is small or over ten years old, you should consider investing in a larger, more modern one, or at least placing the antenna on a higher mast, adding a rotator and/or checking the signal path for deteriorated cable and other aging problems. If cable TV service is available in your area, this may be the time to have it installed. The minimal monthly cost will repay you handsomely in added big screen video subject matter. If remote control cable boxes are available, by all means get one to save steps once you're settled in front of the VPINI500. Needless to say, the quality of the tuner (either the tuner in your VCR or a separate component) used to receive these broadcast sources will also directly affect your VPM500's performance. If you are using the tuner in a VCR, it is desirable to have a model with remote control, including enough presets to cover all the stations you normally watch. An excellent source of high quality video and stereo sound is the laser video disc. Its quality is significantly better than that of commercial video tapes and can be truly appreciated on the VPM500 . Much of your viewing will probably be videocassettes, either pre-recorded or taped from broadcast channels. Once again, their quality (or lack thereof) will be far more obvious on the VPM500. If you usually record in the 6-hour mode, you may want to buy a few more blank tapes and stick to the higher quality 2-hour or 4hour modes. Make sure you buy a good grade of blank tape, too. Economizing on a cheap offbrand will be painfully obvious when viewed over the VPM500. If you are considering a new VCR, shop for a good quality model with HQ circuitry, such as the Harman Kardon VCD2000 or VCD4000. HQ provides a noticeable picture quality improvement on tapes you record yourself, and yet is totally compatible with pre-recorded videocassettes. A 4-head deck is not totally necessary since the extra heads are used to improve special effects and somewhat improve the 6-hour mode. However there is one feature most often found on higher quality decks, like the Harman Kardon VCD2000 and VCD4000 which will greatly enhance your Home Theater Experience: VHS Hi-fi. Since you will be pairing the VPM500's superb picture with full-range stereo sound, you can take full advantage of VHS Hi-fi's ability to deliver sound quality almost as good as Compact Discs! If you record concerts or can receive MTS stereo broadcasts, the increased frequency response and dynamic range of VHS Hi-fi is more than worth the small added cost of this feature. Also, most new videocassette movie releases have a VHS Hi-fi soundtrack as well as the regular one, allowing you to see blockbuster films with blockbuster sound, just like in the theater. There is one more element in your signal chain which becomes more critical with the VPM500's fantastic powers of resolution. The cable which runs from your video source to the VPINI500 is terminated in standard "RCA phono" plugs, just like the connections on your stereo. This leads to the temptation to simply buy an inexpensive audio cable. Unfortunately, the video signal running to the VPM500 is of a much higher frequency than audio and is more prone to signal loss through low grade wire. For the best possible picture, we suggest investing in high quality cables intended for video use. The VPM500 and your hi-fi system. To enjoy the Home Theater experience, you need nothing more than a good video signal source, your VPM500 and a stereo speaker on each side of the screen. However, there are several reasons to consider interconnecting the VPM500 with your existing stereo if it is in the same room. The first of these is convenience. If you own a receiver or integrated amplifier which includes video inputs and switching, you can take advantage of these features to switch video inputs and dub between VCR's or laser disc players. But the main reason to consider interconnection is the ability to use your existing stereo speakers, amplifier and its tone controls to provide more power and enhanced sound for your Home Theater. And you don't even need a receiver with special video inputs for this, since the VPM500 has its own set of audio outputs which can be routed back into a spare input on your receiver or amp. Of course in either case, your stereo system's speakers must be placed on each side of the VPM500's screen. We will discuss two different approaches to incorporating your existing system farther on. One possible negative factor to consider is the fact that completely by-passing the VPM500's audio inputs (that is, connecting the outputs of your VCR or video tuner directly to your hi-fi system rather than directly to the VPM500) robs you of the convenience of remotely controlling volume, tone and balance. In this case, the solution is one of the new generation of remote control receivers, making sure your stereo system is within arm's length of your favorite viewing position or investing in a VCR that has its own remote-controlled volume, such as the Harmon Kardon VCD4000.

