Mackie Onyx 1640i Quick Start Guide - Page 14

Control Room/Phones/Meters CONTROL ROOM OUTPUTS The 1/4" TRS stereo control room outputs can be used to run a separate sound system in a control room or a different zone. Connect these outputs to the line-level inputs of an amplifier running passive studio monitors, or to the inputs of powered studio monitors. The headphones play the same program material as the control room. The meters show the levels prior to the control room and phones level controls. Assign to Main Mix Except for the main mix, whatever is selected as a source for your control room and phones can also be routed to the main mix by pressing this switch. The main mix does not play in the control room or phones if this switch is engaged. CONTROL ROOM/PHONES SOURCE The source that plays in the control room, headphones, and meters is selected using the switches in the control room/phones source matrix: • Main L-R mix • Stereo tape inputs • Sub 1-2 / Sub 3-4 • FW 1-2: The stereo FireWire 1-2 output from your computer • A combination of all four above Select one or more of these, or there will be no sound in the control room or phones, and no indication on the meters (unless a solo button is engaged). Main Mix Select main mix to listen to the main mix in the control room or headphones. The meters show the levels after the main mix fader. Tape Select tape to listen to the RCA tape input in the control room or headphones. The Solo meters show the level coming in from your tape or CD player. Press "assign to main mix" to play intermission music in your main mix. Control Room Outputs 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT LINE BAL/UNBAL ONYX MIC PRE LINE BAL/UNBAL ONYX MIC PRE LINE BAL/UNBAL ONYX MIC PRE LINE BAL/UNBAL ONYX MIC PRE LINE BAL/UNBAL ONYX MIC PRE LINE BAL/UNBAL ONYX MIC PRE LINE BAL/UNBAL ONYX MIC PRE LINE BAL/UNBAL ONYX MIC PRE LINE BAL/UNBAL ONYX MIC PRE LINE BAL/UNBAL ONYX MIC PRE LINE BAL/UNBAL ONYX MIC PRE LINE BAL/UNBAL ONYX MIC PRE LINE BAL/UNBAL ONYX MIC PRE LINE BAL/UNBAL ONYX MIC PRE HI-Z BAL/UNBAL ONYX MIC PRE HI-Z BAL/UNBAL ONYX MIC PRE TALKBACK MIC +48v BALANCED R L MAIN OUT BAL /UNBAL L MONO MAIN INSERT (TIP=SEND RING=RTN) L TAPE IN OUT L CTRL-RM OUT BAL /UNBAL L SUB OUT BAL/UNBAL 3 1 AUX RETURN BAL/UNBAL 4 3 2 L L L 1 L AUX SEND BAL/UNBAL 5 3 1 (MONO) (MONO) (MONO) (MONO) 4 2 6 4 2 MAIN OUTPUT LEVEL POWER ON +4dB MIC R R R R +6 OO FIREWIRE R R R R 9-16 RECORDING OUTS POST GAIN PRE INSERT BALANCED 1- 8 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 LINE FW 1 LINE FW 2 LINE FW 3 LINE FW 4 LINE FW 5 LINE FW 6 LINE FW 7 LINE FW 8 LINE FW 9 LINE FW 10 LINE FW 11 LINE FW 12 LINE FW 13 LINE FW 14 LINE FW 15 LINE FW 16 48V 48V 48V 48V 48V 48V 48V 48V 48V 48V 48V 48V 48V 48V 48V 48V 75Hz 18dB/OCT 75Hz 18dB/OCT 75Hz 18dB/OCT 75Hz 18dB/OCT 75Hz 18dB/OCT 75Hz 18dB/OCT 75Hz 18dB/OCT 75Hz 18dB/OCT 75Hz 18dB/OCT 75Hz 18dB/OCT 75Hz 18dB/OCT 75Hz 18dB/OCT 75Hz 18dB/OCT 75Hz 18dB/OCT GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 U U U U U U U U U U U U U U U U 20 40 20 40 20 40 20 40 20 40 20 40 20 40 20 40 20 40 20 40 20 40 20 40 20 40 20 40 20 40 20 40 U 60 -20dB +40dB SEND PRE POST U 60 -20dB +40dB SEND PRE POST U 60 -20dB +40dB SEND PRE POST U 60 -20dB +40dB SEND PRE POST U 60 -20dB +40dB SEND PRE POST U 60 -20dB +40dB SEND PRE POST U 60 -20dB +40dB SEND PRE POST U 60 -20dB +40dB SEND PRE POST U 60 -20dB +40dB SEND PRE POST U 60 -20dB +40dB SEND PRE POST U 60 -20dB +40dB SEND PRE POST U 60 -20dB +40dB SEND PRE POST U 60 -20dB +40dB SEND PRE POST U 60 -20dB +40dB SEND PRE POST U 60 -20dB +40dB SEND PRE POST U 60 -20dB +40dB SEND PRE POST U HIGH 12kHz U HIGH 12kHz U HIGH 12kHz U HIGH 12kHz U HIGH 12kHz U HIGH 12kHz U HIGH 12kHz U HIGH 12kHz U HIGH 12kHz U HIGH 12kHz U HIGH 12kHz U HIGH 12kHz U HIGH 12kHz U HIGH 12kHz U HIGH 12kHz U HIGH 12kHz -15 +15 2k -15 +15 2k -15 +15 2k -15 +15 2k -15 +15 2k -15 +15 2k -15 +15 2k -15 +15 2k -15 +15 2k -15 +15 2k -15 +15 2k -15 +15 2k -15 +15 2k -15 +15 2k -15 +15 2k -15 +15 2k FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ 400 8k 400 8k 400 8k 400 8k 400 8k 400 8k 400 8k 400 8k 400 8k 400 8k 400 8k 400 8k 400 8k 400 8k 400 8k 400 8k U HIGH MID U HIGH MID U HIGH MID U HIGH MID U HIGH MID U HIGH MID U HIGH MID U HIGH MID U HIGH MID U HIGH MID U HIGH MID U HIGH MID U HIGH MID U HIGH MID U HIGH MID U HIGH MID -15 +15 400 -15 +15 400 -15 +15 400 -15 +15 400 -15 +15 400 -15 +15 400 -15 +15 400 -15 +15 400 -15 +15 400 -15 +15 400 -15 +15 400 -15 +15 400 -15 +15 400 -15 +15 400 -15 +15 400 -15 +15 400 FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ 100 2k U LOW MID 100 2k U LOW MID 100 2k U LOW MID 100 2k U LOW MID 100 2k U LOW MID 100 2k U LOW MID 100 2k U LOW MID 100 2k U LOW MID 100 2k U LOW MID 100 2k U LOW MID 100 2k U LOW MID 100 2k U LOW MID 100 2k U LOW MID 100 2k U LOW MID 100 2k U LOW MID 100 2k U LOW MID PREMIUM ANALOG MIXER w/ PERKINS EQ & FIREWIRE LAMP 12V 0.5A CTRL ROOM/PHONES SOURCE MAIN MIX TAPE SUB 1-2 SUB 3-4 FW 1-2 ASSIGN TO MAIN MIX OO MAX CONTROL ROOM OO MAX PHONES 0dB=0dBu LR 20 CLIP 15 10 6 3 0 2 LEVEL SET 4 7 10 20 30 RUDE SOLO OO OO -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz -15 +15 EQ OUT IN -15 +15 EQ OUT IN -15 +15 EQ OUT IN -15 +15 EQ OUT IN -15 +15 EQ OUT IN -15 +15 EQ OUT IN -15 +15 EQ OUT IN -15 +15 EQ OUT IN -15 +15 EQ OUT IN -15 +15 EQ OUT IN -15 +15 EQ OUT IN -15 +15 EQ OUT IN -15 +15 EQ OUT IN -15 +15 EQ OUT IN -15 +15 EQ OUT IN -15 +15 EQ OUT IN OO MAX TAPE IN TAPE TO MAIN MIX OO MAX SOLO LEVEL PFL AFL SOLO MODE 1 AUX 1 MAX OO 2 AUX 1 MAX OO 3 AUX 1 MAX OO 4 AUX 1 MAX OO 5 AUX 1 MAX OO 6 AUX 1 MAX OO 7 AUX 1 MAX OO 8 AUX 1 MAX OO 9 AUX 1 MAX OO 10 AUX 1 MAX OO OO 11 