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SECTIONIII:
HOOK
I
NG
UP
THE
VPM500
A
note
on
not
falling
flat
on
your
face.
A
floor
-
mounted
VPM500
is
going
to
have
at
least
two
and
as
many
as
eight
cables
running
to
various
parts
of
your
room.
Since
you
will
be
viewing
the
VPM500
in
a
darkened
room,
and
since
it
is
almost
a
given
that
many
of
your
friends
and
family
will
be
enjoying
the
Home
Theater
experience
with
you,
safe
cable
arrangement
is
extremely
important.
If
possible,
try
to
run
cables
and
hook-up
wires
in
such
a
way
as
to
avoid
pratfalls.
Under
carpeting
or
rugs
is
a
good
approach.
If
this
is
not
possible,
consider
flat
cable
guides,
available
at
hardware
and
building
supply
stores,
to conceal
cables
and
pro-
vide
a
flatter,
less
trippable
surface
to
tread
on.
Video
source
quality.
The
VPM500
magnifies
not
only
the
dramatic
visual
impact
of
video,
but
also
flaws
in
picture
quality
which
may
not
have
been
visible
on
smaller
sets.
Therefore
it
is
important
to
make
sure
that
your
video
source
is
of
good
quality.
Your
TV
antenna
is
an
extremely
impor-
tant
component
in
the
VPM500
signal
chain.
If
you
have
previously
relied
on
an
inside
antenna,
this
may
be
the
time
to
invest
in
a
good
line
-of
-sight
exterior,
all
-
channel
antenna
with
high
quality
75
-ohm
cable.
If
your
existing
outdoor
antenna
is
small
or
over
ten
years
old,
you
should
consider
investing
in
a
larger,
more
mod-
ern
one,
or
at
least
placing
the
antenna
on
a
higher
mast,
adding
a
rotator
and/or
checking
the
signal
path
for
deteriorated
cable
and
other
aging problems.
If
cable
TV
service
is
available
in
your
area,
this
may
be
the
time
to
have
it
installed.
The
minimal
monthly
cost
will
repay
you
handsomely
in
added
big
screen
video
subject
matter.
If
remote
control
cable
boxes
are
available,
by
all
means
get
one
to
save
steps
once
you're
settled
in
front
of
the
VPINI500.
Needless
to
say,
the
quality
of
the
tuner
(either
the
tuner
in
your
VCR
or
a
separate
component)
used
to
receive
these
broad-
cast
sources
will
also
directly
affect
your
VPM500's
performance.
If
you
are
using
the
tuner
in
a
VCR,
it
is
desirable
to
have
a
model
with
remote
control,
including
enough
presets
to
cover
all
the
stations
you
normally
watch.
An
excellent
source
of
high
quality
video
and
stereo
sound
is
the
laser
video
disc.
Its
quality
is
significantly
better
than
that
of
commercial
video
tapes
and
can
be
truly
appreciated
on
the
VPM500
.
Much
of
your
viewing
will
probably
be
videocassettes,
either
pre-recorded
or
taped
from
broadcast
channels.
Once
again,
their
quality
(or
lack
thereof)
will
be
far
more
obvious
on
the
VPM500.
If
you
usually
record
in
the
6
-hour
mode,
you
may
want
to
buy
a
few
more
blank
tapes
and
stick
to
the
higher
quality
2
-hour
or
4
-
hour
modes.
Make
sure
you
buy
a
good
grade
of
blank
tape,
too.
Economizing
on
a
cheap
offbrand
will
be
painfully
obvious
when
viewed
over
the
VPM500.
If
you
are
considering
a
new
VCR,
shop
for
a
good
quality
model
with
HQ
circuitry,
such
as
the
Harman
Kardon
VCD2000
or
VCD4000.
HQ
provides
a
noticeable
pic-
ture
quality
improvement
on
tapes
you
record
yourself,
and
yet
is
totally
compati-
ble
with
pre-recorded
videocassettes.