AUX 1 MAX 12 AUX 1 MAX OO 13 AUX 1 MAX OO 14 AUX 1 MAX OO 15 AUX 1 MAX OO 16 AUX 1 MAX OO SENDS 1-6 TO FW 9-14 SENDS 1 SOLO +15 AUX MASTER RETURNS PRE POST 1 EFX TO MON OO OO +10 +10 TO AUX 5 OO 2 MAX 2 MAX OO OO 2 MAX 2 MAX OO OO OO OO 2 MAX 2 MAX 2 MAX 2 MAX 2 MAX 2 MAX 2 MAX OO OO OO OO OO 2 MAX 2 MAX OO OO 2 MAX 2 MAX OO 2 MAX OO 2 +15 SOLO PRE POST OO 2 OO +10 +10 TO AUX 6 OO 3 MAX 3 MAX OO OO 3 MAX 3 MAX OO OO OO OO 3 MAX 3 MAX 3 MAX 3 MAX 3 MAX 3 MAX 3 MAX OO OO OO OO OO 3 MAX 3 MAX OO OO 3 MAX 3 MAX OO 3 MAX OO 3 +15 SOLO PRE POST OO 3 +10 SEND TO 4 MAX 4 MAX 4 MAX 4 MAX 4 MAX 4 MAX 4 MAX 4 MAX 4 MAX 4 MAX 4 MAX 4 MAX 4 MAX 4 MAX 4 MAX 4 MAX 4 +15 SOLO PRE POST 4 +10 MAIN SUBS OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO 5 MAX 6 MAX PAN OO OO 5 MAX 6 MAX PAN OO OO 5 MAX 6 MAX PAN OO OO 5 MAX 6 MAX PAN OO OO 5 MAX 6 MAX PAN OO OO 5 MAX 6 MAX PAN OO OO 5 MAX 6 MAX PAN OO OO 5 MAX 6 MAX PAN OO OO 5 MAX 6 MAX PAN OO OO 5 MAX 6 MAX PAN OO OO 5 MAX 6 MAX PAN OO OO 5 MAX 6 MAX PAN OO OO 5 MAX 6 MAX PAN OO OO 5 MAX 6 MAX PAN OO OO 5 MAX 6 MAX PAN OO OO 5 MAX 6 MAX PAN OO OO 5 +15 6 +15 SOLO SOLO PRE POST CR/PHONES ONLY PRE POST SUBS 1-2 3-4 POWER DESTINATION MIC OO OO OO OO L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R PHONES AUX 1-6 OO MAX LEVEL MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE TALKBACK EXTERNAL MIC SUB ASSIGN L L L L MAIN MIX MAIN MIX MAIN MIX MAIN MIX R R R R ASSIGN TO FW 15-16 SUB1 SUB2 SUB3 SUB4 dB OL OL OL OL OL OL OL OL OL OL OL OL OL OL OL OL 10 +10 +10 +10 +10 +10 +10 +10 +10 +10 +10 +10 +10 +10 +10 +10 +10 5 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 U -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 5 SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN 10 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 20 30 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 40 50 60 MAIN MIX MAIN MIX MAIN MIX MAIN MIX MAIN MIX MAIN MIX MAIN MIX MAIN MIX MAIN MIX MAIN MIX MAIN MIX MAIN MIX MAIN MIX MAIN MIX MAIN MIX MAIN MIX SOLO 1 SOLO 2 SOLO 3 SOLO 4 SOLO 5 SOLO 6 SOLO 7 SOLO 8 SOLO 9 SOLO SOLO SOLO SOLO SOLO SOLO SOLO SUBS 1-4 TO FW 5-8 10 11 12 13 14 15 16 SUB1 SUB2 SUB3 SUB4 MAIN MIX OO Headphones Solo Level Solo Mode CTRL ROOM/PHONES SOURCE Sub 1-2/3-4 Select sub 1-2 / 3-4 to listen to the sub 1-2 / 3-4 mix in the control room or headphones. The meters show the levels after the subs faders. FW 1-2 Select FW 1-2 to listen in the control room or headphones to the FireWire 1 and 2 audio streams coming from your computer. The meters will show the levels of the signals coming in from your computer. MAIN MIX TAPE SUB 1-2 SUB 3-4 FW 1-2 ASSIGN TO MAIN MIX OO MAX CONTROL ROOM OO MAX PHONES OO MAX TAPE IN TAPE TO MAIN MIX Control Room/ Phones Source Assign to Main Mix Control Room Level Phones Level Tape In Level Tape to Main Mix 14 Onyx 1640i