A
4
-head
deck
is
not
totally
necessary
since
the
extra
heads
are
used
to
improve
special
effects
and
somewhat
improve
the
6
-hour
mode.
However
there
is
one
feature
most
often
found
on
higher
quality
decks,
like
the
Harman
Kardon
VCD2000
and
VCD4000
which
will
greatly
enhance
your
Home
Theater
Experience:
VHS
Hi-fi.
Since
you
will
be
pairing
the
VPM500's
superb
picture
with
full
-range
stereo
sound,
you
can
take
full
advantage
of
VHS
Hi-fi's
ability
to
deliver
sound
quality
almost
as
good
as
Compact
Discs!
If
you
record
concerts
or
can
receive
MTS
stereo
broadcasts,
the
increased
frequency
response
and
dynamic
range
of
VHS
Hi-fi
is
more
than
worth
the
small
added
cost
of
this
feature.
Also,
most
new
videocassette
movie
releases
have
a
VHS
Hi-fi
sound-
track
as
well
as
the
regular
one,
allowing
you
to
see
blockbuster
films
with
block-
buster
sound,
just
like
in
the
theater.
There
is
one
more
element
in
your
signal
chain
which
becomes
more
critical
with
the
VPM500's
fantastic
powers
of
resolu-
tion.
The
cable
which
runs
from
your
video
source
to
the
VPINI500
is
terminated
in
standard
"RCA
phono"
plugs,
just
like
the
connections
on
your
stereo.
This
leads
to
the
temptation
to
simply
buy
an
inex-
pensive
audio
cable.
Unfortunately,
the
video
signal
running
to
the
VPM500
is
of
a
much
higher
frequency
than
audio
and
is
more
prone
to
signal
loss
through
low
grade
wire.
For
the
best
possible
picture,
we
suggest
investing
in
high
quality
cables
intended
for
video
use.
The
VPM500
and
your
hi-fi
system.
To
enjoy
the
Home
Theater
experience,
you
need
nothing
more
than
a
good
video
signal
source,
your
VPM500
and
a
stereo
speaker
on
each
side
of
the
screen.
How-
ever,
there
are
several
reasons
to
consider
interconnecting
the
VPM500
with
your
existing
stereo
if
it
is
in
the
same
room.
The
first
of
these
is
convenience.
If
you
own
a
receiver
or
integrated
amplifier
which
includes
video
inputs
and
switch-
ing,
you
can
take
advantage
of
these
fea-
tures
to
switch
video
inputs
and
dub
between
VCR's
or
laser
disc
players.
But
the
main
reason
to
consider
intercon-
nection
is
the
ability
to
use
your
existing
stereo
speakers,
amplifier
and
its
tone
controls
to
provide
more
power
and
enhanced
sound
for
your
Home
Theater.
And
you
don't
even
need
a
receiver
with
special
video
inputs
for
this,
since
the
VPM500
has
its
own
set
of
audio
outputs
which
can
be
routed
back
into
a
spare
input
on
your
receiver
or
amp.
Of
course
in
either
case,
your
stereo
system's
speak-
ers
must
be
placed
on
each
side
of
the
VPM500's
screen.
We
will
discuss
two
different
approaches
to
incorporating
your
existing
system
farther
on.
One
possible
negative
factor
to
consider
is
the
fact
that
completely
by-passing
the
VPM500's
audio
inputs
(that
is,
con-
necting
the
outputs
of
your
VCR
or
video
tuner
directly
to
your
hi-fi
system
rather
than
directly
to
the
VPM500)
robs
you
of
the
convenience
of
remotely
controlling
volume,
tone
and
balance.
In
this
case,
the
solution
is
one
of
the
new
generation
of
remote
control
receivers,
making
sure
your
stereo
system
is
within
arm's
length
of
your
favorite
viewing
position
or
investing
in
a
VCR
that
has
its
own
remote
-controlled
volume,
such
as
the
Harmon
Kardon
VCD4000.